CYCLE 34
1. STELLAR CONTRAST. To contrast the Clear Light of the Void with
the Clear Fire of the Void ... as one would contrast Hinduism with Buddhism or
2. SOLAR CONTRAST. Conversely, to contrast the Clear Fire of
Time with the Clear Light of Time ... as one would contrast Satanism with
Judaism or Satan with Jehovah - the latter merely the light-aside of the
former.
3. STELLAR/SOLAR COINS. No less than
4. IDEALIST/NATURALIST DISTINCTIONS. A modern equivalent of the above 'coins', or
dichotomies, would be Fascism (light-primal) and Nazism (heat-secondary) with
regard to idealism, but Communism (heat-primal) and Bolshevism
(light-secondary) with regard to naturalism, the cultural parallel having less
to do with visions and dreams than with photos and films, photos being no less
idealistic than films are naturalistic.
5. FILM NATURALISM VIS-À-VIS PHOTOGRAPHIC
IDEALISM. Film actors/producers are all
somehow communistic in their naturalist stance before life, a stance no less
contrary to the idealism of photography than the Judaic/Satanic essence of
dream naturalism could be regarded as being contrary to the visionary idealism
of Hinduism/Buddhism.