CHAPTER EIGHT
STRANGE how things fall out sometimes. You may curse and pray, gibber and whimper,
and nothing happens.
Then, just when you’re reconciled to the inevitable, a trapdoor opens.
Saturns slinks off to another vector, and the grand problem ceases to be. Or so it seems.
It was in
this simple, unexpected way that Stasia informed me one day, during Mona’s
absence, that she was going to leave us.
If I hadn’t had it from her own lips I wouldn’t
have believed it.
I was so
stunned, and so delighted at the same time, that I didn’t even inquire why she
was leaving. And she, apparently, was in
no hurry to volunteer the information.
That she was fed up with Mona’s theatrical ways, as she hinted, was
hardly sufficient reason for this sudden break.
“Would you
mind taking a walk with me?” she asked.
“I’d like to say a few things to you in private before I go. My bag is packed.”
As we left
the house she asked me if I had any objection to strolling across the
bridge. “None at all,” I replied. I would have consented to walk to
The fact
that she was leaving awakened my sympathies.
She was a strange creature,
but not a bad one. Stopping to light a
cigarette, I sized her up, detachedly.
She had the air of a Confederate soldier back from the war. There was a forlorn look in her eyes, but it
was not devoid of courage. She belonged
nowhere, that was obvious.
We walked
in silence for a block or two. Then as
we made the approach to the bridge, it oozed out of her. Softly she spoke and with feeling. Simple talk, for a change. As if confiding in a dog. Her gaze was fixed straight ahead, as if
blazing a trail.
She was
saying that, all in all, I hadn’t been as cruel as I might have been. It was the situation which was cruel, not
me. It would never have worked out, not
even if we were a thousand times better than we were. She should have known better. She admitted that there had been a lot of
play-acting, too. She loved Mona, yes,
but she wasn’t desperately in love. Never had been. It
was Mona who was desperate. Besides, it
wasn’t love that bound them as much as a need for companionship. They were lonely
souls, both of them. In
“But where
will you go now?” I asked.
“To
“Why not to
That was a
possibility, she agreed, but later.
First she had to pull herself together. It hadn’t been easy for her,
this chaotic bohemian life.
Fundamentally she was a simple person.
Her one problem was how to get along with others. What had disturbed her most about our way of
life, she wanted me to know, was that it gave her little chance to work. “I’ve got to do things with my hands,” she
blurted out. “Even if
it’s digging ditches. I want to
be a sculptor, not a painter or a poet.”
She hastened to add that I should not judge her by the puppets she had
turned out – she had made them only to please Mona.
Then she
said something which sounded to my ears like high treason. She said that Mona knew absolutely nothing
about art, that she was incapable of distinguishing
between a good piece of work and a bad one.
“Which doesn’t really matter, or rather wouldn’t matter, if only she had the courage to admit it. But she hasn’t. She must pretend that she knows everything,
understands everything. I hate pretence. That’s one of the reasons why I don’t get
along with people.”
She paused
to let this sink in. “I don’t know how you stand it! You’re full of nasty tricks, you do vile
things now and then, and you’re terribly prejudiced and unfair sometimes, but
at least you’re honest. You never
pretend to be other than you are.
Whereas Mona … well, there’s no telling who she is or what she is. She’s a walking theatre. Wherever she goes, whatever she’s doing, no
matter whom she’s talking to, she’s on stage.
It’s sickening…. But I’ve told you all this before. You know it as well as I do.”
An ironic
smile slid over her face. “Sometimes….”
She hesitated a moment. “Sometimes I
wonder how she behaves in bed. I mean,
does she fake that too?”
A strange query, which I ignored.
“I’m more
normal than you would ever think,” she continued. “My defects are all on the surface. At bottom I’m a shy little girl who never
grew up. Maybe it’s a glandular disturbance. It would be funny, wouldn’t it, if taking a
few hormones daily should turn me into a typical female? What is it that makes me hate women so much? I was always that way. Don’t laugh now, but honestly, it makes me
sick to see a woman squat to pee. So ridiculous…. Sorry to hand you so trivia. I meant to tell you about the big things, the
things that really bother me. But I
don’t know where to begin. Besides, now
that I’m leaving, what’s the point?”
