CHAPTER
THREE: SHEAD'S REVOLUTIONARY INVENTION
"I'm sorry we
couldn't show you our little invention before now," remarked Edmond Shead
as, with the conclusion of the introductory handshake, I followed his tall
figure up the thickly-carpeted staircase of the rather affluent-looking
detached house in which he lived, alone apart from a maid and a couple of small
dogs, no more than a few hundred yards from myself. By 'we' he was alluding to himself and Robert
Dunne, who was also with us, not to Patrick Lyttleton, a complete stranger to
me who had arrived just a few minutes before and was now standing at the top of
the stairs, waiting, it seemed, for further guidance. "But there were one or two last-minute
hitches in getting it in proper working order."
"I've all the patience in the world where other people's
inventions are concerned," I averred, allowing myself the gregarious
luxury of excessive understatement.
"Besides, I rather enjoyed the suspense from having to wait."
We reached the first floor, suffered further introductions, and
turned left along a narrow corridor before entering, at the far end of it, a
room of about normal size though abnormal height - well over twenty feet. I held my breath as I crossed the threshold
into its brightly-lit interior, and expended it with a sigh of relief when I
saw that nothing particularly unseemly was going on. For other than a video recorder, some chairs,
and a rather nondescript apparatus vaguely reminiscent of a dentist's chair,
the room was completely empty and not the scene of sexual depravity or physical
torture, as I had half-expected from the scant information already received
from Robert Dunne on the subject of Shead's revolutionary machine.
"Well, this is it!" my amiable host informed me, and
not only me but, so it appeared, the little bald-headed man called Patrick
Lyttleton also, since he had yet to be properly initiated into the room's
secrets.
We both stood a moment baffled by the apparatus before us, like
two working-class schoolboys confronted by the interior of a car factory, and
made not the slightest comment, nor could we have done so. For Robert Dunne was quick to intrude with
"Any guesses?", and since neither of us felt like making one, a
puzzled and slightly embarrassing silence supervened, although I had a few
private ideas in mind!
"Perhaps you'll be in a better position to guess when it's
set in motion," Shead kindly volunteered, and almost at once he pushed a
button on the upper right-hand side of the contraption, where there was a panel
of various-coloured buttons with terse, rather diminutive information plaques
beneath.
The START button immediately began a process that quickly threw
me into convulsive laughter, an upshot which, brought about by the sudden
confirmation of my suspicions, must have had a reciprocal effect upon
Lyttleton. For he soon began to snigger,
despite whatever pretensions of seriousness to which he may have laid prior
claims. And why not, seeing that, once
set in motion, the apparatus became sexually explicit, as a phallus-like object,
hitherto concealed from view, thrust up into the air through a small aperture
in what must have been a plastic seat and then rapidly withdrew, only to thrust
up again in identical fashion a split second later, and so on, with piston-like
regularity.
"Why, you've created a fucking-machine!" I impulsively
exclaimed, unable to restrain my language.
"That's a plastic cock you've just set in motion!"
Patrick Lyttleton emphatically nodded his bald head in evident
agreement and sniggered some more.
"Too bloody right it is!" Shead admitted, a warm glow
of pride suffusing his ordinarily pallid countenance. "And that object up through which it
thrusts is where young ladies position themselves throughout the duration of
the, er, copulatory procedures. The artificial
phallus comes in a variety of sizes, so a woman can select whichever size she
needs in order to satisfy her wants."
Here he pointed out a cabinet on the left-hand side of the machine in
which some ten plastic substitutes were stored, ranging in length from 5-12
inches and in diameter from 1-3 inches.
There were even substitutes in the collection which had the appearance
of being circumcised, and here Shead stressed that, whether for religious or
cultural reasons, some women would prefer them to the plain, or uncircumcised,
variety. "After all, one has to
cater to the widest possible taste," he added, casting Lyttleton a
self-satisfied look.
I watched, fascinated, as the demonstration exhibit continued to
thrust backwards and forwards into thin air, while my fellow guest, having
regained a modicum of seriousness, questioned the chief inventor of the machine
about possible variations in the rhythm pattern, as he politely phrased it.
"Yes indeed!" Shead responded, with evident
alacrity. "This is where the button
panel comes in. For here ..." and
at this point he pressed a button adjacent to the START one "... we have
the means of imposing a quicker rhythm on the phallus."
And, sure enough, the plastic dildo now began to thrust
backwards and forwards through the hole in the seat twice as fast as before, to
the intellectual relief and optical satisfaction of Lyttleton. "Ah, that's really excellent!" he
averred, simultaneously nodding his bald-headed approval. "As she approaches orgasm, a woman would
require a quicker thrust."
