CHAPTER XXII
Mark lived in a dingy house off the
'Some beer?'
Anthony
nodded.
The
other opened a bottle, filled a single glass; but himself did not drink.
'You
still play, I see,' said Anthony, pointing in the direction of the upright
piano.
'A
little,' Mark had to admit. 'It's
consolation.'
The
fact that the Matthew Passion, for example, the Hammerklavier Sonata, had had
human authors was a source of hope. It
was just conceivable that humanity might one day and somehow be made a little
more John-Sebastian-like. If there were
no Well-Tempered Clavichord, why should one bother even to wish for
revolutionary change?
'Turning
one kind of common humanity into common humanity of a slightly different kind –
well, if that's all that revolution can do, the game
isn't worth the candle.'
Anthony
protested. For a sociologist it was the
most fascinating of all games.
'To watch or to play?'
'To watch, of course.'
A
spectacle bottomlessly comic in its grotesqueness,
endlessly varied. But looking closely,
one could detect the uniformities under the diversity, the fixed rules of the
endlessly shifting game.
'A revolution to transform common humanity into common humanity of
another variety. You find it
horrifying. But that's just what I'd
like to live long enough to see. Theory being put to the test of practice. To detect, after your catastrophic reform of
everything, the same old uniformities working themselves
out in a slightly different way – I can't imagine anything more
satisfying. Like logically inferring the
existence of a new planet and then discovering it with a telescope. As for producing more John Sebastians …' He
shrugged his shoulders. 'You might as well
imagine that revolution will increase the number of Siamese twins.'
That
was the chief difference between literature and life. In books, the proportion of exceptional to
commonplace people is high; in reality, very low.
'Books
are opium,' said Mark.
'Precisely. That's why it's doubtful if there'll ever be such a thing as
proletarian literature. Even proletarian
books will deal with exceptional proletarians.
And exceptional proletarians are no more proletarian than exceptional
bourgeois are bourgeois. Life's so
ordinary that literature has to deal with the exceptional. Exceptional talent, power,
social position, wealth. Hence those geniuses of fiction, those leaders and dukes and
millionaires. People who are
completely conditioned by circumstances – one can be desperately sorry for
them; but one can't find their lives very dramatic. Drama begins where there's freedom of
choice. And freedom of choice begins
when social or psychological conditions are exceptional. That's why the inhabitants of imaginative
literature have always been recruited from the pages of Who's Who.'
'But
do you really think that people with money or power are free?'
'Freer than the poor, at any rate. Less completely conditioned
by matter and other people's wills.'
Mark
shook his head. 'You don't know my
father,' he said, 'Or my disgusting brothers.'
At
Bulstrode, Anthony remembered, it was always, 'My pater says …' or 'My frater
at
'The
whole vile brood of Staitheses,' Mark went on.
He
described the Staithes who was now a Knight Commander of St Michael and St
George and a Permanent Under-Secretary.
Pleased as Punch with it all, and serenely conscious of his own
extraordinary merits, adoring himself for being such a great man.
'As though there were any real difficulty in getting where he's
got! Anything
in the least creditable about that kind of piddling little conquest!' Mark made a flayed grimace of contemptuous
disgust. 'He thinks he's a marvel.'
And
the other Staitheses, the Staitheses of the younger generation - they also thought
that they were marvels. There was one of
them at Dehli, heroically occupied in bullying Indians who couldn't stand up
for themselves. And the other was on the
Stock Exchange and highly successful. Successful at what? As a cunning exploiter of ignorance and greed and the insanity of
gamblers and misers. And on top
of everything the man prided himself on being an amorist, a professional Don
Juan.
(Why
the poor devil shouldn't be allowed to have a bit of fun, Anthony was unable,
as he sipped his beer, to imagine.)
One
of the boys! One of the dogs! A dog among bitches – what a triumph!
'And
you call them free,' Mark concluded.
'But how can a climber be free?
He's tied to his ladder.'
'But
social ladders,' Anthony objected, 'become broader as they rise. At the bottom, you can only just get your
foot on to them. At the top the rungs
are twenty yards across.'
'Well,
perhaps it's a wider perch than the bank clerk's,' Mark admitted. 'But not wide enough for me. And not high enough; above all, not clean
enough.'
