101. Where hard music is
generally reactive and aggressive, soft music, by contrast, is generally
attractive and passive (gentle).
102. Not only Hard Rock, but
Hard Pop, Hard Soul, and Hard Jazz are all more aggressive than their soft-pole
counterparts.
103. Most people alternate
between hard and soft options, as between particles and wavicles, the former
secular and the latter religious.
104. Some people are more
biased towards hard music, others towards soft music, but they tend to be a
minority overall.
105. A hard-line Communist,
whose musical equivalence is Hard Jazz, may be identified with a leading-class
status.
106. A hard-line Transcendentalist,
whose musical equivalence is Soft Jazz, may be identified with a classless
status.
107. Hence a
leading-class/classless distinction between the alpha and omega of the Jazz
spectrum.
108. A hard-line Fascist,
whose musical equivalence is Hard Soul, may be identified with a ruling-class
status.
109. A hard-line
Fundamentalist, whose musical equivalence is Soft Soul, may be identified with
an upper-class status.
110. Hence a
ruling-class/upper-class distinction between the alpha and omega of the Soul
spectrum.
111. A hard-line
Parliamentarian, whose musical equivalence is Hard Rock, may be identified with
a governmental and/or managerial class status.
112. A hard-line
Nonconformist, whose musical equivalence is Soft Rock, may be identified with a
middle-class status.
113. Hence a
governing-class/middle-class distinction between the alpha and omega of the
Rock spectrum.
114. A hard-line Republican,
whose musical equivalence is Hard Pop, may be identified with a working-class
status.
115. A hard-line Humanist,
whose musical equivalence is Soft Pop, may be identified with a lower-class
status.
116. Hence a
working-class/lower-class distinction between the alpha and omega of the Pop
spectrum.
117. The lower class,
including soft-line lower-class people, are the only class that can be saved to
hard-line Transcendentalism, which is classless.
118. This is because the
lower class are of the humanist World (as against the republican World or, more
correctly, Antiworld), and are therefore in a moral position to be saved by and
in the transcendentalist Heaven.
119. Their moral position is
one of wavicle-biased (attractive) phenomenal subjectivity, which is an
effective denial of the will through the Blessed Virgin, and which can
therefore be transcended, via the Second Coming, in the wavicle-biased
(attractive) noumenal subjectivity of the transcendental Beyond.
120. To distinguish the
positively relative morality of denial of the will from the negatively relative
morality of affirmation of the will, thereby effectively distinguishing
Humanism from its republican antithesis.
121. To distinguish the
positively relative immorality of denial of the intellect from the negatively
relative immorality of affirmation of the intellect, thereby effectively
distinguishing Nonconformism from its parliamentary antithesis.
122. To distinguish the
positively absolute immorality of denial of the soul from the negatively
absolute immorality of affirmation of the soul, thereby effectively
distinguishing Fundamentalism from its fascist antithesis.
123. To distinguish the
positively absolute morality of denial of the spirit from the negatively
absolute morality of affirmation of the spirit, thereby effectively
distinguishing Transcendentalism from its communist antithesis.
124. Denial of the will
through the Blessed Virgin, as opposed to affirmation of the will through the
Cursed Whore.
125. Denial of the intellect
through Christ, as opposed to affirmation of the intellect through the
Antichrist.
126. Denial of the soul
through the Father, as opposed to affirmation of the soul through the
Antifather (Satan).
127. Denial of the spirit
through the Holy Spirit, as opposed to affirmation of the spirit through the
Antispirit (Jehovah).
128. Flesh is the human
equivalent of earth, the denial of which paves the way to Heaven.
129. Mind is the human
equivalent of water, the denial of which paves the way to Hell.
130. Soul is the human
equivalent of fire, the denial of which is Hell.
131. Spirit is the human
equivalent of light, the denial of which is Heaven.
132. To deny the flesh is to
affirm beauty.
133. To deny the mind is to
affirm goodness.
134. To deny the soul is to
affirm strength.
135. To deny the spirit is to
affirm truth.
136. To affirm the flesh is
to deny beauty, and thus to revel in ugliness.
137. To affirm the mind is to
deny goodness, and thus to revel in evil.
138. To affirm the soul is to
deny strength, and thus to revel in weakness.
139. To affirm the spirit is
to deny truth, and thus to revel in illusion.
140. Ugliness, being planar
(planetary), is of earth.
141. Evil, being lunar, is of
water.
142. Weakness, being solar,
is of fire.
143. Illusion, being stellar,
is of light.
144. Beauty, being mundane,
is of the World.
145. Goodness, being
purgatorial, is of the Overworld.
146. Strength, being
diabolic, is of Hell.
147. Truth, being divine, is
of Heaven.
148. To deny the alpha, which
is apparent, is to affirm the omega, which is essential.
149. To deny light (spirit)
in order to affirm truth (air).
150. To deny fire (soul) in
order to affirm strength (race).
151. To deny water
(intellect) in order to affirm goodness (the Bible).
152. To deny earth (flesh) in
order to affirm beauty (art).
153. Truth is affirmed
through the sublimated spirit of air.
154. Strength is affirmed
through the sublimated soul of blood.
155. Goodness is affirmed
through the sublimated intellect of the Word (New Testament).
156. Beauty is affirmed
through the sublimated flesh of art.