"Indeed she would," Shead concurred
knowledgeably. "And by pressing
this third button, she can increase the rate of thrust even more."
This was perfectly true.
For now the artificial substitute was moving so fast through the air
that I could scarcely see it, let alone keep up with its rhythmic
progress. Once again I had to laugh,
though not without evoking a sympathetic response from all but one of the
others, who were only too easily infected by my amusement.
"Yes, it does take a bit of getting used to at first,"
Dunne opined, partly, no doubt, for my benefit, but also partly because he had
been of the amused party and doubtless felt it was about time he contributed
something constructive to our appreciation of the machine, if only for Shead's
sake. "You'll be even more
surprised to see what's coming up," he added.
"But please stand back first," his senior colleague
advised us, and when we had done so he proceeded to press a fourth button on
the panel, which immediately had the effect of precipitating what appeared to
be an orgasm from the plastic phallus in the form of a thick spray of
semi-opaque liquid which shot up into the air from a central spout in a
succession of rapid jerks, before crashing down onto the seat and surrounding
area of the floor. Even Lyttleton had to
laugh here, as well as clap his hands in obvious delight at what had just
happened. "This milky liquid,
composed of various harmless chemicals, is designed to simulate sperm,"
Shead rather pedantically informed us, wiping some of it from his brow,
"though the device can be fed actual deposits of sperm when used as a
method of effecting pregnancies."
"You mean it can be used to propagate children?" I
incredulously exclaimed, hardly daring to believe my ears.
"Oh yes!" the assistant inventor interposed with
obvious relish. "We didn't just
intend it to function as a thrill machine, an artificial alternative to the
male sex. We also hoped that it would
prove a viable substitute for impotent husbands; for those husbands, more
especially, whose impotence, though not entirely preventing them from achieving
orgasm, takes the form of an inadequately forceful discharge, in which sperm is
deposited insufficiently far into the, er, vagina of his partner to be capable
of effecting a pregnancy. Thus for women
whose husbands let them down in this way - and there must be literally millions
of them - the solution is not to sue for divorce, still less resign oneself to
going childless, but to purchase a device like this, into which a deposit of
the husband's sperm can be placed for the subsequent attainment of an
artificial insemination which is both pleasurable and efficacious, the fruitful
outcome of which could only be a joyful pregnancy. Thus our invention can not only save
marriages, it can create lives!"
"How extraordinary!" cried Lyttleton, and despite my
initial misgivings I just had to agree with him. Why, if one could make one's wife pregnant
through artificial means, what was there to stop an intensely transcendent
artist like myself from exploiting such a device to telling effect, even given
the fact that I personally disliked babies?
I smiled to myself, visibly intrigued by the prospect.
Meanwhile Lyttleton had gone closer to the machine and was now
looking at the penile substitute with the air of an experienced connoisseur,
painstakingly engaged in the arduous process of estimating the value of a
masterpiece. Shead, to facilitate his
guest's assessment, had slowed the rhythm pattern of the thrusting mechanism
down to bedrock level, as it were. Dunne
was wiping-up such of the ejaculated liquid as was accessible to his mop,
whilst I, virtually hypnotized by the sexual revolution, stared in
wonderment. Could it be that men were
about to be put out of business by this invention, I wondered?
"And the great thing about it, from a woman's point of
view, is that she can trigger off the artificially-induced orgasm to suit
herself," Shead continued, taking over the reins of exposition from where
Dunne had tactfully dropped them.
"She needn't fear a premature climax from her partner, as all too
many women do, nor be obliged to masturbate after his climax has left her
unmoved. Simply by regulating the rhythm
of the phallus, she can bring on her own orgasm as and when it suits her,
independently, if needs be, of the artificial one. And, believe me, this apparatus will always
guarantee maximum satisfaction, not leave her frustrated or unrequited in
consequence of impotence! By stepping-up
its rhythmic speed she'll be brought to an orgasm sooner or later, and can
continue to experience as many natural orgasms as she needs, bearing in mind
that, unlike a man, this lover won't grow tired or run out of juice, but can
continue to function indefinitely, supplying her with as many artificial
orgasms as she can take."
"Ideal!" Lyttleton concluded, his connoisseur's air
becoming steadily more pronounced.
"And, of course, she can always change the size of the
synthetic member to one that, well, provides her with the maximum of
satisfaction and the minimum of frustration, if you follow me,"
interjected the mop-weary subordinate inventor, as he laid his soggy mop to one
side.