We were
not halfway over the bridge, in a few minutes we would be among the pushcart
vendors, passing shops whose show windows were always stacked with smoked fish,
vegetables, onion rolls, huge loaves of bread, great
cartwheels of cheese, salted pretzels and other inviting edibles. In between would be wedding gowns, full dress
suits, stovepipe hats, corsets, lingerie, crutches, douche pans, bric-à-brac
galore.
I wondered
what it was she wanted to tell me – the vital thing, I mean.
“When we
get back,” I said, “there’ll undoubtedly be a scene. If I were you, I’d pretend to change my mind,
then sneak away the first chance you get. Otherwise she’ll insist on going with you, if
only to see you home safely.”
An
excellent idea, she thought. It made her
smile. “Such a thought would never have
occurred to me,” she confessed. “I have
no strategic sense whatever.”
“All the
better for you,” said I.
“Talking
of strategy, I wonder if you could help me raise a little money? I’m flat broke. I can’t hitchhike across the country with a
trunk and a heavy valise, can I?”
(No, I
thought to myself, but we could send them to you later.)
“I’ll do
what I can,” I said. “You know I’m not
very good at raising money. That’s
Mona’s department. But I’ll try.”
“Good,”
she said. “A few days more or less won’t
matter.”
We had
come to the end of the span. I spotted
an empty bench and steered her to it.
“Let’s
rest a bit,” I said.
“Couldn’t
we get a coffee?”
“I’ve only
got seven cents. And
just two more cigarettes.”
“How do
you manage when you’re by yourself?” she asked.
“That’s
different. When I’m alone things
happen.”
“God takes
care of you, is that it?”
I lit a
cigarette for her.
“I’m
getting frightfully hungry,” she said, her wings drooping.
“If it’s
that bad, let’s start back.”
“I can’t, it’s
too late. Wait awhile.”
I fished
out a nickel and handed it to her. “You
take the subway and I’ll walk. It’s no
hardship for me.”
“No,” she
said, “we’ll go back together … I’m afraid to face her alone.”
“Afraid?”
“Yes, Val, afraid. She’ll weep all over the place and then I’ll
weaken.”
“But you should weaken, remember? Let her weep … then say you’ve changed your
mind. Like I told
you.”
“I
forgot,” she said.
We rested
our weary limbs a while. A pigeon
swooped down and settled on her shoulder.
“Can’t you
buy some peanuts?” she said. “We could
feed the birds and have a bit for ourselves too.”
“Forget
it!” I replied. “Pretend that you’re not
hungry. It’ll pass. I’ve hardly ever walked the bridge on a full
stomach. You’re nervous, that’s all.”
“You
remind me of Rimbaud sometimes,” she said.
“He was always famished … and always walking his legs off.”
“There’s
nothing unique in that” I replied. “He and how many million others?”
I bent
over to fix my shoelaces and there, right under the bench, were two whole
peanuts. I grabbed them.
“One for
you and one for me,” I said. “You see
how
The peanut
gave her the courage to stretch her legs.
We rose stiffly and headed back over the bridge.
“You’re
not such a bad sort,” she said, as we climbed forward. “There was a time when I positively loathed
you. Not because of Mona, not because I
was jealous, but because you didn’t give a damn about anyone but your own sweet
self. You struck me as ruthless. But I see you really have a heart, don’t
you?”
“What put
that into your head?”
“Oh, I
don’t know. Nothing in
particular. Maybe it’s that I’m
beginning to see things in a new light now.
Anyway, you no longer look at me the way you used to. You see me now. Before you used to look
right through me. You might just
as well have stepped on me … or over me.”
“I’ve been
wondering,” she mused, “how the two of you will get along, once I’m gone. In a way it’s I who have
held you together. If I were more
cunning, if I really wanted her all to myself, I would go away, wait for the
two of you to separate, then come back and claim her.”
“I thought
you were through with her,” said I. I
had to admit to myself, however, that there was logic in her observation.
“Yes,” she
said, “all that’s past. What I want to
do now is to make a life for myself.
I’ve got to do the things I like to do, even if I fail miserably…. But
what will she do? That’s what I wonder. Somehow I can’t see her doing anything of
consequence. I feel sorry for you.
Believe me, I mean it sincerely.
It’s going to be hell for you when I leave. Maybe you don’t realize it now, but you
will.”
“Even so,”
I replied, “it’s better this way.”
“You’re
certain I’ll go, eh?” No
matter what happens?”
“Yes,” I
said, “I’m sure. And if you don’t go of
your own accord, I’ll drive you away.”
