CHAPTER IV
Horns with a frizzle of orange hair
between; the pink muzzle lowered enquiringly towards a tiny cup and saucer;
eyes expressive of a more than human astonishment. 'THE OX,' it was proclaimed in six-inch
lettering, 'THE OX IN THE TEACUP.' The
thing was supposed to be a reason for buying beef extract – was a
reason.
Ox in Cup. The
words, the basely comic imaged, spotted the home counties that summer and
autumn like a skin disease. One of a score of nasty and discreditable infections. The train which carried Anthony Beavis into
'Thirty-one
... thirty-two,' the boy said to himself, and wished he had begun his counting
when the train started. Between
Opposite,
leaning back in his corner, sat Anthony's father. With his left hand he shaded his eyes. Under the drooping brown moustache his lips
moved.
'Stay
for me there,' John Beavis was saying to the person who, behind his closed
lids, was sometimes still alive, sometimes the cold, immobile thing of his most
recent memories:
'Stay
for me there; I shall not fail
To meet thee in that hollow vale.'
There
was no immortality, of course. After
'Thirty-three.'
Anthony
turned away from the hurrying landscape and was confronted by the spectacle of
that hand across the eyes, those moving lips.
That he had ever thought of counting the oxen seemed all at once
shameful, a betrayal. And Uncle James,
at the other end of the seat, was his Times – and his face, as he read,
twitching every few seconds in sudden spasms of nervousness. He might at least have had the decency not to
read it now – now, while they were on their way to ... Anthony refused
to say the words; words would make it all so clear, and he didn't want to know
too clearly. Reading the Times
might be shameful; but the other thing was terrible, too terrible to bear
thinking about, and yet so terrible that you couldn't
help thinking about it.
Anthony
looked out of the window again, through tears.
The green and golden brightness of
'DEAD-A-DEAD,'
in a sudden frenzy yelled the wheels, as the train crossed a bridge,
'A-DEAD-A-DEAD!'
Anthony
tried not to listen – vainly; then tried to make the wheels say something
else. Why shouldn't they say, To stop the train pull down the chain? That was what they usually said. With a great effort of concentration he
forced them to change their refrain.
'To
stop the train pull down the chain, to stop the chain pull down
a-dead-a-dead-a-dead ...' It was not good.
Mr
Beavis uncovered his eyes for a moment and looked out of the window. How bright, the autumnal trees! Cruelly bright they would have seemed,
insultingly, except for something desperate in their stillness, a certain glassy
fragility that, oh! invited disaster, that
prophetically announced the darkness and the black branches moving in torture
among the stars, the sleet like arrows along the screaming wind.
Uncle
James turned the page of his Times.
The Ritualists and the Kensitites were at it again, he saw; and was
delighted. Let dog eat dog. '
Painted, among the real cows in their pasture, the enormous horns,
the triangular auburn frizz, the enquiring nostrils, the teacup. Anthony shut his eyes against the vision.
'No,
I won't,' he said with all the determination he had previously used against the
wheels. He refused to know the horror;
he refused to know the ox. But what was
the good of refusing? The wheels were
still shouting away. And how could he
suppress the fact that this ox was the thirty-fourth, on the right, from
Clapham Junction? A number is always a
number, even on the way to ... But counting was shameful, counting was like
Uncle James's Times. Counting was
shirking, was betraying. And yet the
other thing, the thing they ought to be thinking about, was really too
terrible. Too unnatural,
somehow.
'Whatever
we may have thought, or still think, as to the causes, the necessity, the
justice of the war which is now happily at an end, I think that we must all
have a feeling of profound satisfaction that when the country called its
children to arms, the manhood of the nation leaped to it in response ...' His
face twitching with exasperation, Uncle James put down the Times and
looked at his watch.
'Two
and a half minutes late,' he said angrily.
'If
only it were a hundred years late,' thought his brother. 'Or ten years early – no, twelve,
thirteen. The first
year of our marriage.'
James
Beavis looked out of the window. 'And
we're still at least a mile from Lollingdon,' he went on.
As though to a sore, to an aching tooth, his fingers travelled
again to the chronometer in his waistcoat pocket. Time for its own sake. Always imperiously time, categorically time –
time to look at one's watch and see the time ...
