CHAPTER XII

 

August 30^th 1933

 

A faint rustling caressed the half-conscious fringes of their torpor, swelled gradually, as though a shell were being brought closer and closer to the ear, and became at last a clattering roar that brutally insisted on attention.  Anthony opened his eyes for just long enough to see that the aeroplane was almost immediately above them, then shut them again, dazzled by the intense blue of the sky.

      'These damned machines!' he said.  Then, with a little laugh, 'They'll have a nice God's-eye view of us here,' he added.

      Helen did not answer; but behind her closed eyelids she smiled.  Pop-eyed and with an obscene and gloating disapproval!  The vision of that heavenly visitant was irresistibly comic.

      'David and Bathsheba,' he went on.  'Unfortunately at a hundred miles an hour …'

      A strange yelping sound punctuated the din of the machine.  Anthony opened his eyes again, and was in time to see a dark shape rushing down towards him.  He uttered a cry, made a quick and automatic movement to shield his face.  With a violent but dull and muddy impact the thing struck the flat roof a yard or two from where they were lying.  The drops of a sharply spurted liquid were warm for an instant on their skin, and then, as the breeze swelled up out of the west, startlingly cold.  There was a long second of silence.  'Christ!' Anthony whispered at last.  From head to foot both of them were splashed with blood.  In a red pool at their feet lay the almost shapeless carcase of a fox-terrier.  The roar of the receding aeroplane had diminished to a raucous hum, and suddenly the ear found itself conscious once again of the shrill rasping of the cicadas.

      Anthony drew a deep breath; then, with an effort and still rather unsteadily, contrived to laugh.  'Yet another reason for disliking dogs,' he said, and, scrambling to his feet, looked down, his face puckered with disgust, at his blood-bedabbled body.  'What about a bath?' he asked, turning to Helen.

      She was sitting quite still, staring with wide-open eyes at the horribly shattered carcase.  Her face was very pale, and a glancing spurt of blood had left a long red streak that ran diagonally from the right side of the chin, across the mouth, to the corner of the left eye.

      'You look like Lady Macbeth,' he said, with another effort at jocularity.  'Allons.' He touched her shoulder.  'Out, vile spot,  This beastly stuff's drying on me.  Like seccotine.'

      For all answer, Helen covered her face with her hands and began to sob.

      For a moment Anthony stood quite still, looking at her crouched there, in the hopeless abjection of her blood-stained nakedness, listening to the painful sound of her weeping.  'Like seccotine': his own words re-echoed disgracefully in his ears.  Pity stirred within him, and then an almost violent movement of love for this hurt and suffering woman, this person, yes, this person whom he had ignored, deliberately, as though she had no existence except in the context of pleasure.  Now, as she knelt there sobbing, all the tenderness he had ever felt for her body, all the affection implicit in their sensualities and never expressed, seemed suddenly to discharge themselves, in a kind of lightning flash of accumulated feeling, upon this person, this embodied spirit, weeping in solitude behind concealing hands.

      He knelt down beside her on the mattress, and, with a gesture that was meant to express all that he now felt, put an arm round her shoulder.

      But at his touch she winced away as if from a defilement.  With a violent, shuddering movement she shook her head.

      'But, Helen …' he protested, in the stupid conviction that there must be some mistake, that it was impossible that she shouldn't be feeling what he was feeling.  It was only a question of making her understand what had happened to him.  He laid his hand once more on her shoulder.  'But I care, I'm so fond …' Even now he refused to commit himself to the word 'love.'

      'Don't touch me,' she cried almost inarticulately, leaning away from him.

      He withdrew his hand, but remained there, kneeling beside her, in perplexed and miserable silence.  He remembered the time when she had wanted to be allowed to love, and how he had evaded her, had refused to take more of the person that she was, or to give more of himself, then the occasional and discontinuous amorousness of their bodies.  She had ended by accepting his terms – accepting them so completely that now …

      'Helen,' he ventured once more.  She must be made to understand.

