A
PERMANENT CROSS
He remembered his
doctor looking at him in sceptical surprise and saying: "Why, you're not a
nutcase! You've got musical taste and
culture and ...!"
Michael had discussed classical music with his doctor on a
previous occasion, but had gone along to the surgery, this time, for some
anti-depressants in order to combat a depression the doctor knew all about, and
the latter had kindly scribbled out a prescription for tryptizol or dothiepin
or some such soothing drug. But he
hadn't been encouraged to pay a visit to a specialist at the nearest mental
hospital. Indeed, he had been dissuaded
from pursuing a more intensive course of treatment, though, god knows, he knew
that something more was needed than recourse to mild anti-depressants! In fact, he had long been of the opinion that
his depression was due to overlong confinement in an urban environment, the
city he inhabited more as a foreigner blown in from the provinces than as a
genuine native, an outsider as opposed to an insider, and a fundamentally
Catholic one at that! The doctor was clearly
an insider, a native Londoner sceptical of depressions caused by environmental
incompatibility, doubtless on account of his own environmental
compatibility. A kind of sophisticated
proletarian was how he saw his doctor - jolly, rotund, prone to self-inflected
accidents, hooked on valium, which he swallowed more, apparently, to keep
himself calm than to ease depression; though if he had one it was evidently
attributable to some other source than environment - possibly matrimonial or
hereditary.
But whilst, as a patient, Michael was of the opinion that
environment was chiefly responsible for his depression, he had
never claimed that it was solely responsible.
Simply the root cause that led to certain effects conducive to
depression. Like, for instance, being
alone in one's room most of the time because the outside world was too
obnoxious to encourage socializing and, in any case, appeared bereft of the
types of people who would have appealed to one's sense of friendship, its
inhabitants being either mostly of the simple or yobbish proletarian varieties,
or of the stand-offish and unintelligible immigrant varieties, with but a
scattering of petty bourgeoisie and bohemian intellectuals thrown-in for good
measure. And being alone of course meant
that one wasn't talking or copulating, two things which, providing they were
indulged in regularly enough, served to release pent-up tensions and keep one
relatively free from depression.
Yet if the environment was a cause of these effects, which stood
like a thistle on a jaded stalk, it was also a direct contributory factor to
his depression, not only in the sense that it was too artificial and built-up
for his liking, or too squalid and ugly, too smelly and polluted, but, worse
still, too noisy and thus a constant source of tension - tension which entered
his head in the form of noise and stayed there, he having no social or sexual
way of releasing it again. So he was in
a kind of tension trap, with noise - in the extremely disagreeable forms of
dog-barkings, worker-hammerings, door-slammings, pop-screechings,
kid-shoutings, phone-ringings, car-hummings, radio- and/or TV-blarings, etc. -
going into his head, but no noise - in the more agreeable forms of speaking,
grunting, laughing, singing, etc. - coming out of it. All one-way traffic, so to speak. And coupled to this, a lack of deep steady
sleep, in part attributable to increased tension and intellectuality within a
highly artificial environment, in part doubtless deriving from his solitary and
sordid lot, a lot compounded by the poverty of a social security allowance
which, to say the least, further inhibited socializing, there being relatively
few contexts where one could meet people free-of-charge, and still fewer women
who would want to meet anyone who lacked the means to date them regularly,
particularly someone whose sartorial appearance left something to be desired on
account of his poverty!
