Chapter XVI
The room into which the three were ushered was the Controller's
study.
"His fordship will be down in a moment." The Gamma butler left them to themselves.
Helmholtz
laughed aloud.
"It's more like a
caffeine-solution party than a trial," he said, and let himself fall into
the most luxurious of the pneumatic armchairs.
"Cheer up, Bernard," he added, catching sight of his friend's
green unhappy face. But Bernard would not
be cheered; without answering, without even looking at Helmholtz,
he went and sat down on the most uncomfortable chair in the room, carefully
chosen in the obscure hope of somehow deprecating the wrath of the higher
powers.
The Savage meanwhile
wandered restlessly round the room, peering with a vague superficial
inquisitiveness at the books on the shelves, at the soundtrack rolls and the
reading-machine bobbins in their numbered pigeon-holes. On the table under the window lay a massive
volume bound in limp black leather-surrogate, and stamped with large golden
T's. He picked it up and opened it. MY LIFE AND WORK, BY OUR FORD.
The book had been published at
Mustapha Mond shook hands with all three of them; but it was to the
Savage that he addressed himself.
"So you don't much like civilization, Mr Savage," he said.
The Savage looked at
him. He had been prepared to lie, to
bluster, to remain sullenly unresponsive; but, reassured by the good-humoured
intelligence of the Controller's face, he decided to tell the truth, straightforwardly. "No." He shook his head.
Bernard started and
looked horrified. What would the
Controller think? To be labelled as the
friend of a man who said that he didn't like civilization, said it openly and,
of all people, to the Controller - it was terrible. "But, John," he began. A look from Mustapha Mond
reduced him to an abject silence.
"Of course,"
the Savage went on to admit, "there are some very
nice things. All that music in the air,
for instance ..."
"Sometimes a
thousand twangling instruments will hum about my
ears, and sometimes voices."
The Savage's face lit
up with a sudden pleasure. "Have
you read it too?" he asked. "I
thought nobody knew about that book here, in
"Almost
nobody. I'm one of the very
few. It's prohibited, you see. But as I make the laws here, I can also break
them. With impunity, Mr Marx," he
added, turning to Bernard. "Which
I'm afraid you can't do."
Bernard sank into a
yet more hopeless misery.
"But why is it
prohibited?" asked the Savage. In
the excitement of meeting a man who had read Shakespeare he had momentarily
forgotten everything else.
The Controller
shrugged his shoulders. "Because
it's old; that's the chief reason. We
haven't any use for old things here."
"Even
when they're beautiful?"
"Particularly
when they're beautiful. Beauty's
attractive, and we don't want people to be attracted by old things. We want them to like the new ones."
"But the new ones
are so stupid and horrible. Those plays,
where there's nothing but helicopters flying about and you feel the
people kissing." He made a
grimace. "Goats
and monkeys!" Only in
Othello's words could he find an adequate vehicle for his contempt and hatred.
"Nice tame
animals, anyhow," the Controller murmured parenthetically.
"Why don't you let
them see Othello instead?"
"I've told you;
it's old. Besides, they couldn't
understand it."
Yes, that was
true. He remembered how Helmholtz had laughed at Romeo and Juliet. "Well, then," he said, after a
pause, "something new that's like Othello, and that they could
understand."
"That's what
we've all been wanting to write," said Helmholtz, breaking a long silence.
"And it's what
you never will write," said the Controller. "Because, if it were
really like Othello nobody could understand it, however new it might be. And if it were new, it couldn't possibly be
like Othello."
"Why
not?"
"Yes,
why not?" Helmholtz repeated. He too was forgetting the unpleasant
realities of the situation. Green with
anxiety and apprehension, only Bernard remembered them; the others ignored
him. "Why
not?"
"Because
our world is not the same as Othello's world. You can't make flivvers without steel - and
you can't make tragedies without social instability. The world's stable now. People are happy; they get what they want,
and they never want what they can't get.
They're well off; they're safe; they're never ill; they're not afraid of
death; they're blissfully ignorant of passion and old age; they're plagued with
no mothers or fathers; they've got no wives, or children, or lovers to feel
strongly about; they're so conditioned that they practically can't help
behaving as they ought to behave. And if
anything should go wrong, there's soma.
Which you go and chuck out of the window in the name
of liberty, Mr Savage.
The Savage was silent
for a little. "All the same,"
he insisted obstinately, "Othello's good, Othello's better
than those feelies."