      Helen shook her head again.  'Leave me alone,' she said; then, as he did not move, she uncovered a face now grotesquely smudged with blood and looked at him.  'Why can't you go away?' she asked, making an effort to express a cold dispassionate resentment of his intrusion upon her.  Then, suddenly, her tears began to flow again.  'Oh, please go away!' she implored.  Her voice broke, and turning aside, she once more buried her face in her hands.

      Anthony hesitated for a moment; then, realizing that he would only make things worse if he stayed on, rose to his feet and left her.  'Give her time,' he said to himself, 'give her time.'

      He took a bath, dressed and went down to the sitting-room.  The snapshots were lying as they had left them, scattered over the table.  He sat down and methodically began to sort them out, subject by subject, into little heaps.  Mary in plumes; Mary veiled, clambering into a pre-war Renault; Mary bathing at Dieppe in a half-sleeved bodice and bloomers that were covered to the knee by a little skirt.  His mother in a garden; feeding the pigeons in the Piazza San Marco; and then her grave at Lollingdon churchyard.  His father with an alpenstock; roped to a guide on a snow slope; with Pauline and the two children.  Uncle James on his bicycle; Uncle James wearing a speckled straw hat; rowing on the Serpentine; talking, ten years later, with convalescent soldiers in a hospital garden.  Then Brian; Brian with Anthony's own former self at Bulstrode; Brian in a punt with Joan and Mrs Foxe; Brian climbing in the Lakes.  That girl he had had an affair with in New York, in 1927, was it?  His grandmother.  His aunts.  Half a dozen snaps of Gladys …

      Half an hour later he heard Helen's steps, cautious at first and slow on the precipitous stairs leading down from the roof, then swift along the passage.  Water splashed in the bath.

      Time, she must have time.  He decided to behave towards her as though nothing had happened.  It was almost cheerfully, therefore, that he greeted her as she entered the room.

      'Well?' he questioned brightly, looking up from his photographs.  But the sight of that pale and stonily collected face filled him with misgiving.

      'I'm going,' she said.

      'Now?  Before lunch?'

      She nodded.

      'But why?'

      'I prefer it,' was all she answered.

      Anthony was silent for a moment, wondering whether he ought to protest, to insist, to tell her the things he had tried to tell her on the roof.  But the stoniness of her composure proclaimed in advance that the attempt would be useless.  Later, when she had got over the first shock, when she had been given time … 'All right, then,' he said aloud.  'I'll drive you back to the hotel.'

      Helen shook her head.  'No, I shall walk.'

      'Not in this heat?'

      'I shall walk,' she repeated in a tone of finality.

      'Well, if you also prefer to swelter …' He tried to smile, without much success.

      She passed through the glass doors on to the terrace, and suddenly that pale stony face was as though fire-flushed by the reflection from her pyjamas.  In hell again, he said to himself, as he followed her.

      'Why do you come out?' she asked.

      'I'll take you as far as the gate.'

      'There's no need.'

      'I prefer it.'

      She did not return his smile, but walked on without speaking.

      Two tall bushy plants of buddleia grew on either side of the steps that led down from the terrace.  On the hot air the scent of the flowers (itself, so it seemed, intrinsically hot) was of an intense and violent sweetness.

      'Delicious,' Anthony said aloud as they stepped into the perfumed aura of the blossoms.  'Almost too delicious.  But look!' he called in another voice, and caught her sleeve.  'Do look!'