No, Michael knew well enough that females were highly
appearance-conscious, linking a smart exterior with financial affluence and an
unsmart one with a want of financial solvency, thoroughly worldly in their
estimations of men, a consequence, no doubt, of their fundamentally
materialistic natures, which induced them to attach greater importance to
externals than to internals, to the flesh than to the spirit, to appearances
than to essences. Not all women of
course, but still too many of them too much of the time! And particularly within an open-society
context, and one, moreover, that existed in a traditionally materialistic
country like
Well, Michael had not gone along to the doctor in order to
lecture him on ethnic characteristics or to give him an unprecedentedly bold
lesson in free speech, but simply to acquire some anti-depressants which, from
previous experience, he knew would be of minimal avail against the depression
that was a permanent aspect of his life and had more than a few cogent causes,
not least of all the isolation of an intelligent Irishman in a major English
city! He knew, too, that his writings
would never be accepted by the English, since too honest and radical for their
middle-of-the-road, bourgeois taste and lack of understanding of anything that
transcended the literary mask, like his philosophical collectivized writings
and poetic autobiographical writings, not to mention his revolutionary
politico-religious ones. The English
were always somehow false and lying, he, a true son of
Ah, Michael had not allowed his depression to prevent him from
working on his own, necessarily superior terms - terms which, through various
literary or anti-literary or poetic stages, had brought him to Truth while the
majority of British writers continued to wallow in illusions and lies,
superficiality and dirt, after their commercial fashions! Unlike them, he had never 'kissed the
bourgeois' arse', to paraphrase Goebbels, but gone his own way, the way of
Truth. He had quite admired their better
authors, men like Aldous Huxley and Christopher Isherwood, Anthony Burgess and
Lawrence Durrell, but had never identified with them, preferring to regard most
of his work as a continuation beyond Joyce and Beckett, at least technically
... with regard to a developing absolutism in poetic truth. He could no longer take the novel genre
seriously, since he equated it with bourgeois limitations both thematically and
technically. A democratic art-form,
lacking the inspiration of true genius as much on account of its pedantic
technical considerations as of its restricted subject-matter.
For true genius of expression demands the maximum concern with
content and the minimum concern with style or grammar. It cannot emerge if there is a lack of
inspiration on account of one's being bound to technicalities which necessarily
impede the flow as well as inhibit the development of Truth. Great insights, the product of inspiration,
mostly come 'on the wing', not when one is at rest or bogged down in stultifying
pedantic considerations! The more you
gain on the grammatical roundabout, the less you can have on the conceptual
swings. The more positive truth you
desire, the less concern you must give to technicalities, which merely conform,
after all, to the proton and/or neutron side of writing, its materialistic as
opposed to spiritualistic, or electron, side.
The British make for good novelists but, contrary to literary myth,
relatively poor poets, since they are never sufficiently free from technical
considerations to soar to the heights of imaginative freedom. Having Irish blood in their veins, Burgess
and Durrell are less literary than poetic and produce better or, at any rate,
more poetic novels in consequence. James
Joyce and Samuel Beckett are more poetic again, and it's unlikely that any major
Irish writer could ever be less than highly poetic, granted a free-electron
predilection. He had seen the age of
English writing superseded, in
But a revolutionary leader had to write, and Michael had written
as much as anyone, Lenin included, on subjects and in a way that Lenin would
never have contemplated, being too much the politician for anything so
theocratic as poetry. A Social
Transcendentalist leader was an altogether different proposition from a
Bolshevik or a Communist one, closer, in essence, to Hitler and to fascist
leaders generally - men who scorned mere politics and literary
philistinism. Michael was also a writer
in the higher sense, not just a political or revolutionary propagandist. Probably more a writer, if the truth were
known, than a revolutionary. A writer
who imagined himself a revolutionary rather than a revolutionary who also
dabbled, à
la Trotsky, in writing. A kind of
literary schizophrenia, an illness probably shared by such illustrious writers
as Gide and Camus, Malraux and Sartre, Koestler and Mailer, who were expected
and inclined to be political but were never quite sure to what extent or
exactly where the demarcation line between literature and politics actually
stood. Was it perhaps a failing of a
certain type of writer that he imagined himself capable of major participation
in revolutionary politics? Or a
madness? That political participation
was a writer's dream, the grass being greener the other side of the
professional fence, every profession having a kind of connection with some
other, to which one was more than likely to be drawn? So after a writer, a fascist or communist
dictator? Was that the only way one
could, as it were, progress? He had
often thought so, and was still of the opinion that a revolutionary dictator
was more likely to come from the intellectual class, particularly on its
literary side, than from any other.