Lyttleton eagerly nodded his shiny head and put fingers to chin in
response to the exigencies of fresh mental calculations. "Hmm," he at length concluded,
drawing out his musings with evident relish, "a device that absolutely
guarantees a lady satisfaction, can be used for business as well as pleasure,
is perfectly safe, since immune, amongst other things, to venereal diseases,
has virtually infinite appetites, can be switched on-and-off at will,
ejaculates more forcefully and, if I'm not mistaken, copiously than a natural
organ, is comfortable to use, comes in a variety of colours, may be tailored to
suit the individual requirements of the customer, and, what's more, puts no
physical demands on her ... seems like a jolly good commercial proposition, if
you ask me!"
Shead was almost foaming at the mouth here, and I thought for a
moment that he was on the point of kissing his important guest's hands when he
opened it, instead, to inform him that there was an additional dimension to the
apparatus which modesty alone had precluded him from imposing upon us - the
dimension, namely, of a sound recording attached to the rear of the machine
which could facilitate sexual abandonment by mimicking the real-life
blandishments and physical struggles of a lover. "One may choose here from a variety of
alternative recordings," the senior inventor went on, pointing to the
relevant box, "from the most coarsely reproachful to the most subtly
endearing, and all to make the experience as life-like as possible. Actually, we had intended to introduce you to
this aspect of the total experience through a video, if you're satisfied with
the, ah, introductory demonstration."
"Very satisfied indeed!" Lyttleton declared, and I
automatically concurred with him, though I was beginning to realize that I
existed on a vastly different plane than my fellow guest in the inventors'
eyes, and was becoming puzzled as to exactly what my station or function could
possibly amount to here. Nevertheless I
silently accepted the chair offered me beside Lyttleton, while Shead drew up a
chair behind us and Dunne busied himself with the video equipment, before
switching off the lights.
"The model in the video will be a stranger to both of
you," Shead announced, with I knew not what clairvoyance, as the first
splash of colour erupted onto the screen some five yards in front of us. "But have no fear, she's a very
attractive young lady."
And, sure enough, that she was, being a medium-built brunette in
her early twenties - long-haired, blue-eyed, slender-legged, and well-curved,
amongst a variety of other significant statistics. I could see that she was standing in this
very room. For part of the mechanical
copulator or penetrator or whatever could be seen to her left, motionless like
a posted sentry. I waited impatiently
for her to undress, which she was doing slowly and deliberately, almost as
though she were engaged in a striptease act, removing her black mini-skirt with
graceful nonchalance and then peeling off her skimpy vest in the same slow,
calculated manner. One could tell that
she had thoroughly rehearsed her part in the interests of professional polish,
since this video was evidently intended for advertising purposes. The model obviously knew what was expected of
her, doubtless because Shead had given her a thorough briefing, if not
coaching, and so ensured that she undressed in the correct way, with feminine
finesse coupled to excited longing for the machine. Even Lyttleton was beginning to breathe more
quickly and audibly as the brunette removed her even skimpier bra with
scarcely-concealed impatience and exposed, in bending down to remove her
panties, a pair of the most delightfully-pendulous breasts it had ever been my
good fortune to behold. Her stockings,
suspenders, suspender belt, and high heels were not to be removed, however,
evidently because they constituted no obstacle to the attainment of her coital
desires. And neither, it soon became
apparent, did the mechanical copulator itself, since she had obviously been
instructed in how to operate it and knew exactly what size she wanted, taking a
large uncircumcised substitute from the side compartment. Then, having lovingly caressed the chosen
organ for the benefit of her libido, she inserted it into the thrusting device
beneath the seat, and stood back to admire her handiwork. At the same time a running commentary by
Shead played-on in the background, or perhaps one should say foreground, since
it was quite loud and thus precluded the necessity of either Shead or Dunne
saying anything to substantiate the information being imparted to the viewer. In this way, Lyttleton and I gleaned that the
model's name was Trudi, that she was dying to re-experience the thrill Janko -
evidently the name of the copulator - had previously given her, and that she
had complete confidence her sexual needs would be fully satisfied.
And in case one had any lingering doubts, now came the moment of
truth, the revelation of guaranteed sexual satisfaction as, becoming suddenly
respectful and coy, almost apprehensively so, Trudi climbed astride the plastic
seat, leant back on the comfortably-padded one-prong back rest, fumbled under
herself for the artificial lover, and, satisfied that everything was in proper
alignment, excitedly pressed the START button on her right, which immediately
brought a suppressed cry of pain to her lips as the lover in question thrust
unfeelingly upwards into her tender flesh.
