CHAPTER XXX

 

July 2^nd 1914

 

So far as Mary Amberley was concerned, that spring and early summer had been extremely dull.  Anthony was a charming boy, no doubt.  But two years were a long time; he had lost his novelty.  And then he was really too much in love.  It was pleasant having people in love with you, of course, but not too violently, not if it went on too long.  They became a nuisance in that case; they began to imagine that they had rights and that you had duties.  Which was intolerable.  All the fuss that Anthony had made last winter about that art critic in Paris!  Flattering, in a certain sense.  Mary had rarely seen anyone so desperately upset.  And seeing that the art critic had turned out, on a nearer acquaintance, to be a bit of a bore, she had quite enjoyed the process of letting herself be blackmailed by Anthony's dumb miseries and tears.  But the principle was wrong.  She didn't want to be loved in that blackmailing way.  Particularly if it was a long-drawn blackmail.  She liked things to be short and sharp and exciting.  Another time, and with anyone who wasn't the art critic, she wouldn't allow Anthony to blackmail her.  But the trouble was that, except for Sidney Gattick – and she wasn't really sure if she could tolerate Sidney's voice and manner – there was nobody else in sight.  The world was a place where all amusing and exciting things seemed, all of a sudden, to have stopped happening.  There was nothing for it but to make them happen.  That was why she went on at Anthony about what she called 'Joan's treatment,' went on and on with a persistence quiet out of proportion with any interest she felt in Joan, or in Brian Foxe, or even in Anthony – went on simply in the hope of creating a little fun out of the boring nothingness of the time.

      'How's the treatment advancing?' she asked yet again that afternoon in July.

      Anthony replied with a long story, elaborately rehearsed, about his position at Heavy Uncle; and how he was gradually establishing himself on a more intimate footing, as Big Brother; how from Big Brother, he proposed to develop, almost imperceptibly, into Sentimental Cousin; and from Sentimental Cousin into …

      'The truth about being,' said Mrs Amberley, interrupting him, 'that you're doing nothing at all.'

      Anthony protested.  'I'm going slow.  Using strategy.'

      'Strategy!' she echoed contemptuously.  'It's just funk.'

      He denied it, but with an irrepressible blush.  For of course she was half right.  The funk was there.  In spite of the two years he had spent as Mary's lover, he still suffered from shyness, still lacked self-confidence in the presence of women.  But his timidity was not the only inhibiting force at work.  There was also compunction, also affection and loyalty.  But of these it would be all but impossible to talk to Mary.  She would say that he was only disguising his fear in a variety of creditable fancy dresses, would simply refuse to believe in the genuineness of these other feelings of his.  And the trouble was that she would have some justification for the refusal.  For, after all, there hadn't been much sign of that compunction, that affection and loyalty, when he originally told her the story.  How often since then, in futile outbursts of retrospective anger, he had cursed himself for having done it!  And, trying to persuade himself that the responsibility was not exclusively his, had also cursed Mary.  Blaming her for not having told him that he was betraying confidences out of mere wantonness and vanity; for not having refused to listen to him.

      'The fact of the matter,' Mary now went on, implacably, 'is that you haven't got the guts to kiss a woman.  You can only put on one of those irresistibly tender and melancholy faces of yours and silently beg to be seduced.'

      'What nonsense!'  But he was blushing more hotly than ever.

      Ignoring the interruption, 'She won't seduce you, of course,' Mary continued.  'She's too young.  Not too young to be tempted, perhaps.  Because the thing you go for is the mother instinct, and even a child of three has got that.  Even a child of three would feel her little heart wrung for you.  Absolutely wr-wrung.'  She rolled the r derisively.  'But seduction …' Mrs Amberley shook her head.  'You can't expect that till a good deal later.  Certainly not from a girl of twenty.'

      'As a matter of fact,' said Anthony, trying to divert her from this painful dissection of his character, 'I've never found Joan particularly attractive.  A bit too rustic.'  He emphasized the word in Mary's own style.  'Besides, she's really rather childish,' he added, and was instantly made to regret his words; for Mary was down on him again, like a hawk.