Certainly a Social Transcendentalist would have to be highly literate,
if his sovereignty as embodied Holy Spirit was to be justified. No mere labourer or philistine politician! Michael had no reason to doubt his sanity on that
account, even if he wasn't altogether sure that he was sane to imagine
himself a potential dictator, when he had spent so much time scribbling
literary or poetic truth!
But was Social Transcendentalism merely a figment of his
imagination, a mere literary game? He
didn't think so, couldn't bring himself to believe that he was merely
concocting imaginary worlds for literary appreciation. He had gone too far and in too much depth and
earnestness to be a mere purveyor of political fictions. He knew that what he stood for was the Truth,
and that the Truth would have to prevail in the world in future if it was to be
redeemed. He was no fool to doubt the
authenticity of his Truth. But whether
or not he would actually implement it ... time alone would tell. At least he didn't feel that he was in need
of a state psychiatrist on account of his uncertainty in this matter, though
his mental health might well have profited from some psychiatric
attention. The depression was still
there, and if it was a Cross he had to bear on account of his solitary and
celibate lifestyle, then so be it!
Writers were more often than not depressive, if not manic, in any case,
since too much alone. It was a
professional hazard and drawback, not something of which to be cured if one
wished to continue in one's chosen tracks, since writing could only be done in
solitude or, at any rate, without professional assistance from, say, a
colleague. Most serious writers sooner
or later took to drink as an antidote to depression on a kind of intermittent
or temporary basis. Also tobacco of
course, another sensual indulgence to counter the enforced asceticism of
solitary intellectual activity, to sensualize the brain, soak it, drag it down
from its too tense and rarefied heights, if only to watch the TV or listen to
discs.
Such it was for him, and he didn't think himself altogether
unique in this respect, even if there were writers - authors really - who fared
better on account of their wealth and social life, always a friend or wife
around with whom to talk, not really alone all that much, too bourgeois to want
the heights. But madness, mental
illness, depression, delirium - so prevalent these days, and not simply among
writers and would-be revolutionaries, either!
He considered himself essentially sane, despite his depression. But there were others who had regular need of
psychiatric attention, were, in fact, more often mentally ill than physically
ill. He had thought about this negatively,
in regard to his own problem in the past, but now he was beginning to see it in
a positive light. After all, why had
psychology and psychiatry taken so long to materialize? Why was it only this century that they really
came into their own, so to speak, as respectable medical professions? Surely the answer to these questions had to
be: because it was only in the late-nineteenth and early-twentieth centuries
that, in certain parts of the world and in certain individuals, the human
psyche had become sufficiently evolved to permit of a looking back and down on
the subconscious from the vantage-point of the ego and/or superconscious - in
short, because until then humanity had been insufficiently advanced to be
either capable of or particularly interested in any such psychic scrutiny.
Well, what applies to the subconscious may well apply to the
brain in general and to mental illness in particular, so that the growth of
interest in the former and increasing prevalence of the latter were but
reflections of the ongoing sophistication of the age, its coming to maturity on
terms that stressed the mental at the expense of the physical, the brain at the
expense of the body. He had little doubt
that, paradoxically, the expansion of mental illness was a symptom of
evolutionary progress; for if bodily illness had hitherto been the human norm,
might we not be approaching a time when it would be the exception and, by
contrast, only mental illness be the human norm - a humanity grown beyond the
merely physical and become ever-more deeply engrossed in the mental and
spiritual, a humanity which had passed from the body to the mind?
Ah, there were sufficient grounds in this hypothesis for
optimism about the future, for seeing in mental illness not a sign of decay and
pessimism, but, on the contrary, of growth and optimism concerning the
evolution of mankind away from the body and ever deeper into the mind. Could it be, he wondered, that a day would
come when all or most physical illnesses would be attributed to mental causes,
to psychosomatic origins? Would humanity
reach such a pitch of evolutionary sophistication that doctors and surgeons
would become redundant, their dedication to physical illness no longer necessary,
the psychologists and psychiatrists ruling an absolutist roost, and so
attending to the prevalent and, in a sense, only morally respectable types of
illness of that age?