      New from the chrysalis, bright and still untattered, a swallowtail had settled on one of the clusters of mauve flowers.  The pale yellow wings, with their black markings, their eyes of blue and crimson, were fully outstretched in the sunlight.  Their forward edges had the curve of a sabre, and from the tips the line slanted elegantly backwards towards the two projecting tails of the lower wings.  The whole butterfly seemed the symbol, the hieroglyph of gay and airy speed.  The spread wings were tremulous as though from an uncontrollable excess of life, of passionate energy.  Rapidly, ravenously, but with an extraordinary precision of purposeful movement, the creature plunged its uncoiled proboscis into the tiny trumpet-shaped flowers that composed the cluster.  A quick motion of the head and thorax, and the probe had been thrust home, to be withdrawn a moment later and plunged as swiftly and unerringly between the lips of another and yet another flower, until all the blooms within striking distance had been explored and it was necessary to hasten on towards a yet unrifled part of the cluster.  Again, again, to the very quick of the expectant flowers, deep to the sheathed and hidden sources of that hot intoxicating sweetness!  Again, again, with what a tireless concupiscence, what an intense passion of aimed and accurate greed!

      For a long minute they watched in silence.  Then, suddenly, Helen stretched out her hand and flicked the cluster on which the butterfly had settled.  But before her finger had even touched the flowers, the light, bright creature was gone.  A quick flap of the wings, then a long soaring swoop; another spurt of fluttering movement, another long catenary of downward and upward slanting flight, and it was out of sight behind the house.

      'Why did you do that?' he asked.

      Pretending not to have heard his question, Helen ran down the steps and along the gravelled path.  At the gate of the garden she halted and turned back.

      'Goodbye, Anthony.'

      'When are you coming again?' he asked.

      Helen looked at him for a few seconds without speaking, then shook her head.  'I'm not coming again,' she said at last.

      'Not coming again?' he repeated.  'What do you mean?'

      But she had already slammed the gate behind her and with long springing strides was hurrying along the dusty road under the pine trees.

      Anthony watched her go, and knew that, for the moment at least, it was no good even trying to do anything.  It would only make things worse if he followed her.  Later on, perhaps; this evening, when she had had time … But walking back along the garden path, through the now unheeded perfume of the buddleias, he wondered uneasily whether it would be much good, even later on.  He knew Helen's obstinacy.  And then what right had he now, after all these months of disclaiming, of actively refusing any right whatever?'

      'But I'm a fool,' he said aloud as he opened the kitchen door, 'I'm mad.'  And he made an effort to recover his sanity by disparaging and belittling the whole incident.  Unpleasant, admittedly.  But not unpleasant enough to justify Helen in behaving as though she were acting Ibsen.  Doing a slight Doll's House, he said to himself – trying to reduce it all to a conveniently ridiculous phrase – when there was no doll and no house; for she really couldn't complain that old Hugh had ever shut her up, or that he himself had cherished any designs on her liberty.  On the contrary, he had insisted on her being free.  Her liberty was also his; if she had become his slave, he would necessarily have become hers.

      As for his own emotions, up there on the roof – that uprush of tenderness, that longing to know and love the suffering person within that all at once irrelevantly desirable body – these had been genuine, of course; were facts of direct experience.  But after all, they could be explained, explained away, as the mere exaggerations, in a disturbing moment, of his very natural sympathy with her distress.  The essential thing was time.  Given a little time, she would listen once more to what he wanted to say, and he would no longer want to say any of the things she had just now refused to listen to.

      He opened the refrigerator and found that Mme Cayol had prepared some cold veal and a cucumber and tomato salad.  Mme Cayol had a vicarious passion for cold veal, was constantly giving it him.  Anthony, as it happened, didn't much like it, but he preferred eating it to discussing the bill of fare with Mme Cayol.  Whole weeks would sometimes pass without the necessity arising for him to say more than  Bonjour and À demain, Mme Cayol, and Il fait beau aujourd'hui, or Quel vent!, whichever the case might be.  She came for two hours each morning, tidied up, prepared some food, laid the table and went away again.  He was served, but almost without being aware of the servant.  The arrangement, he considered, was as nearly perfect as any earthly arrangement could be.  Cold veal was a small price to pay for such service.

      At the table in the shade of the great fig tree on the terrace, Anthony settled down with determination to his food, and as he ate, turned over the pages of his latest notebook.  There was nothing, he assured himself, like work – nothing, to make oneself forget a particular and personal feeling, so effective as a good generalization.  The word 'freedom' caught his eye, and remembering the satisfaction he had felt, a couple of months before, when he had got those ideas safely on to paper, he began to read.