She gave a
weak laugh. “You’d kill me if you had
to, wouldn’t you?”
“I
wouldn’t say that. No, what I mean is that the time has come….”
“Said the
walrus to ---“
“Right! What happens
when you leave is my affair. The thing is to leave. No back bending!”
She
swallowed this as one does a lump in the throat. We had come to the summit of the arch, where
we paused to view the retreating skyline.
“How I
hate this place!” she said. “Hated it
from the moment I arrived. Look at those
beehives,” she said, indicating the skyscrapers. “Inhuman, what!” With an arm extended she made a gesture as if
to sweep them away. “If there’s a single
poet in that mass of stone and steel I’m a crazy Turk. Only monsters could inhabit those
cages.” She moved closer to the edge and
spat over the rail into the river. “Even
the water is filthy. Polluted.”
We turned
away and resumed our march.
“You
know,” she said, “I was brought up on poetry.
Whitman, Wordsworth, Amy Lowell, Pound, Eliot. Why, I could recite whole poems once upon a
time. Especially
Whitman’s. Now all I could do is
gnash my teeth. I’ve got to get out West
again, and as soon as possible. Joaquin Miller … did you ever read
him? The poet of the
Sierras. Yes, I want to go naked
again and rub against trees. I don’t
care what anyone thinks … I can make love to a tree, but not to those filthy
things in pants who crawl out of those horrid
buildings. Men are all right – in the
open spaces. But here – my God! I’d rather
masturbate than let one of them crawl into bed with me. They’re vermin, all of them. They
stink!”
She seemed
on the point of working herself into a lather. Of a sudden, however, she grew quiet. Her whole expression changed. Indeed, she looked almost angelic.
“I’ll get
myself a horse,” she was saying now, “and I’ll hide away in the mountains. Maybe I’ll learn to pray again. As a girl I used to go off by my lonesome,
often for days at a stretch. Among the
tall redwoods I would talk to God. Not
that I had any specific image of Him; He was just a great Presence. I recognized God everywhere, in everything. How beautiful the world looked to me
then! I was overflowing with love and
affection. And I was so aware.
Often I got down on my knees – to kiss a flower. ‘You’re so perfect!’ I would say. ‘So self-sufficient. All you need are sun and rain. And you get what you need without
asking. You never cry for the moon, do
you, little violet? You never wish to be
different than you are.’ That’s how I
talked to flowers. Yes, I knew how to
commune with Nature. And it was all
perfectly natural. Real. Terribly real.”
She
stopped to give me a searching look. She
looked even more angelic now than before.
Even with a crazy hat on she would have looked
seraphic. Then, as she began to unburden
herself in earnest, her countenance changed again. But the aureole was still about her.
What
derailed her, she was trying to tell me, was art. Someone had put the bug in her head that she
was an artist. “Oh, that’s not
altogether true,” she exclaimed. “I
always had talent, and it cropped out early.
But there was nothing exceptional in what I did. Every sincere person has a grain of talent.”
She was
trying to make clear to me how the change came about, how she became conscious
of art and of herself as an artist. Was
it because she was so different from those about her? Because she saw with other
eyes? She wasn’t sure. But she knew that one day it happened. Overnight, as it were, she had lost her
innocence. From then on, she said,
everything assumed another aspect. The
flowers no longer spoke to her, or she to them.
When she looked at Nature she saw it as a poem or a landscape. She was no longer one with Nature. She had begun to analyse, to recompose, to assert her own will.
“What a
fool I was! In no time I had grown too
big for my own shoes. Nature wasn’t
enough. I craved the life of the city. I regarded myself as a cosmopolitan
spirit. To rub elbows with fellow
artists, to enlarge my ideas through discussion with intellectuals, became
imperative. I was hungry to see the
great works of art I had heard so much about, or rather read about, for no one
I knew ever talked about art. Except one
person, that married woman I told you about once. She was a woman in her thirties and worldly
wise. She hadn’t an ounce of talent
herself, but she was a great lover of art and had excellent taste. It was she who opened my eyes, not only to
the world of art but to other things as well.
I fell in love with her, of course.
How could I not do so? She was
mother, teacher, patron, lover all in one.
She was my whole world, in fact.”
She
interrupted herself to inquire if she was boring me.