The
rage they had been in when he enlisted during the war as a private! Feeling that he'd let the family down. The creatures were incapable of seeing that,
if you had the choice, it was more decent to elect to be a private than a staff
lieutenant.
'Turds
to the core,' he said. 'So they can't
think anything but turdish thoughts. And
above all, they can't conceive of anyone else thinking differently. Turd calls to turd; and, when it's answered
by non-turd, it's utterly at a loss.'
And
when the war was over, there was that job his father had taken such pains to
find him in the City – with Lazarus and Coit, no less! - just
waiting for him to step into the moment he was demobilized. A job with almost unlimited
prospects for a young man with brains and energy – for a Staithes, in a word. 'A five-figure income by the time you're
fifty,' his father had insisted almost lyrically, and had been really hurt and
grieved, as well as mortally offended, furiously angry, when Mark replied that
he had no intention of taking it.
' “But why not?” ' the poor old
turd kept asking. “Why
not?” And simply couldn't see
that it was just because it was so good that I couldn't take his job. So unfairly good! So ignobly good! He just couldn't see it. According to his ideas, I ought to have
rushed at it, headlong, like all the Gadarene swine rolled into one. Instead of which I returned him his cow-pat
and went to
'But
did you know anything about coffee?'
'Of course not. That
was one of the attractions of the job.'
He smiled. 'When I did know
something about it, I came back to see if there was anything doing here.'
'And
is there anything doing?'
The
other shrugged his shoulders. God only
knew. One joined the Party, one
distributed literature, one financed pressure-groups out of the profits on
synthetic carnations, one addressed meetings and wrote
articles. And perhaps it was all quite
useless. Perhaps, on the contrary, the
auspicious moment might some day present itself …
'And
then what?' asked Anthony.
'Ah,
that's the question. It'll be all right
at the beginning. Revolution's
delightful in the preliminary stages. So
long as it's a question of getting rid of the people at the top. But afterwards, if the thing's a success –
what then? More wireless sets, more
chocolates, more beauty parlours, more girls with better contraceptives.' He shook his head. 'The moment you give people the chance to be
piggish, they take it – thankfully. That
freedom you were talking about just now, the freedom at the top of the social
ladder – it's just the licence to be a pig; or alternatively a prig, a
self-satisfied pharisee like my father.
Or else both at once, like my precious brother. Pig and prig simultaneously. In
Anthony
smiled. 'A new phase of the game played
according to the old unchanging rules.'
I'm
horribly afraid you're right,' said the other.
'It's orthodox Marxism, of course.
Behaviour and modes of thought are the outcome of economic
circumstances. Reproduce Babbitt's
circumstances and you can't help reproducing his manners and customs. Christ!'
He rose, walked to the piano and, drawing up a chair, sat down in front
of it. 'Let's try to get that
taste out of our mouths.' He held his
large bony hands poised for a moment above the keyboard; the
began to play Bach's Toccata and Fugue in D. They were in another universe, a world where
Babbitts and Staitheses didn't exist, were inconceivable.
Mark
had played for only a minute or two when the door opened and an elderly woman,
thin and horse-faced, in a brown silk dress and wearing round her neck an old
diseased brown fur, entered the room.
She walked on tiptoe, acting in elaborate pantomime the very
personification of silence, but in the process produced an extraordinary volume
and variety of disturbing noises – creaking of shoes, rustling of silk, glassy
clinkings of bead necklaces, jingling of the silver objects suspended by little
chains from the waist. Mark went on
playing without turning his head.
Embarrassed, Anthony roses and bowed.
The horse-faced creature waved him back to his place, and cautiously, in
a final prolonged explosion of noise, sat down on the sofa.
'Exquisite!'
she cried when the final chord had been struck.
'Play us something more, Mark.'
But
Mark got up, shaking his head. 'I want
to introduce you to Miss Pendle,' he said to Anthony; and to the old woman,
'Anthony Beavis was at Bulstrode with me,' he explained.
Anthony
took her hand. She gave him a
smile. The teeth, which were false ones
and badly fitting, were improbably too white and bright. 'So you were at Bulstrode with Mark!' she
cried. 'Isn't that
extraordinary.'
'Extraordinary
that we should still be on speaking terms,' said Mark.