      'Action wanted to write the History of Man in terms of a History of the Idea of Freedom.  But you cannot write a History of the Idea of Freedom without at the same time writing of the Fact of Slavery.

      'The Fact of Slavery.  Or rather of Slaveries.  For, in his successive attempts to realize the Idea of Freedom, man is constantly changing one form of slavery for another.

      'The primal slavery is the slavery to the empty belly and the unpropitious season.  Slavery to nature, in a word.  The escape from nature is through social organization and technical invention.  In a modern city it is possible to forget that such a thing as nature exists – particularly nature in its more inhuman and hostile aspects.  Half the population of Europe lives in a universe that's entirely home-made.

      'Abolish slavery to nature.  Another form of slavery instantly arises.  Slavery to institutions: religious institutions, legal institutions, military institutions, economic institutions, educational, artistic and scientific institutions.

      'All modern history is a History of the Idea of Freedom from Institutions.  It is also the History of the Fact of Slavery of Institutions.

      'Nature is senseless.  Institutions, being the work of men, have meaning and purpose.  Circumstances change quicker than institutions.  What once was sense is sense no longer.  An outworn institution is like a person who applies logical reasoning to the non-existent situation created by an idée fixe or hallucination.  A similar state of things comes about when institutions apply the letter of the law to individual cases.  The institution would be acting rationally if the circumstances envisaged by it really existed.  But in fact they don't exist.  Slavery to an institution is like slavery to a paranoiac, who suffers from delusions but is still in possession of all his intellectual faculties.  Slavery to nature is like slavery to an idiot who hasn't even enough mind to be able to suffer from delusions.

      'Revolt against institutions leads temporarily to anarchy.  But anarchy is slavery to nature, and to a civilized man slavery to nature is even less tolerable than slavery to institutions.  The escape from anarchy is through the creation of new institutions.  Sometimes there is no period of anarchy – no temporary enslavement to nature; men pass directly from one set of institutions to another.

      'Institutions are changed in an attempt to realize the Idea of Freedom.  To appreciate the fact of the new slavery takes a certain time.  So it comes about that in all revolts against institutions there is a kind of joyful honeymoon, when people believe that freedom has at last been attained.  “Bliss was it in that dawn to be alive.”    And not only in the dawn of the French Revolution.  What undiluted happiness, for example, in the dawn of the Franciscan movement, in the dawn of the Reformation, in the dawn of Christianity and Islam!  Even in the dawn of the Great War.  The honeymoon may last for as much as twenty or thirty years.  Then the fact of the new slavery imposes itself on men's consciousness.  It is perceived that the idea of freedom was not realized by the last change, that the new institutions are just as enslaving as the old.  What is to be done?  Change the new institutions for yet newer ones.  And when that honeymoon is over?  Change the yet newer for newer still.  And so on – indefinitely, no doubt.

                   'In any given society the fact of freedom exists only for a very small number of individuals.  Propitious economic circumstances are the condition of at least a partial freedom.  But if the freedom is to be more nearly complete, there must also be propitious intellectual, psychological, biographical circumstances.  Individuals for whom all these circumstances are favourable are not the slaves of institutions.  For them, institutions exist as a kind of solid framework on which they can perform whatever gymnastics they please.  The rigidity of society as a whole makes it possible for these privileged few to wander out of intellectual and customary moral bounds without risk either for themselves or for the community at large.  All particular freedoms – and there is no freedom that is not particular – is enjoyed on the condition of some form of general slavery.'

      Anthony shut his book, feeling that he couldn't read even one line more.  Not that his words seemed any less true now than he had done when he wrote them.  In their own way and on their particular level they were true.  Why then did it all seem utterly false and wrong?  Not wishing to discuss this question with himself, he went into the house and sat down to Usher's History of Mechanical Inventions.