“The
strange thing is,” she resumed, “that it was she who pushed me out into the
world. Not her husband, as I may have
led you to believe. No, we got along
well, the three of us. I would never
have gone to bed with him if she hadn’t urged me to. She was a strategist, like you. Of course, he never really got anywhere with
me; the best he could manage was to hold me in his arms, press his body to
mine. When he tried to force me I pulled
away. Evidently it didn’t bother him too
much, or else he pretended it didn’t. I
suppose it sounds strange to you, this business, but it was all quite
innocent. I’m destined to be a virgin, I
guess. Or a virgin at
heart.
“Oof! What a story I’m making of it! Anyway, the point of it all is that it was
they, the two of them, who gave me the money to come East. I was to go to art school, work hard, and
make a name for myself.”
She
stopped abruptly.
“And now
look at me! What am I? What have I become? I’m a sort of bum, more of a fake than your
Mona really.”
“You’re no
fake,” said I.
“You’re a misfit, that’s all.”
“You don’t
need to be kind to me.”
For a
moment I thought she was going to burst into tears.
“Will you
write to me sometime?”
“Why not? If it would
give you please, why of course.”
Then, like
a little girl, she said: “I’ll miss you both.
I’ll miss you terribly.”
“Well,” I
said, “it’s over with. Look forwards,
not backwards.”
“That’s
easy for you to say. You’ll have her. I’ll….”
“You’ll be
better off alone, believe me. It’s
better to be alone than with someone who doesn’t understand you.”
“You’re so
right,” said she, and she gave a shy little laugh. “Do you know, once I tried to get a dog to
mount me. It
was so ludicrous. He finally bit me in
the thigh.”
“You
should have tried a donkey – they’re more amenable.”
We had
reached the end of the bridge. “You will try to raise some money for me,
won’t you?” she said.
“Of course
I will. And don’t you forget to pretend to change your mind and stay. Otherwise we’ll have a frightful scene.”
There was a scene, as I predicted, but the moment
Stasia relented it ended like a spring shower. To me, however, it was not only depressing,
but humiliating, to observe Mona’s grief.
On arriving we found her in the toilet, weeping like a pig. She had found the valise packed, the trunk
locked, and Stasia’s room in a state of wild disorder. She knew it was quits this time.
It was
only natural for her to accuse me of inspiring the move. Fortunately Stasia denied this
vehemently. Then why had she decided to
go? To this Stasia lamely replied that
she was weary of it all. Then bang,
bang, like bullets, came Mona’s reproachful queries. How
could you say such a thing? Where would
you go? What have I done to turn you
against me? She could have fired a
hundred more shots like that. Anyway,
with each reproach her hysteria mounted; her tears turned to sobs and her sobs
to groans.
That she
would have me all to herself, was of no importance. It was obvious that I didn’t exist, except as
a thorn in her side.
As I say,
Stasia finally relented, but not until Mona had stormed and raged and pleaded
and begged. I wondered why she had
permitted the scene to last so long. Was
she enjoying it? Or was she so disgusted
that she had become fascinated? I asked
myself what would have happened had I not been at her side.
It was I
who couldn’t take any more, I who turned to Stasia and begged her to
reconsider.
“Don’t go
yet,” I begged. “She really needs
you. She loves you, can’t you see?”
And Stasia
answers: “But that’s why I should go.”
“No,” said
I, “if anyone should leave it’s me.”
(At the
moment I really meant it, too.)
“Please,”
said Mona, “don’t you go too! Why does either of you have to go? Why?
Why? I want you both. I need you.
I love you.”
“We’ve
heard that before,” said Stasia, as if still adamant.
“But I
mean it,” said Mona. “I’m nothing
without you. And now that you’re friends
at last, why can’t we all live together in peace and harmony? I’ll do anything you ask. But don’t leave me, please!”
Again I
turned to Stasia. “She’s right,” I
said. “This time it may work out. You’re not jealous of me … why should I be
jealous of you? Think it over, won’t
you? If it’s me you’re worried about,
put your mind at ease. I want to see her
happy, nothing more. If keeping you with
us will make her happy, then I say stay! Maybe I’ll learn to be happy too. At least, I’ve grown more tolerant, don’t you
think?” I gave her a queer smile. “Come now, what do you say? You’re not going to ruin three lives, are
you?”
She
collapsed on to a chair. Mona knelt at
her feet and put her head in her lap, then slowly raised her eyes and looked at
Stasia imploringly. “You will stay, won’t you?” she pleaded.