I instinctively looked away from the screen at this point; for I
am no sadist to take pleasure in another person's pain! Next to me, Lyttleton coughed faintly in
evident embarrassment at the spectacle before him, but gallantly said
nothing. The recorded commentary was
still droning on, and now to the effect that the initial pain caused by the
first few thrusts of the artificial phallus was as nothing compared with the
intense pleasure which the smooth functioning of Janko would soon engender, as
Trudi gradually stepped-up 'his' copulatory speed and simultaneously availed
herself of the recording facilities to-hand - these being, in her case, a
rather lusty male accompaniment to her mounting sexual abandonment which was a
potent mixture of animal grunts and verbal teasings, including the rather
deferential use of a variety of four-letter words.
Well, I sat there both intrigued and revolted at once, and I am
sure that Lyttleton was experiencing similarly ambivalent feelings to me,
though he made no comment, which wasn't altogether surprising in view of the
audio intensity of the sex recording in question! Now I understood what Shead had meant when he
said that modesty alone had precluded him from imposing this further dimension
of the mechanical copulator upon us. To
be sure, it was hardly something for cultivated ears! Anyway, regardless of its aesthetic
shortcomings, the vocal accompaniment evidently succeeded in pandering to Trudi's
sexual needs, since it lent the overall experience extra erotic potency,
turning the machine into a near-life substitute for an actual man. From the business angle there was even the
possibility of playing-up this aspect of the total experience, of harping upon
the advantages, from a woman's standpoint, of having a lusty audio
accompaniment, a vital ingredient of sexual relations which had perhaps been
lacking from her previous sex life? Why,
therefore, should not a woman whose human lovers had been verbally inhibited
profit more from the total experience offered by Janko, who, by contrast, was
capable of the most lustfully uninhibited blandishments? What woman could possibly resist such an
advantage?
Yes, I was beginning to acquire a certain respect for Shead's
ingenuity here, which was reinforced by the visual evidence of sexual
satisfaction now so blatantly exhibited on screen, as Trudi, having in the
meantime further stepped-up the speed of the mechanical copulator, opened her
mouth wide and tilted her head back with the approach of orgasm. Here, once again, Shead's commentary came to
the fore just as the lustful blandishments reached a brutal climax and then
suddenly faded into the background, like a passing train. We had to be informed what Trudi's next move
would be, lest there were any doubts on the matter. And her next move, logically enough, was to
push the orgasm button and precipitate an artificial ejaculation from the
plastic thruster which was intended to synchronize with her own, more natural
orgasm. Her next move, needless to say,
was timed to perfection. For, as she
pressed the required button, her mouth opened wider and her head was tossed
from side to side in the ecstasy which engulfed her, obliging her to cry out in
the throes of a pleasure crisis and hold on tighter to the seat for fear of
falling off. A 'forcefully copious
orgasm' was the commentator's verdict here, and, to be sure, it was impossible
not to believe him, given the optical and audible confirmation before us!
With the termination of her passion, however, Trudi could do no
more than stagger from the by-now quiescent machine and slump exhausted to the
floor, opening her legs to the viewer in order, presumably, to assure him that
she had both received and returned a climax at the same time. And what a climax! For there could be no denying that the milky
liquid which now trickled from between her thighs had been generously offered
and no less generously received! One
could also see, if in need of any reassurance, that the artificial phallus left
no bruises or marks behind, so that it was indeed as safe and gentle to use as
its inventors claimed. And, finally, one
could note the obvious relief occasioned by surfeited desire on the young
model's beautiful face, her eyes closed in peace, her lips forming a complacent
smile, one of her hands gently and absentmindedly caressing a breast.
Yes, it was unquestionably an impressive propaganda campaign
Shead and Dunne had devised between them, and now that the video had run its
intensely erotic course, I had no option but to join Lyttleton in
congratulating them both for the success of their achievement. Lyttleton, it transpired, was more relieved
than me that the machine was capable of such gratifying results, since it was
from him that the warmest praise was duly elicited. "A truly remarkable demonstration!"
he opined, his voice trembling with a degree of suppressed embarrassment, now
that the lights had been switched back on, and both Shead and Dunne were again
revealed, the former still sitting behind us, the latter nonchalantly standing
near the video recorder. "One
wonders how you managed it."
"Yes, it was certainly a convincing performance," I
added, without intending to sound ironical.
"Well, as you could see, Trudi was the person who managed
the most, since all we had to do was film her and tape the commentary,"
declared Dunne in what I could only suppose to be sympathetic
understatement. "But we can assure
you that her feelings and responses were genuine, not feigned. We've had a job to keep her away from the
damn machine ever since!"