      At half-past four he suddenly remembered that dead dog.  A few hours more, and in this heat … He hurried out to the tool-house.  The ground in the untended garden was sun-baked almost to the consistency of brick; by the time he had dug the hole he was dripping with sweat.  Then, spade in hand, he went up to the roof.  There lay the dog.  The bloodstains on its fur, on the parapet, on the mattresses had turned the colour of rust.  After several ineffectual attempts, he succeeded in scooping up the carcase with his spade and throwing it, flies and all – for the flies refused to be disturbed – over the parapet.  He went downstairs and out into the garden; there, as though he were obstinately competing in some hideous egg-and-spoon race, he scooped the thing up once more and carried it, horribly dangling across the iron of his spade, to the grave.  When he came back to the house, he felt so sick that he had to drink some brandy.  After that he went down to the sea and took a long swim.

      At six, when he was dressed again, he took his car and drove down to the hotel to have a talk with Helen.  By this time, he calculated, she would have got over her first shock, she would be ready to listen to him.  Forgetting all about the Doll's House and the sanity it had been intended to preserve, he was filled, as he drove, with an extraordinary elation.  In a few minutes he would be seeing her again.  Would be telling her of the discoveries he had suddenly made that morning: the discovery that he cared for her, the discovery that he had been a fool and worse, unspeakably worse than a fool … It would be difficult, it would be all but impossible to say these things about himself; but for that very reason the thought that he was going to say them filled him with profound happiness.

      He drew up at the door of the hotel and hurried into the hall.

      'Madame Ledwidge est-elle dans sa chambre, mademoiselle?'

      'Mais non, monsieur, Madame vient de partir.'

      'Elle vient de partir?'

      'Madame est allée prendre le rapide à Toulon.'

      Anthony looked at his watch.  The train had already started.  In a wretched little car like his there was no hope of getting to Marseille before it left again for Paris.

      'Merci, mademoiselle, merci,' he said, lapsing by force of habit into that excessive politeness by means of which he protected himself from the disquieting world of the lower classes.

      'Mais de rien, monsieur.'

      He drove home again, wondering miserably whether he oughtn't to be thankful for the deliverance.  The postman had called in his absence.  There was a letter from his broker, advising him to sell at least a part of that block of gold-mining shares he had inherited from Uncle James.  There seemed to be no likelihood of their appreciating any further; in view of which, the wisest course would be to take advantage of the present prices and re-invest in sound English industrials such as … He threw the letter aside.  Occasions, as usual, had been conspiring for him – thrusting good fortune upon him, malignantly.  Now, in the depression, he was better off than ever before.  Better off when other people were worse off.  Freer while they were more hopelessly enslaved.  The ring of Polycrates … It looked as though the gods had already begun their vengeance.

      He went to bed early, and at two was woken by that horribly familiar dream that had haunted his boyhood and plagued him from time to time even as a grown man.  In substance it was always the same.  Nothing much was ever visible; but there was generally a knowledge that he was in company, surrounded by dim presences.  He took a mouthful of some indeterminate food, and instantly it expanded between his teeth, became progressively more rubbery and at the same time stickier, till it was like a gag smeared with a kind of gum that dried in a thick film on the teeth, tongue, palate.  Unspeakably disgusting, this process of asphyxiating expansion, of gluey thickening and clogging, went on and on.  He tried to swallow, tried, in spite of the obscure but embarrassing presence of strangers, to disgorge.  Without effect.  In the end, he was reduced to hooking the stuff out with his finger – lump after ropy lump of it.  But always in vain.  For the gag continued to expand, the film to thicken and harden.  Until at last he was delivered by starting out of sleep.  This night, the expanding mouthful had some kind of vague, but horrible connection with the dog.  He woke up shuddering.  Once awake, he was unable to go to sleep again.  A huge accumulation of neglected memories broke through, as it were, into his awareness.  Those snapshots.  His mother and Mary Amberley.  Brian in the chalk pit, evoked by that salty smell of sun-warmed flesh, and again dead at the cliff's foot, among the flies – like that dog …