The
wheels spoke more and more slowly, became at last inarticulate. The brakes screamed.
'Lollingdon,
Lollingdon,' the porter called.
But
Uncle James was already on the platform.
'Quick!' he shouted, striding, long-legged, beside the still moving
train. His hand went once more to that
mystical ulcer for ever gnawing at his consciousness. 'Quick!'
A
sudden resentment stirred in his brother's mind. They walked towards the gate, along a wall of
words and pictures. A GUINEA A BOX AND A
BLESSING TO MEN THE PICKWICK THE OWL AND KILLS MOTHS BUGS BEETLES A SPADE A
SPADE AND BRANSON'S CAMP COFFEE THE OX IN ... And suddenly here were the horns,
the expressive eyes, the cup – the thirty-fifth cup – 'No, I won't, I won't –
but all the same, the thirty-fifth, the thirty-fifth from Clapham Junction on
the right-hand side.
The
cab smelt of straw and leather. Of straw
and leather and of the year eighty-eight, was it? yes, eighty-eight; that Christmas
when they had driven to the Champernownes' dance – he and she and her mother –
in the cold, with the sheepskin rug across their knees. And as though by accident (for he had not yet
dared to make the gesture deliberately) the back of his hand had brushed
against hers; had brushed, as though by accident, had casually rested. Her mother was talking about the difficulty
of getting servants – and when you did get them, they didn't know anything, they were lazy. She
hadn't moved her hand! Did that mean she
didn't mind? He took the risk; his
fingers closed over hers. They were
disrespectful, her mother went on, they were ... He felt an answering pressure
and, looking up, divined in the darkness that she was smiling at him.
'Really,'
her mother was saying, 'I don't know what things are coming to nowadays.' And he had seen, by way of silent comment,
the mischievous flash of Maisie's teeth; and that little squeeze of the hand had been deliciously
conspiratorial, secret and illicit.
Slowly,
hoof after hoof, the old horse drew them; slowly along lanes, into the heart of
the great autumnal jewel of gold and crystal; and stopped at last at the very
core of it. In the sunshine, the church
tower was like grey amber. The clock,
James Beavis noticed with annoyance, was slow.
They passed under the lych-gate.
Startlingly and hideously black, four people were walking up the path in
front of them. Two huge women (to
Anthony they all seemed giantesses) rose in great inky cones of drapery from
the flagstones. With them, still further
magnified by their top-hats went a pair of enormous men.
'The
Champernownes,' said James Beavis; and the syllables of the familiar name were
like a sword, yet another sword, in the very quick of his brother's being. 'The
Champernownes and – let's see – what's the name of that young fellow their
daughter married? Anstey? Annerley?' He glanced enquiringly at John; but John was
staring fixedly in front of him and did not answer.
'Amersham?
Atherton?' James Beavis frowned
with irritation. Meticulous, he attached
an enormous importance to names and dates and figures; he prided himself on his
power to reproduce them correctly. A
lapse of memory drove him to fury.
'Atherton?
They
walked on. It seemed to Anthony that he
had swallowed his heart – swallowed it whole, without chewing. He felt rather sick, as though he were
expecting to be caned.
The
black giants halted, turned, and came back to meet them. Hats were raised, hands shaken.
'And
dear little Anthony!' said Lady Champernowne, when at last it was his
turn. Impulsively, she bent down and
kissed him.
She
was fat. Her lips left a disgusting wet
place on his cheek. Anthony hated her.
'Perhaps
I ought to kiss him too,' thought Mary Amberley, as she watched her
mother. Six months ago, when she was
still Mary Champernowne and fresh from school, it would have been
unthinkable. But now ... one never
knew. In the end, however, she decided
that she wouldn't kiss the boy, it would really be too
ridiculous. She pressed his hand without
speaking, smiling only from the remote security of her secret happiness. She was nearly five months gone with child,
and had lived for these last two or three weeks in a kind of trance of drowsy
bliss, inexpressibly delicious. Bliss in
a world that had become beautiful and rich and benevolent out of all
recognition. The country, as they drove
that morning in the gently swaying landau, had been like paradise; and this
little plot of green between the golden trees and the tower was
Anthony
looked up for a moment into the smiling face, so bright in its black setting, so
luminous with inner peace and happiness, then was overcome with shyness and
dropped his eyes.