Gently
Stasia pushed her away. “Yes,” she said,
“I’ll stay. But on one
condition. There must be no more
scenes.”
Their eyes
were now focused on me. After all, I was
the culprit. It was I who had instigated
all the scenes. Was I going to behave? That
was their mute query.
“I know
what you’re thinking,” said I. “All I
can say is that I will do my best.”
“Say
more!” said Stasia. “Tell us how you really feel now.”
Her words
set me back on my heels. I had the
uneasy feeling that she had been taken in by her own acting. Was it necessary for me to be put on the
grill – at this point? What I really
felt like, if I dared to speak my mind, was a scoundrel. An utter scoundrel. To be sure, it had never occurred to me, in
making the suggestion, that we would be obliged to carry the farce to such
lengths. For Stasia to weaken was one thing,
and in keeping with our bargain, but to be exacting solemn promises of me, to
be searching my very heart, was something else.
Maybe we had never been anything but actors, even when we thought we
were sincere. Or the other way
round. I was getting confused. It struck me with a force, suddenly, that
Mona, the actress, was probably the most sincere of all. At least she knew what she wanted.
All this
ran through my head like lightning.
My reply,
and it was the truth, was – “To be honest, I don’t know how I feel. I don’t think I have any feelings left. Anyway, I don’t want to hear any more about
love, ever….”
Like that
it ended, in a fizzle. But Mona was
thoroughly content. Stasia too, it
seemed.
None of us
had been too badly damaged. Veterans,
that’s what we were.
And now I’m trotting around like a blood-hound to
raise money, presumably so that Stasia may take off. I’ve already visited three hospitals, in an
effort to sell my blood. Human blood is
at twenty-five dollars the pint now. Not
long ago it was fifty dollars, but now there are too many hungry donors.
Useless to waste more time in that direction. Better to borrow the money. But from whom? I could think of no one who would offer me
more than a buck or two. She needed at
least a hundred dollars. Two hundred
would be still better.
If only I
knew how to reach that millionaire pervert!
I thought of Ludwig, the mad ticket-chopper – another pervert! – but with a heart of gold, so Mona always said. But what to tell him?
I was
passing Grand Central Station. Would run
down to the sub-basement, where the messengers were herded, and see if anyone
was there who remembered me. (Costigan,
the old reliable, had passed away.) I
sneaked down and looked over the crew. Not a soul I could recognize.
Climbing
the ramp to the street I recalled that Doc Zabriskie was somewhere in the
neighbourhood. In a jiffy I was leafing the telephone directory. Sure enough, there he was – on
Hurrying
along, I suddenly recalled the location of his old office. It was that
three-storey red brick building where I once lived with the widow, Carlotta. Every morning I hauled the ash cans and the
garbage pails from the cellar and placed them at the kerb. That was one of the reasons he had taken such
a fancy to me, Doc Zabriskie – because I wasn’t ashamed to soil my hands. It was so Russian, he thought. Like a page out of
I was
trying to recall, as I entered the new office, how many years it was since I
had last talked to him. There were only
two – three clients in the waiting room.
Not like the old days when there was standing room only, and women with
shawls sat red-eyed holding their swollen jaws, some with brats in their arms,
and all of them poor, meek, down-trodden, capable of sitting there for hours on
end. The new office was different. The furniture looked brand new and
luxuriously comfortable, there were paintings on the wall – good ones – and all
was noiseless, even the drill. No samovar
though.
I had
hardly seated myself when the door of the torture chamber opened to evacuate a
client. He came over to me at once,
shook hands warmly, and begged me to wait a few minutes. Nothing serious? he hoped. I told him
to take his time. A few
cavities, nothing more. I sat
down again and picked up a magazine.
Poring over the illustrations I decided that the best thing to say was
that Mona had to undergo an operation. A tumour in the vagina, or something like that.
With Doc
Zabriskie a few minutes usually meant an hour or two. Not this time, however, Everything was running smoothly and
efficiently now.
I sat down
in the big chair and opened wide my mouth.
There was only one little cavity; he would fill it immediately. As he drilled away he plied me with
questions: how were things going? was I still writing?
did I have any children? why
hadn’t I looked him up before? how was So-and-So? did I still ride the bike?
To all of which I replied with grunts and a roll of the eyes.
Finally it
was over. “Don’t run away!” he
said. “Have a little drink with me
first!” He opened a cabinet and got out
a bottle of excellent Scotch, then pulled a stool up beside me. “Now
tell me all about yourself?”