'No,
no,' said Miss Pendle, and with a playfulness that Anthony found positively
ghoulish, gave him a little slap on the arm. 'You know exactly what I mean. He always was like that, Mr Beavis, even when
he was a boy – do you remember?'
Anthony
duly nodded assent.
'So sharp and sarcastic!
Even before you knew him at Bulstrode. Shocking!' She flashed her false teeth at Mark in a
sparkle of loving mock-reprobation. 'He
was my first pupil, you know,' she went on confidentially. 'And I was his first teacher.'
Anthony
rose gallantly to the occasion. 'Let me
congratulate Mark,' he said, 'and condole with you.'
Miss
Pendle looked at Mark. 'Do you think I
need his condolences?' she asked, almost archly, like a young girl,
coquettishly fishing for compliments.
Mark
did not answer, only smiled and shrugged his shoulders. 'I'll go and make some tea,' he said. 'You'd like tea, wouldn't you, Penny?' Miss Pendle nodded, and he rose and left the
room.
Anthony
was wondering rather uncomfortably what he should say to this disquietingly
human old nag, when Miss Pendle turned towards him. 'He's wonderful, Mark is; really
wonderful.' The false teeth flashed, the
words came gushingly with an incongruously un-equine vehemence. Anthony felt himself writhing with an embarrassed distaste.
'Nobody knows how kind he is,' she went on. 'He doesn't like it told; but I don't mind –
I want people to know.' She nodded so
emphatically that the beads of her necklace rattled. 'I was ill last year,' she went on. Her savings had gone, she couldn't get
another job. In despair, she had written
to some of her old employers, Sir Michael Staithes among them. 'Sir Michael sent me five pounds,' she
said. 'That kept me going for a
bit. Then I had to write again. He said he couldn't do anything more. But he mentioned the matter to Mark. And what do you think Mark did?' She looked at Anthony in silence, a horse
transfigured,, with an expression at once of
tenderness and triumph and her red-lidded brown eyes full of tears.
'What
did he do?' asked Anthony.
'He
came to me where I was staying – I had a room in Camberwell then – he came and
he took me away with him. Straightaway,
the moment I could get my things packed up, and brought me here. I've kept house for him ever since. What do you think of that, Mr Beavis?' she
asked. Her voice trembled and she had to
wipe her eyes; but she was still triumphant.
'What do you think of that?'
Anthony
really didn't know what to think of it; but said, meanwhile, that it was
wonderful.
'Wonderful,'
the horse repeated, approvingly. 'That's
exactly what it is. But you mustn't tell
him I told you. He'd be furious with
me. He's like that text in the Gospel
about not letting your left hand know what your right hand is doing. That's what he's like.' She gave her eyes a final wipe and blew her
nose. 'There, I hear him coming,' she
said, and, before Anthony could intervene, had jumped up, darted across the
room in a storm of rustlings and rattlings, and opened the door. Mark entered, carrying a tray with the
tea-things and a plate of mixed biscuits.
Miss
Pendle poured out, said she oughtn't to eat anything at this time of night,
but, all the same, took a round biscuit with pink sugar icing on it.
'Now,
tell me what sort of a boy young Master Mark was at Bulstrode,' she said in
that playful way of hers. 'Up to all
kind of mischief, I'll be bound!' She
took another bite at her biscuit.
'He
bullied me a good deal,' said Anthony.
Miss
Pendle interrupted her quick nibbling to laugh aloud. 'You naughty boy!' she said to Mark; then the
jaws started to work again.
'Being
so good at football, he had a right to bully me.'
'Yes,
you were captain of the eleven, weren't you?'
'I
forget,' said Mark.
'He
forgets!' Miss Pendle repeated, looking triumphantly at Anthony. 'That's typical of him. He forgets!'
She helped herself to a second biscuit, pushing aside the plain ones to
select another with icing on it, and began to nibble once more with the intense
and concentrated passion of those whose only sensual pleasures have been the
pleasures of the palate.
When
she had gone to bed, the two men sat down again by the fire. There was a long silence.
'She's
rather touching,' said Anthony at last.
For
some time Mark made no comment. Then, 'A
bit too touching,' he brought out.
Anthony
looked into his face and saw there a demonstration of the anatomy of sardonic
irony. There was another silence. The clock, which was supported by two draped
nymphs in gilded bronze, ticked from its place among the imitation