CHAPTER X
Denis did not dance, but when ragtime came
squirting of the pianola in
gushes of treacle and hot perfume, in jets of Bengal light, then things began
to dance inside him. Little black nigger
corpuscles jigged and drummed in his arteries.
He became a cage of movement, a walking palais
de danse.
It was very uncomfortable, like the preliminary symptoms of a
disease. He sat in one of the window
seats, glumly pretending to read.
At
the pianola, Henry Wimbush, smoking a long cigar through a tunnelled pillar of
amber, trod out the shattering dance music with serene patience. Locked together, Gombauld
and Anne moved with a harmoniousness that made them seem a single creature,
two-headed and four-legged. Mr Scogan, solemnly buffoonish, shuffled round the room with
Mary. Jenny sat in the shadow behind the
piano, scribbling, it seemed, in a big red notebook. In armchairs by the fireplace, Priscilla and
Mr Barbecue-Smith discussed higher things, without, apparently, being disturbed
by the noise of the Lower Plane.
'Optimism,'
said Mr Barbecue-Smith, with a tone of finality, speaking through strains of
the 'Wild, Wild Women' - 'optimism is the opening out of the soul towards the
light; it is an expansion towards and into God, it is a
h-piritual self-unification with the Infinite.'
'How
true!' sighed Priscilla, nodding the baleful splendours of her coiffure.
'Pessimism,
on the other hand, is the contraction of the soul towards darkness; it is a
focusing of the self upon a point in the Lower Plane; it is a
h-piritual slavery to mere facts, to gross physical
phenomena.'
'They're
making a wild man of me.' The refrain
sang itself over in Denis's mind. Yes,
they were; damn them! A wild man, but
not wild enough; that was the trouble.
Wild inside; raging, writhing - yes, 'writhing' was the word, writhing
with desire. But outwardly he was
hopelessly tame; outwardly - baa, baa, baa.
There
they were, Anne and Gombauld, moving together as
though they were a single supple creature.
The beast with two backs. And he sat in a corner, pretending to read,
pretending he didn't want to dance, pretending he rather despised dancing. Why?
It was the baa-baa business again.
Why
was he born with a different face? Why was
he? Gombauld
had a face of brass - one of those old, brazen rams that thumped against the
walls of cities till they fell. He was
born with a different face - a woolly face.
The
music stopped. The single harmonious
creature broke in two. Flushed, a little
breathless, Anne swayed across the room to the pianola, laid her hand on Mr Wimbush's
shoulder.
'A
waltz this time, please, Uncle Henry,' she said.
'A
waltz,' he repeated, and turned to the cabinet where the rolls were kept. He trod off the old role and trod on the new,
a slave at the mill, uncomplaining and beautifully well-bred. 'Rum; Tum; Rum-ti-ti;
Tum-ti-ti....' The melody wallowed oozily along, like a ship moving forward
over a sleek and oily swell. The four-legged creature, more graceful, more harmonious in its
movements than ever, slid across the floor. Oh, why was he born with a different face?
'What
are you reading?'
He
looked up, startled. It was Mary. She had broken from the uncomfortable embrace
of Mr Scogan, who had now seized on Jenny for his
victim.
'What
are you reading?'
'I
don't know,' said Denis truthfully. He
looked at the title page; the book was called The Stock Breeder's Vade Mercum.
'I
think you are so sensible to sit and read quietly,' said Mary, fixing him with
her china eyes. 'I don't know why one
dances. It's so boring.'
Denis
made no reply; she exacerbated him. From
the armchair by the fireplace he heard Priscilla's deep voice.
'Tell
me, Mr Barbecue-Smith - you know all about science, I know -' A deprecating
noise came from Mr Barbecue-Smith's chair.
'This Einstein theory. It seems to upset the whole starry
universe. It makes me so worried about
my horoscopes. You see ...'
Mary
renewed her attack. 'Which of the
contemporary poets do you like best?' she asked. Denis was filled with fury. Why couldn't this pest of a girl leave him
alone? He wanted to listen to the
horrible music, to watch them dancing - oh, with what grace, as though they had
been made for one another! - to savour his misery in
peace. And she came and put him through
this absurd catechism! She was like 'Mangold's Questions': 'What are the three diseases of
wheat? - 'Which of the contemporary poets do you like best?'
'Blight,
Mildew, and Smut,' he replied, with the laconicism of
one who is absolutely certain of his own mind.
It
was several hours before Denis managed to go to sleep that night. Vague but agonizing miseries possessed his
mind. It was not only Anne who made him
miserable; he was wretched about himself, the future, life in general, the
universe. 'This adolescence business,'
he repeated to himself every now and then, 'is horribly boring.' But the fact that he knew his disease did not
help him to cure it.
After
kicking all the clothes off the bed, he got up and sought relief in
composition. He wanted to imprison his
nameless misery in words. At the end of
an hour, nine more or less complete lines emerged from among the blots and scratchings.
'I
do not know what I desire
When
summer nights are dark and still,
When
the wind's many-voicèd quire
Sleeps among the muffled branches.
I
long and know not what I will:
And
not a sound of life or laughter stances
Time's black and silent flow.
I
do not know what I desire,
I
do not know.'
He read it through aloud; then threw the
scribbled sheet into the wastepaper basket and got into bed again. In a very few minutes he was asleep.