Fascinated,
meanwhile, Roger Amberley observed his father-in-law and wondered how it was
possible for anyone to live so unfailingly in character; how one could contrive
to be a real general and at the same time to look and sound so exactly like a
general on the musical comedy stage.
Even at a funeral, even while he was saying a few well-chosen words to
the bereaved husband – poor Grossmith!
Under his fine brown moustache his lips twitched irrepressibly.
'Looks
badly cut up,' the General was thinking, as he talked to John Beavis; and felt
sorry for the poor fellow, even while he still disliked him. For of course the man was
an affected bore and a prig, too clever, but at the same time a
fool. Worst of all, not a man's
man. Always surrounded
by petticoats. Mothers'
petticoats, aunts' petticoats, wives' petticoats. A few years in the army would have done him
all the good in the world. Still, he did
look most horribly cut up. And Maisie
had been a sweet little thing. Too good
for him, of course ...
They
stood for a moment, then all together slowly moved
towards the church. Anthony was in the
midst of them, a dwarf among the giants.
Their blackness hemmed him in, obscured the sky, eclipsed
the amber tower and the trees. He walked
as though at the bottom of a moving well.
Its black walls rustled all around him.
He began to cry.
He
had not wanted to know – had done his best not to know, except superficially,
as one knows, for example, that thirty-five comes after thirty-four. But this black well was dark with the
concentrated horror of death. There was
no escape. His sobs broke out
uncontrollably.
Mary
Amberley, who had been lost in the rapturous contemplation of golden leaves
patterned against the pale sky, looked down for a moment at this small creature
weeping on another planet, then turned away again.
'Poor
child!' his father said to himself; and then, overbidding as it were, 'Poor
motherless child!' he added deliberately, and was glad (for he wanted to
suffer) that the words had cost him so much pain to pronounce. He looked down at his son, saw the
grief-twisted face, the full and sensitive lips so agonizingly hurt, and above
this tear-stained distortion the broad high forehead, seemingly unmoved in its
smooth purity; saw, and felt his heart wrung with an additional pain.
'Dear
boy!' he said aloud, thinking, as he spoke, how this grief would surely bring
them nearer together. It was so
difficult somehow with a child – so hard to be natural, to establish a
contact. But surely, surely this
sadness, and their common memories ... He squeezed the small hand within his
own.
They
were at the church door. The well
disintegrated.
'One
might be in
Inside
the church was an ancient darkness, smelly with centuries of rustic piety. Anthony took two breaths of that sweet-stale
air, and felt his midriff heave with a qualm of disgust. Fear and misery had already made him swallow
his heart; and now this smell, this beastly smell that meant that the place was
full of germs.... 'Reeking with germs!' He heard her voice – her voice that always
changed when she talked about germs, became different, as though somebody else
was speaking. At ordinary times, when
she wasn't angry, it sounded so soft and somehow lazy – laughingly lazy, or
else tiredly lazy. Germs made it
suddenly almost fierce, and at the same time frightened. 'Always spit when there's a bad smell about,'
she had told him. 'There might be
typhoid germs in the air.' His mouth, as
he recalled her words, began to water.
But how could he spit here, in church?
There was nothing to do but swallow his spittle. He shuddered as he did so, with fear and a
sickening disgust. And suppose he really
should be sick in this stinking place?
The apprehension made him feel still sicker. And what did one have to do during the
service? He had never been to a funeral
before.
James
Beavis looked at his watch. In three
minutes the hocus-pocus was timed to begin.
Why hadn't John insisted on a plain-clothes funeral? It wasn't as if poor Maisie had ever set much
store by this kind of thing. A silly little woman; but never religiously silly. Hers had been the plain secular silliness of
mere female frivolity. The silliness of reading novels on sofas, alternating with the
silliness of tea-parties and picnics and dances. Incredibly that John had managed to put up
with this kind of foolery – had even seemed to like it! Women crackling like hens round the
tea-table. James Beavis frowned with
angry contempt. He hated women – was
disgusted by them. All
those soft bulges of their bodies.
Horrible.