Michael wasn't entirely prepared to rule out such a
possibility. For it seemed to him that
psychology and psychiatry were complementary aspects of a growth industry, the
spiritualistic and materialistic sides, as it were, of the diagnosis and
treatment of mental illness, and that the ratio of mental to physical illness
could only change in the course of time, the former developing at the expense
of the latter, in accordance with the evolutionary requirements of a more
absolutist age, an age when the representative medical practitioners would be
psychologists and psychiatrists, in contrast to the norms of an open society
where, to all appearances, doctors and surgeons constituted the medical norm,
and to such an extent, in certain countries, that their psychic counterparts
were still regarded with if not contempt then, at any rate, deep suspicion, as
if their vocations were somehow irrelevant to the established order, beyond or
outside the pale of representative medical practice, a kind of emerging poetic
threat to a novelistic status quo, not to be taken too seriously, but scarcely to
be underestimated, either!
Perhaps this would apply more in traditionally democratic than
in traditionally theocratic societies, where the materialistic was always so
much more the accepted norm? Certainly a
closed society derived from the latter kinds of societies would reverse this
situation or, at any rate, expand the psychic side, and maybe to a point where
psychologists and psychiatrists would greatly preponderate, with but a minimum
quantity of bodily doctors to deal, in the main, with accidents and emergency
cases, they being regarded as a left-over from bourgeois society,
corresponding, in their reformed status, to the 'Social', and hence inferior,
side of Social Transcendentalism, the ideological integrity of a truly
theocratic closed society, necessarily placing maximum emphasis on the
noun. Probably by then only mental
illnesses, he reasoned, would be socially respectable, contrary to the current
open-society situation, which inclines to regard mental illness from a bodily,
materialistic point of view, and thus to apply such derogatory expressions as
'nutcase', 'fruitcake', and 'lune' to those so afflicted. Just as his doctor had done with regard to
himself, albeit on the assumption that he couldn't possibly be one, since
stable and healthy and ... interested in serious music!
Well, at the time, Michael had been almost relieved to hear
this, though he knew that his depression was a kind of mental illness and was
more serious than perhaps the doctor, with his limited knowledge of such
things, had supposed. Yet now, when he
reflected on his situation from a higher vantage-point, he was almost
disappointed in the doctor for not having credited him with more sophistication
and thereby acknowledged his superior afflicted status. Indeed, now he was almost proud to be in some
degree mentally ill and thus one of the elect of suffering, no mere physical
democrat but a psychical theocrat, as he had long conceived of himself. He might not be a 'nutcase' in any flagrantly
exhibitionist or delirious or violent or deranged or abusive or
non-communicative sense, but at least he was prone to mental rather than simply
physical ill-health, if on a comparatively low-key and tolerable basis. This was, he supposed, the price one paid for
one's genius as a writer/thinker, the degree of sophistication and spiritual
insight to which he had attained being impossible without a commensurate degree
of physical solitariness and social simplicity.
Yet it was also a mark of his inherent sophistication, his
status as one of the spiritual elect for whom mere bodily ill-health would have
been demeaning, a kind of left-wing affliction more suited, he supposed, to a
person of anti-natural inclination and/or temperament. If he was not mad in any seriously permanent
sense, he was yet capable of mental ill-health and not simply on an
intermittent basis either! It was his
shadow self, the price he paid for the light of his truth. Better of course to be mentally well than
mentally sick; but if one had to be ill, better to be mentally sick than
physically sick. He was part of a long
tradition of great minds whose common lot had been mental ill-health. Like Nietzsche, Strindberg, Baudelaire,
Hermann Hesse, Ezra Pound, and Wilhelm Reich, Michael Somers would carry his
cross until the end - the end, in his case, of the World.