      'Childish!' she repeated.  'I like that.  And what about you?  Talk about pots and kettles!  The feeding-bottle calling the diaper childish.  Though of course,' she went on, returning to the attack at the point where she had broken through before, 'it's only natural that you should complain of her.  She is too childish for you.  Too childish to do the pouncing.  Childish enough to expect to be pounced on.  Poor girl! she's come to the wrong address.  She'll get no more kisses out of you than she gets out of that benighted early Christian of hers.  Even though you do profess to be civilized …'

      She was interrupted by the opening of the door.

      'Mr Gattick,' the maid announced.

      Large, florid, almost visibly luminous with the inner glow of self-satisfaction and confidence, Sidney Gattick came striding in.  His voice boomed resonantly as he spoke his greetings, enquired after her health.  A deep voice, virile as only the voice of an actor-manager playing the part of a strong man can be virile.  And his profile, Anthony suddenly perceived – that too was an actor's: too noble to be quite true.  And after all, he went on to think, with a contempt born of jealousy and a certain envy of the other's worldly success, what were these barristers but actors?  Clever actors, but clever with the cleverness of examination-passers; capable of mugging up a case and forgetting it again the moment it was finished, as one mugged up formal logic or The Acts of the Apostles for Pass Mods or Divvers.  No real intelligence, no coherent thinking.  Just the examinee's mind lodged in the actor's body and expressing itself in the actor's booming voice.  And, for this, society paid the creature five or six thousand pounds a year.  And the creature regarded itself as important, wise, a man of note; the creature felt itself in a position to be patronizing.  Not that it mattered, Anthony assured himself, being patronized by this hollow, booming mountebank.  One could laugh – it was so absurd!  But in spite of the absurdity, and even while one laughed, the patronage seemed painfully humiliating.  The way, for example, he now acted the distinguished old military man, the bluff country squire, and, patting him on the shoulder, said, 'Well, Anthony my lad!' - it was absolutely intolerable.  On this occasion, however, the intolerableness, it seemed to Anthony, was worth putting up with.  The man might be a tiresome and pretentious fool; but at least his coming had delivered him from the assaults of Mary.  In Gattick's presence she couldn't go on at him about Joan.

      But he had reckoned without Mary and her boredom, her urgent need to make something amusing and exciting happen.  Few things are more exciting that deliberate bad taste, more amusing than the spectacle of someone else's embarrassment. Before Gattick had had time to finish his preliminary boomings, she was back again on the old, painful subject.

      'When you were Anthony's age,' she began, 'did you always wait for the woman to seduce you?'

      'Me?'

      She nodded.

      Recovering from his surprise, Gattick smiled the knowing smile of an experienced Don Juan and, in his most virile jeune premier's voice, said, 'Of course not.'  He laughed complacently.  'On the contrary, I'm afraid I used to rush in where angels fear to tread.  Got my face slapped sometimes.  But more often, not.'  He twinkled scabrously.

      'Anthony prefers to sit still,' said Mrs Amberley; 'to sit still and wait for the woman to make the advances.'

      'Oh, that's bad, Anthony, that's very bad,' said Gattick; and his voice once more implied the military moustaches, the country gentleman's Harris tweeds.

      'Here's a poor girl who wants to be kissed,' Mrs Amberley went on, 'and he simply hasn't got the courage to put an arm round her waist and do it.'

      'Nothing to say in your own defence, Anthony?' Gattick asked.

      Trying, rather unsuccessfully, to pretend that he didn't care, Anthony shrugged his shoulders.  'Only that it isn't true.'

      'What isn't true?' asked Mary.

      'That I haven't the courage.'

      'But it is true that you haven't done the kissing.  Isn't it?' she insisted.  'Isn't it?'  And when he had to admit that it was true, 'I'm only drawing the obvious inference from the facts,' she said.  'You're a lawyer, Sidney.  Tell me if it's a justifiable inference.'

      'Absolutely justifiable,' said Gattick, and the Lord Chancellor himself could not have spoken more weightily.  An aura of robes and full-bottomed wigs hung round him.  He was justice incarnate.

      Anthony opened his mouth to speak, then shut it again.  In front of Gattick, and with Mary obstinately determined to be only 'civilized,' how could he say what he really felt?  And if that were what he really felt, why (the question propounded itself once more), why had he told her the story?  And told it in that particular style -  as though he were a vivisecting comedian?  Vanity, wantonness and then, of course, the fact that he was in love with her and anxious to please, at any cost, even at the cost of what he really felt. (And at the moment of telling, he was forced to admit, he hadn't really felt anything but the desire to be amusing.) But, again, that couldn't be put into words.  Gattick didn't know about their affair, mustn't know.  And even if Gattick hadn't been there, it would have been difficult, almost impossible, to explain it to Mary.  She would laugh at him for being romantic – romantic about Brian, about Joan, even about herself; would think him absurd and ridiculous for making tragic mountains out of a simple amorous molehill.