I had to
make quite a preamble before coming to the issue. That is, where we stood at the present
moment, financially and otherwise. At
last I blurted it out – the tumour. Immediately he informed me that he had a good
friend, an excellent surgeon, who would do the job for nothing. That stumped me. All I could say was that arrangements had
already been made, that I had already advanced a hundred dollars toward the
cost of the operation.
“I see,”
he said. “That’s too bad.” He thought a moment, then
asked: “When must you have it, the balance?”
“Day after tomorrow.”
“I tell
you what,” he said, “I’ll give you a post-dated cheque. Right now my bank balance is low, very
low. How must is it you need exactly?”
I said two
hundred and fifty dollars.
“That’s a
shame,” he said. “I could have saved you
all this expense.”
I was
suddenly struck with remorse. “Listen,”
I said, “forget about it! I don’t want
to take your last penny.”
He
wouldn’t listen to me. People were slow
in paying their bills, that’s all, he explained. He got out a big ledger, began thumbing
through it. “By the end of the month I
should take in over three thousand dollars.
You see,” he grinned, “I’m not exactly poor.”
The cheque
safely in my pocket, I lingered a while to save face. When at last he escorted me to the elevator –
I already had one foot in – he said: “Better ring me up before depositing the
cheque … just to make sure it’s covered.
Do that, will you?”
“I’ll do
that,” I said, and waved goodbye.
The same
good-hearted fellow, thought I to myself, as the elevator descended. Too bad I hadn’t thought to get a little cash
too. A coffee and a piece of pie was
what I needed now. I felt in my pocket. Just a few pennies short. Same old story.
Approaching
the library at
Abreast of
the esplanade guarded by the placid stone lions, the impulse seized me to visit
the library. Always
pleasant and cosy up in the big reading room. Besides, I had suddenly developed a curiosity
to see how it had fared, at my age, with other men of letters. (There was also a possibility of running into
an acquaintance and still getting that pie and coffee.) One thing was certain, there was no need to
delve into the private lives of such as Gorky, Dostoievsky, Andreyev or any of
their ilk. Nor
Dickens either. Jules Verne! There was a
writer about whose life I knew absolutely nothing. Might be interesting. Some authors, it seemed, never had a private
life; everything went into their books. Others, like
Strindberg, Nietzsche, Jack London … their lives I knew almost as well as my
own.
What I
really hoped for, no doubt, was to come upon one of those lives which begin
nowhere, which lead us through marshes and salt flats, trickling away,
seemingly, without plan, purpose or goal, and then suddenly emerge, gushing
like geysers, and never cease gushing, even in death. What I wanted to lay hold of – as if one
could ever come to grips with such impalpables! – was that crucial point in the
evolution of a genius when the hard dry rock suddenly yields water. As the heavenly vapours are eventually collected
in vast watersheds and there converted into streams and rivers, so in the mind
and soul, I felt, there must ever exist this reservoir waiting to be
transformed into words, sentences, books, to be drowned again in the ocean of
thought.
Only
through trial and tribulation, it is said, are we opened up. Was that what I would find – nothing more? – in scanning the pages of biography? Were the creative ones tormented beings who
found salvation only through wrestling with the media of art? In man’s world beauty was linked with
suffering and suffering with salvation.
Nothing of the sort obtained in Nature.
I took a
seat in the reading room with a huge biographical dictionary before me. After reading here and there I fell into a
reverie. To pursue my own thoughts
proved more exciting than to pry into the lives of successful failures. Could I trace my own meanderings, beneath the
roots, perhaps I might stumble on the stream which would lead me into the open. Stasia’s words came to mind – the need to meet
a kindred spirit, in order to grow, to give forth fruit. To hold converse (on writing) with the lovers
of literature was fruitless. There were
many I had already met who could talk more brilliantly on the subject than any
writer. (And they would never write a
line.) Was there anyone, indeed, who
could speak discerningly about the secret processes?
The great
question was that eternal, seemingly unanswerable one: what have I to tell the
world which is so desperately important?
What have I to say that has not been said before, and thousands of
times, by men infinitely more gifted?
Was it sheer ego, this coercive need to be heard? In what way was I unique? For if I was not unique then it would be like
adding a cipher to an incalculable astronomic figure.
From one
thing to another – a delicious Träumerei!