Both Lyttleton and I sniggered at this comment, though I
personally had some reservations as to its probable veracity. Nevertheless Lyttleton's next response left
me in no doubt whatsoever as to his role here, since it was directed solely at
Shead.
"I'll take up your offer of a patent on Janko and set about
getting him into mass production during the next few months. I can only be grateful that you've given me
first option on buying him and, frankly, I've full confidence that he'll
succeed. It will, however, be necessary
for me to have a few words with my younger brother, Thomas, about this. But I don't think you'll need to look any
farther afield for your manufacturer.
I'll have Janko on the market by next year at the latest. In fact, I'll convert my old
vibrator-producing factory into a place capable of turning out at least a
hundred of these, ah, mechanical copulators a week, and I'm reasonably
confident that the workforce will be prepared to modify their constructive
skills along more autonomous channels, as soon as I can get the basic
mechanical components of the apparatus designed and properly assembled, the
dildo-like aspects of it in particular."
Shead's face brightened appreciably, and he all but heaved a
sigh of gratified relief. He had
evidently been uncertain as to whether Lyttleton could be persuaded to put the
mechanical copulator into production, but now he was confident that the
manufacturer meant business. And
business could only mean money, possibly lots of money, considering how
sexually efficacious his invention was.
He would become rich and famous, and Dunne along with him.
I listened to his gratified response to Lyttleton's assurances
with some pleasure but couldn't help wondering, all the same, exactly what my
role here was. After all, it seemed
unlikely that they would have invited me along just for the fun of it,
especially in the company of such an important (from their point of view) guest
as Lyttleton. Could there be some
ulterior motive involving my wife, I wondered?
To be sure, I couldn't discount the possibility that she secretly wanted
a child by me and, realizing I had no intentions of giving her one through
natural means, hoped that I could be induced to make her pregnant artificially,
which is to say, through the medium of Janko, in whose plastic prick a deposit
of my sperm would be lodged. The idea
certainly wasn't unfeasible, and I marvelled at my wife's imaginative ingenuity
in conceiving of it - assuming she had.
But that was hardly likely to be the official reason for my presence
here and, as soon as Shead had said his fawning piece, I tentatively inquired
about my possible role in the proceedings, fearful of the worst but hoping for
the best.
"Ah, forgive me for keeping you in suspense all this time,
Jason," he responded, becoming slightly flustered now that I had forced
the issue upon him. "I ought to
have told you earlier, but I wanted to see what your response to our little
invention would be, before suggesting the possibility of your becoming involved
in our project, er, artistically."
"Artistically?" I echoed, baffled.
"Yes, you're a painter and photographer of merit, aren't
you?"
It was almost as though he needed reassuring and, immodestly, I
nodded, admitting as much to him.
"Well, with your valuable assistance, we feel that we shall
be able to put our product across better, assuming you'd be prepared to
photograph the apparatus from various angles and make several sketches of
it. A famous artist like you would
automatically confer additional prestige on our invention, particularly if
..." He halted in his verbal tracks, unable, through embarrassment, to
continue, though I had a hunch what the crafty bastard was driving at! Nevertheless I refrained from comment on that
score, partly out of respect for Susan, and contented myself, instead, with
reminding him that I wasn't famous as an artist but only as a writer. "Ah, yes, but you do possess
considerable talent in regard to painting," he countered, seemingly
unperturbed by my excuse, "and could only enhance your, shall we say,
growing reputation as an artist by contributing to our project. Mr Lyttleton, for one, will be prepared - will
you not, sir? - to commission a number of paintings and sketches from you, as
well as some photographs, over the coming months."
"I most certainly will," the manufacturer replied,
blushing under pressure of this unexpected reference to his future responsibilities.
"Well," I said, after a cautious glance at my
prospective patron, "I'll do what I can to satisfy your requirements,
despite my dubious status as an artist.
I don't know who's been spreading rumours about me, but I'm certainly
not the famous painter you might like to imagine."
Robert Dunne coughed ironically, then apologized to me in person
for any misinformation with which he may have supplied Shead out of a personal
enthusiasm for my work. "It wasn't
that I attempted to hype you up in my colleague's eyes," he confessed,
finding time to interpolate a mildly ingratiating smile into his apology,
"but that I sincerely believe in your painterly talents, and am quite
convinced you're the best man for the job.
Your transcendental bias would be admirably suited to the depiction and
possible clarification of such a supernaturally artificial apparatus as our
Janko."
I nodded my aching head on a confirmatory impulse, but had my
doubts all the same. Time alone would
tell, I realized.