And the stupidity, the brainlessness. But anyhow, poor Maisie had never been one of
the curate-fanciers. It was those awful
relations of hers. There were deans in
the family – deans and deanesses. John
hadn't wanted to offend them. Weak-minded of him.
One ought to be offensive on a matter of principle.
The
organ played. A little procession of
surplices entered through the open door.
Some men carried in what seemed a great pile of flowers. There was singing. Then silence.
And then, in an extraordinary voice, 'Now is Christ risen from the
dead,' began the clergyman; and when on and on, all about God, and death, and
beasts at
'Like
a goat,' James Beavis said to himself as he listened to the intoning from the
lectern. He looked again at that young
son-in-law of the Champernownes.
Anderton, Abdy ...? What a fine, classical profile!
His
brother sat with bent head and a hand across his eyes, thinking of the ashes in
the casket there beneath the flowers – the ashes that had been her body.
The
service was over at last. 'Thank
goodness!' thought Anthony, as he spat surreptitiously into his handkerchief
and folded away the germs into his pocket, 'Thank goodness!' He hadn't been sick. He followed his father to the door and,
rapturously, as he stepped out of the twilight, breathed the pure air. The sun was still shining. He looked around and up into the pale
sky. Overhead, in the church tower, a
sudden outcry of jackdaws was like the noise of a stone flung glancingly on to
a frozen pond and skidding away with a reiteration of glassy clinking across
the ice.
'But,
Anthony, you mustn't throw stones on the ice,' his mother had called to
him. 'They get frozen in, and then the
skaters ...'
He
remembered how she had come swerving round towards him, on one foot – swooping,
he had thought, like a seagull; all in white: beautiful. And now ... The tears came into his eyes
again. But, oh, why had she insisted on
his trying to skate?
'I
don't want to,' he had said; and when she asked why, it had been impossible to
explain. He was afraid of being laughed
at, of course. People made such fools of
themselves. But how could he have told
her that? In the end he had cried – in
front of everyone. It couldn't have been
worse. He had almost hated her that
morning. And now she was dead, and up
there in the tower the jackdaws were throwing stones on last winter's ice.
They
were at the grave-side now. Once more Mr
Beavis pressed his son's hand. He was
trying to forestall the effect upon the child's mind of these last, most
painful moments.
'Be
brave,' he whispered. The advice was
tendered as much to himself as to the boy.
Leaning
forward, Anthony looked into the hole.
It seemed extraordinarily deep.
He shuddered, closed his eyes; and immediately there she was, swooping
towards him, white, like a seagull, and white again in the satin evening-dress
when she came to say goodnight before she went out to dinner, with that scent
on her as she bent over him in bed, and the coolness of her bare arms. 'You're like a cat,' she used to say when he
rubbed his cheek against her arms. 'Why
don't you purr while you're about it?'
'Anyhow,'
thought Uncle James with satisfaction, 'he was firm about the cremation.' The Christians had been scored off
there. Resurrection of the body,
indeed! In Add 1902!
When
his time came, John Beavis was thinking, this was where he would be
buried. In this very
grave. His
ashes next to hers.
The
clergyman was talking again in that extraordinary voice. 'Thou knowest, Lord, the secret of our hearts
...' Anthony
opened his eyes. Two men were lowering
into the hole a small terra-cotta box, hardly larger than a biscuit tin. The box touched the bottom; the ropes were hauled
up.
'Earth
to earth,' bleated the goat-like voice, 'ashes to ashes.'
'My
ashes to her ashes,' thought John Beavis.
'Mingled.'
And
suddenly he remembered that time in
'Who
shall change our vile body that it may be like unto his glorious body ...'
'Vile, vile?' His very soul protested.
Earth
fell, one spadeful, then another. The
box was almost covered. It was so small,
so dreadfully and unexpectedly tiny ... the image of that enormous ox, that
minute teacup, rose to Anthony's imagination.
Rose up obscurely and would not be exorcized. The jackdaws cried again in the tower. Like a seagull she had swooped towards him,
beautiful. But the ox was still there,
still in its teacup, still base and detestable; and he himself yet baser, yet
more hateful.
John
Beavis released the hand he had been holding and, laying his arm round the
boy's shoulders, pressed the thin little body against his own – close, close,
till felt in his own flesh the sobs by which it was shaken.
'Poor child! Poor motherless child!'