      'People will insist,' she used to say, 'on treating the mons Veneris as though it were Mount Everest.  Too silly!'

      When at last he spoke, 'I don't do it,' he confined himself to saying, 'because I don't want to do it.'

      'Because you don't dare,' cried Mary.

      'I do.'

      'You don't!'  Her dark eyes shone.  She was thoroughly enjoying herself.

      Booming, but with a hint of laughter in his ponderousness, the Lord Chancellor let fly once more.  'It's an overwhelming case against you,' he said.

      'I'm ready to bet on it,' said Mary.  'Five to one.  If you do it within a month, I'll give you five pounds.'

      'But I tell you I don't want to,' he persisted.

      'No, you can't get out of it like that.  A bet's a bet.  Five pounds to you if you bring it off within a month from today.  And if you don't, you pay me a pound.'

      'You're too generous,' said Gattick.

      'Only a pound,' she repeated.  'But I shall never speak to you again.'

      For a few seconds they looked at one another in silence.  Anthony had gone very pale.  Close-lipped and crookedly, Mary was smiling; between the half-closed lids, her eyes were bright with malicious laughter.

      Why did she have to be so horrible to him, he wondered, so absolutely beastly?  He hated her, hated her all the more because of his desire for her, because of the memory and the anticipation of those pleasures, because of her liberating wit and knowledge, because of everything, in a word, that made it inevitable for him to do exactly what she wanted.  Even though he knew it was stupid and wrong.

      Watching him, Mary saw the rebellious hatred in his eyes, and when at last he dropped them, the sign of her own triumph.

      'Never again,' she repeated.  'I mean it.'

 

      At home, as Anthony was hanging up his hat in the hall, his father called to him.

      'Come and look here, dear boy.'

      'Damn!' Anthony said to himself resentfully; it was with an aggrieved expression, which Mr Beavis was much too busy to notice, that he entered his father's study.

      'Just having a little fun with the map,' said Mr Beavis, who was sitting at his desk with a sheet of the Swiss ordnance survey spread out before him.  He had a passion for maps, a passion due in part to his love of walking, in part to his professional interest in place names.  'Comballas,' he murmured to himself, without looking up from the map.  'Chamossaire.  Charming, charming!' Then, turning to   Anthony, 'It's a thousand pities,' he said, 'that your conscience won't allow you to take a holiday and come along with us.'

      Anthony, who had made his work for the research fellowship an excuse for staying in England with Mary, gravely nodded.  'One really can't do any serious reading at high altitudes,' he said.

      'So far as I can see,' said Mr Beavis, who had turned back to his map, 'we ought to have the jolliest walks and scrambled all round les Diablerets.  And what a delicious name that is!' he added parenthetically.  'Up the Col du Pillon, for example.'  He ran his finger sinuously along the windings of a road.  'Can you see, by the way?' Perfunctorily, Anthony bent a little closer.  'No, you can't,' Mr Beavis went on.  'I cover it all up with my hand.'  He straightened himself up and dipped first into one pocket, then into another.  'Where on earth,' he said, frowning; then suddenly, as his most daring philological joke came to his mind, he changed the frown into a sly smile. 'Where on earth is my teeny weeny penis.  Or, to be accurate, my teeny weeny weeny …'

      Anthony was so much taken aback that he could only return a blank embarrassed stare to the knowing twinkle his father gaily shot at him.

      'My pencil,' Mr Beavis was forced to explain.  'Penecillus; diminutive of peniculus: double diminutive of penis; which as you know,' he went on, at last producing the teeny weeny weeny from his inside left-breast pocket, 'originally meant a tail.  And now let's attack the Pillon again.'  Lowering the point of the pencil to the map, he traced out the zigzags.  'And when we're at the top of the Col,' he continued, 'we bear north-north-west round the flank of Mont Fornettaz until …'

      It was the first time, Anthony was thinking, that his father had ever, in his presence, made any allusion to the physiology of sex.