– until I found myself pondering this most absorbing
aspect of the writer’s problem: openings.
The way in which a book opened – there in itself lay
a world. How vastly different, how
unique, were the opening pages of the great books! Some authors were like huge birds of prey;
they hovered above their creation, casting immense, serrated shadows over their
words. Some, like painters, began with
delicate, unpremeditated touches, guided by some sure instinct whose purpose
would become apparent later in the application of mass and colour. Some took you by the hand like dreamers,
content to linger at the edges of dream and only slowly, tantalizingly
permitted themselves to reveal what was obviously inexpressible. There were others who, as if perched in
signal towers, derived intense enjoyment from pulling switches, blinking
lights; with them everything was delineated sharply and boldly, as though their
thoughts were so many trains pulling into the station yard. And then there were those who, either
demented or hallucinated, began at random with hoarse cries, jeers and curses,
stamping their thoughts not upon but through the page, like machines gone wild. Varied as they were, all these methods of
breaking the ice were symptomatic of the personality, not expositions of
thought-out techniques. The way a book
opened was the way an author walked or talked, the way he looked at life, the
way he took courage or concealed his fears.
Some began by seeing clear to the end; others began blindly, each line a
silent prayer leading to the next. What
an ordeal, this lifting of the veil!
What a shuddering risk, this laying bare the mummy! No one, not even the greatest, could be
certain what he might be called upon to present to the profane eye. Once engaged, anything could happen. It was as if, by taking pen in hand the
“archons” were summoned. Yes, the
archons! Those mysterious entities,
those cosmic enzymes, who are at work in every seed,
who engineer the creation, structural and aesthetic, of every flower, every
plant, every tree, every universe. The powers within. An everlasting ferment from which stemmed law and order.
And while
these invisible ones went about their task the author – what a misnomer! – lived
and breathed, performed the duties of a householder, a prisoner, a vagabond,
whatever the role, and as the days passed, or the years, the scroll unrolled,
the tragedy (his own and his characters’) spelled itself out, his moods varying
like the weather from day to day, his energies rising and sinking, his thoughts
seething like a maelstrom, the end ever approaching, a heaven which even if he
has not earned it he must force, because what is begun must be finished,
consummated, even if on the cross.
What need,
eh, to read the pages of biography? What
need to study the worm or the ant?
Think, for just a moment, of such willing victims as Blake, Boehme,
Nietzsche, or Hölderlin, Sade, Nerval, of Villon, Rimbaud, Strindberg, of
Cervantes or Dante, or even of Heine or Oscar Wilde! And I, was I to add
my name to this host of illustrious martyrs?
To what further depths of degradation had I to sink before acquiring the
right to join the ranks of these scapegoats?
As on
those interminable walks to and from the tailor shop, I was suddenly seized
with a fit of writing. All in the head, to be sure.
But what marvellous pages, what magnificent phraseology! My eyes half closed, I slumped deeper into
the seat and listened to the music welling up from the depths. What a book this was! If not mine, whose then? I was entranced. Entranced, yet saddened, humbled, chastened. Of what use to summon these
invisible workers? For the pleasure of drowning in the ocean of creation? Never, through conscious
effort, never, with pen in hand, would I be able to invoke such thoughts! Everything to which I would eventually sign
my name would be marginal, peripheral, the maunderings of an idiot striving to
record the erratic flight of a butterfly…. Yet it was comforting to know that
one could be as a butterfly.
To think
that all this wealth, this wealth of the primeval chaos, must be infused, to be
palatable and potable, with the Homeric minutiae of the daily round, with the
repetitious drama of petty humans whose sufferings and aspirations have, even
to mortal ears, the monotonous hum of windmills whirring in remorseless
space. The petty and the great:
separated by inches. Alexander dying of
pneumonia in the desolate reaches of Asia; Caesar in all his purple proved
mortal by a pack of traitors; Blake singing as he passed away; Damien torn on
the wheel and screaming like a thousand twisted eagles … what did it matter and
to whom? A Socrates hitched to a nagging
wife, a saint plagued with a thousand woes a prophet tarred and feathered … to
what end? All grist
for the mill, data for historians and chroniclers, poison to the child, caviar
for the schoolmaster. And with
this and through this, weaving his way like an inspired drunkard, the writer
tells his tale, lives and breathes, is honoured or dishonoured. What a role!
Jesus protect us!