"Of course it
is," the Controller agreed.
"But that's the price we have to pay for stability. You've got to choose between happiness and
what people used to call high art. We've
sacrificed the high art. We have the feelies and the scent organ instead."
"But they don't
mean anything."
"They mean
themselves; they mean a lot of agreeable sensations to the audience ..."
"But they're ...
they're told by an idiot."
The Controller
laughed. "You're not being very
polite to your friend, Mr Watson. One of
our most distinguished Emotional Engineers ..."
"But he's
right," said Helmholtz gloomily. "Because it is
idiotic. Writing when there's
nothing to say."
"Precisely. But that requires the most enormous
ingenuity. You're making flivvers out of
the absolute minimum of steel - works of art out of practically nothing but
pure sensation."
The Savage shook his
head. "It all seems to me quite
horrible."
"Of course it
does. Actual happiness always looks
pretty squalid in comparison with the over-compensations for misery. And, of course, stability isn't nearly so spectacular as instability. And being contented has none of the glamour
of a good fight against misfortune, none of the picturesqueness
of a struggle with temptation, or a fatal overthrow by passion or doubt. Happiness is never grand."
"I suppose
not," said the Savage after a silence.
"But need it be quite so bad as those
twins?" He passed his hand over
his eyes as though he were trying to wipe away the remembered image of those
long rows of identical midgets at the assembling tables, those queued-up
twin-herds at the entrance to the Brentford monorail station, those human
maggots swarming round Linda's bed of death, the endlessly repeated face of his
assailants. He looked at his bandaged
left hand and shuddered.
"Horrible!"
"But
how useful! I see you don't like
our Bokanovsky Groups; but I assure you, they're the
foundation upon which everything else is built.
They're the gyroscope that stabilizes the rocket plane of state on its unswerving
course." The deep voice thrillingly
vibrated; the gesticulating hand implied all space and the onrush of the
irresistible machine. Mustapha Mond's oratory was almost up to synthetic standards.
"I was
wondering," said the Savage, "why you had them at all - seeing that
you can get whatever you want out of those bottles. Why don't you make everybody an Alpha
Double-Plus while you're about it?"
Mustapha Mond laughed.
"Because we have no wish to have our throats cut," he
answered. "We believe in happiness
and stability. A society of Alphas
couldn't fail to be unstable and miserable.
Imagine a factory staffed by Alphas - that is to say be separate and
unrelated individuals of good heredity and conditioned so as to be capable
(within limits) of making a free choice and of assuming responsibilities. Imagine it!" he repeated.
The Savage tried to
imagine it, not very successfully.
"It's an
absurdity. An Alpha-decanted,
Alpha-conditioned man would go mad if he had to do Epsilon Semi-Moron work - go
mad, or start smashing things up. Alphas
can be completely socialized, but only on condition that you make them do Alpha
work. Only an Epsilon can be expected to
make Epsilon sacrifices; they're the line of least resistance. His conditioning has laid down rails along
which he's got to run. He can't help
himself; he's foredoomed. Even after
decanting, he's still inside a bottle - an invisible bottle of infantile and
embryonic fixations. Each one of us, of
course," the Controller meditatively continued, "goes through life
inside a bottle. But if we happen to be
Alphas, our bottles are, relatively speaking, enormous. We should suffer acutely if we were confined
in a narrower space. You cannot pour
upper-caste champagne-surrogate into lower-caste bottles. It's obvious theoretically. But it has also been proved in actual
experience. The result of the
"What was
that?" asked the Savage.
Mustapha Mond smiled.
"Well, you can call it an experiment in rebottling if you
like. It began in A.F. 473. The Controllers had the
The Savage sighed,
profoundly.
"The optimum
population," said Mustapha Mond, "is modelled on the iceberg - eight-ninths below the
water line, one-ninth above."
"And they're
happy below the water line?"
"Happier
than above it. Happier
than your friends here, for example." He pointed.
"In
spite of that awful work?"
"Awful? They don't find it so. On the contrary, they like it. It's light, it's
childishly simple. No strain on the mind
or the muscles. Seven and a half hours
of mild, unexhausting labour, and then the soma
ration and games and unrestricted copulation and the feelies. What more can they ask for? True," he added, "they might ask
for shorter hours. And of course we
could give them shorter hours.
