Comprised, in part, of an overspill from Opus D'Oeuvre and also of several fresh cycles, this short text expands on the relationship between sin and grace on the one hand and crime and punishment on the other, by incorporating, in more detail than ever before, anthropomorphic distinctions between ‘Father’ and ‘Son’ in the one case and ‘Daughter’ and ‘Mother’ in the other, showing how all such symbols can be applied to religion and what the consequences are when they are seen in a religious light. Also of especial importance here is the correction which John O’Loughlin was at last able to make concerning an old phrase ('salvation from sins and/or punishments of the world') that had been taken for granted in certain previous texts, but was finally dealt its death-blow here in what, with its philosophical consistency and greater profundity, the author likes to think of as one of his leading cyclical works. – A Centretruths editorial.
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