CYCLE FIFTEEN

1. Pornography is a scientific perversion of sex which enslaves women to the heathen light ... of a photographic reproduction. In fact, pornography reverses the usual roles of the sexes by placing woman-as-model in the 'starry firmament' of photographic images which, by dint of their glossy nature, induce a quasi-heliotropic 'sucking-up' of men (more likely to be effeminate) from below!

2. One might say that pornography is to lustful promiscuity what Marx was to Bolshevism, or even Jehovah to Satan - the cosmic backdrop, as it were, to a solar 'fall'.

3. Pornography is basically more a thing of the light (photography) than of the fire (lust). Nevertheless it is inconceivable that promiscuity would exist to anything like the same extent without a pornographic precondition.

4. There are two main kinds of promiscuity: the first kind exists in direct relation to pornography itself, as a masturbatory deference to the photographic image; and the second kind exists in an indirect relation to pornography, as a sexual imposition upon woman-as-nature. Thus it could be argued that where the first is Bolshevik, the second is effectively Soviet (taking that word in its post-Bolshevik but pre-Socialist sense). The first is absolutely Satanic, the second relatively so.

5. Beyond the quasi-heliotropic 'sucking-up' of the Cursed Whore to promiscuous males ... is the socialistic lesbianism of what may be called 'republican woman', which contrasts with the capitalistic homosexuality of 'parliamentary man'. Hence where lesbianism is the sexuality of the Antimother, homosexuality is the sexuality of the Antichrist.

6. 'Socialist sex', viz. lesbianism, contrasts with 'Soviet sex', viz. heterosexual promiscuity, as Pop with Rock 'n' Roll - the former basically feminine, the latter both masculine and feminine.

7. 'Capitalist sex', viz. homosexuality, contrasts with 'Bolshevik sex', viz. masturbatory promiscuity, as Rap with Jazz - the former exclusively masculine, the latter submasculine.

8. At the back of 'Bolshevik sex' is the Marxism of pornography, which stands to masturbation, in its photographic voyeurism, as the Blues to Jazz.

9. The Bolshevism of Trad Jazz, or acoustic Jazz (a proton equivalence), is ideologically antecedent to the Sovietism of Modern Jazz and/or Fusion music, which, employing one or more electric instruments, is contiguous with the Socialist Sovietism (male-dominated) of Rock 'n' Roll and the Soviet Socialism (female-dominated) of Rock-Pop.