Technically, it would be perfectly simple to reduce all lower-caste
working hours to three or four a day. But would they be any the happier for that? No, they wouldn't. The experiment was tried, more than a century
and a half ago. The whole of
Science? The Savage frowned. He knew the word. But what it exactly signified he could not
say. Shakespeare and the old men of the
pueblo had never mentioned science, and from Linda he had only gathered the
vaguest hints: science was something you make helicopters with, something that
caused you to laugh at the Corn Dances, something that prevented you from being
wrinkled and losing your teeth. He made
a desperate effort to take the Controller's meaning.
"Yes,"
Mustapha Mond was saying, "that's another item
in the cost of stability. It isn't only
art that's incompatible with happiness; it's also science. Science is dangerous; we have to keep it most
carefully chained and muzzled."
"What?" said
Helmholtz, in astonishment. "But we're always saying that science is
everything. It's a hypnopaedic
platitude."
"Three times a
week between thirteen and seventeen," put in Bernard.
"And all the
science propaganda we do at the College ..."
"Yes; but what
sort of science?" asked Mustapha Mond
sarcastically. "You've had no
scientific training, so you can't judge.
I was a pretty good physicist in my time. Too good - good enough to realize that all
our science is just a cookery book, with an orthodox theory of cooking that
nobody's allowed to question, and a list of recipes that mustn't be added to
except by special permission from the head cook. I'm the head cook now. But I was an inquisitive young scullion
once. I started doing a bit of cooking
on my own. Unorthodox
cooking, illicit cooking. A bit of real science, in fact." He was silent.
"What
happened?" asked Helmholtz Watson.
The Controller
sighed. "Very nearly what's going
to happen to you young men. I was on the point of being sent to an
island."
The words galvanized
Bernard into a violent and unseemly activity.
"Send me to an island?"
He jumped up, ran across the room, and stood gesticulating in front of
the Controller. "You can't send me. I haven't done anything. It was the others. I swear it was the others." He pointed accusingly to Helmholtz
and the Savage. "Oh, please don't sent me to
"Bring three
men," he ordered, "and take Mr Marx into a
bedroom. Give him a
good soma vaporization and then put him to bed and leave
him."
The fourth secretary
went out and returned with three green-uniformed twin footmen. Still shouting and sobbing, Bernard was
carried out.
"One would think
he was going to have his throat cut," said the Controller, as the door
closed. "Whereas, if he had the
smallest sense, he'd understand that his punishment is really a reward. He's being sent to an island. That's to say, he's being sent to a place
where he'll meet the most interesting set of men and women to be found anywhere
in the world. All the people who, for
one reason or another, have got too self-consciously individual to fit into
community-life. All
the people who aren't satisfied with orthodoxy, who've got independent ideas of
their own. Everyone,
in a word, who's anyone. I almost
envy you, Mr Watson."
Helmholtz
laughed. "Than
why aren't you on an island yourself?"
"Because,
finally, I preferred this," the Controller answered. "I was given the choice: to be sent to
an island, where I could have got on with my pure science, or to be taken on to
the Controller's Council with the prospect of succeeding in due course to an
actual Controllership. I chose this and
let the science go." After a little
silence, "Sometimes," he added, "I rather regret the
science. Happiness is a hard master -
particularly other people's happiness. A
much harder master, if one isn't conditioned to accept it unquestionably, than
truth." He sighed, fell silent
again, then continued in a brisker tone. "Well, duty's duty. One can't consult one's own preferences. I'm interested in truth, I like science. But truth's a menace, science is a public
danger. As dangerous
as it's been beneficent. It has
given us the stablest equilibrium in history.
"But you
didn't go to an island," said the Savage, breaking a long silence.
The Controller
smiled. "That's how I paid. By choosing to serve
happiness. Other people's - not mine.
It's lucky," he added, after a pause, "that there are such a
lot of islands in the world. I don't
know what we should do without them. Put
you all in the lethal chamber, I suppose.
By the way, Mr Watson, would you like a tropical climate? The Marquesas,
for example; or
Helmholtz
rose from his pneumatic chair. "I
should like a thoroughly bad climate," he answered. "I believe one would write better if the
climate were bad. If there were a lot of
wind and storms, for example ..."
The Controller nodded
his approbation. "I like your
spirit, Mr Watson. I like it very much
indeed. As much as I
officially disapprove of it."
He smiled. "What about the
"Yes, I think
that will do," Helmholtz answered. "And now, if you don't mind, I'll go and
see how poor Bernard's getting on."