157. To deny the personal
spirit of light (optics) in order to affirm the universal spirit of air,
thereby passing from illusion (the Clear Light of the Void) to truth (the Holy
Spirit of Heaven).
158. To deny the personal
soul of fire (emotions) in order to affirm the universal soul of blood (race),
thereby passing from weakness (the Clear Heat of Time) to strength (the Holy
Soul of Hell).
159. To deny the personal
mind of water (thoughts) in order to affirm the universal mind of the Bible
(New Testament), thereby passing from evil (the Clear Coldness of Volume) to
goodness (the Holy Mind of Purgatory).
160. To deny the personal
will of earth (fleshy sensations) in order to affirm the universal will of art
(paintings), thereby passing from ugliness (the Clear Darkness of Mass) to
beauty (the Holy Will of the World).
161. That which is universal,
on whichever spectrum, is shared by all, and brings people together.
162. That which is personal,
on whichever spectrum, is germane to the person, and tends to drive people
apart.
163. The universal enhances
collectivity/collectivism, whereas the personal enhances
individuality/individualism.
164. Whether one's
universality is phenomenal or noumenal, the end result can only be virtuous.
165. Whether one's
personality is phenomenal or noumenal, the consequence can only be vicious.
166. Phenomenal universality,
being positive, is relatively immoral in the context of goodness, and
relatively moral in the context of beauty.
167. Noumenal universality,
being positive, is absolutely immoral in the context of strength, and
absolutely moral in the context of truth.
168. Phenomenal personality,
being negative, is relatively immoral in the context of evil, and relatively
moral in the context of ugliness.
169. Noumenal personality,
being negative, is absolutely immoral in the context of weakness, and absolutely
moral in the context of illusion.
170. Individuality/individualism
is the curse of personality, whereas collectivity/collectivism is the blessing
of universality.
171. The personality of the
Devil, which (being absolutist) is hellish, contrasts absolutely with the
universality of God.
172. The personality of Man,
which (being relativistic) is purgatorial, contrasts relatively with the
universality of Woman.
173. From the standpoint of
subjective universality, objective universality is a damnation - whether
relatively vis-à-vis the phenomenal or absolutely vis-à-vis the noumenal.
174. Denial of the will
(sexuality) through art paves the way for salvation in and through air.
175. Denial of the mind
(intellectuality) through the Bible (New Testament) paves the way for damnation
in and through the blood.
176. The noumenal lies in
wait to take over from phenomenal denial, since the noumenal is absolute, and
hence ultimate.
177. Art has no other
business than to encourage worldly denial, i.e. denial of the will.
178. That which encourages
the will is not art but anti-art.
179. Traditionally, the
Blessed Virgin is the principal symbol of worldly denial, since beauty makes
for the finest art.
180. From the male
standpoint, the Crucifixion remains the most enduring symbol of worldly denial
- a denial of the will through love.
181. Christian love paves the
way for the Resurrection, and hence the attainment of transcendent joy through
the affirmation of universal spirit, or air.
182. Until a man has died to
the flesh, he cannot be reborn into the eternity of the universal self and
thereby become the Holy Spirit of Heaven.
183. The lightness of air can
only deliver that man from the heaviness of the flesh who has already rejected
the World and effectively become an artist.
184. For the artist is the
quintessential embodiment of worldly rejection, who both rejects and is
rejected by the World.
185. Those who are of the
World, and hence the flesh, cannot be saved; for they are too sunk in heaviness
to appreciate art.
186. It is not the Blessed
Virgin but the Cursed Whore who presides over the wilful affirmations of these
sinners, the ugliness of whose anti-art is rooted in pain.
187. Traditionally, the
Christian West has known two Heavens and two Hells - the Heaven and Hell of the
Old Testament on the one hand, and the Heaven and Hell of the New Testament on
the other hand.
188. The Heaven of the Old
Testament is the cosmic abode of Jehovah, whereas its Hell is the solar (fiery)
abode of Satan.
189. The Heaven of the New
Testament is the airy abode of Christ, whereas its Hell is effectively the
fleshy abode of the Magdalene.
190. Hence Western civilization
was torn between the cosmic dichotomy of Old-Testament Judaism and its own
rather more worldly dichotomy of New-Testament Christianity - superimposing
upon oriental tradition an occidental modernism which, for most Western people,
is still the touchstone of damnation and salvation.
191. The ultimate Christian
Hell is of course the fiery core of the Earth which, as the centre of earthly
gravity, contrasts with the airy lightness of the stratosphere.
192. Between the Christian
absolutes of fiery Hell and airy Heaven, Western man runs his diurnal course,
torn rather more between the breath of 'Heaven on Earth' and the flesh (sex) of
'Hell on Earth'.
193. The Romantic may affirm
the fleshy 'Hell on Earth' of sexual will, but the Classicist denies it in the
name of beauty, and hence art.
194. Classicism remains on
the aesthetic surface, whereas Romanticism delves beneath the surface in
pursuit of fiery depths, thereby disinterring Hell.
195. The Romanticist, who is
an anti-artist, can never be saved; for he is sunk too deeply in the heaviness
of fleshy and/or fiery pain to have any inkling of worldly rejection.
196. The Romanticist is a
republican phenomenon whose hellish activity contrasts with the will-less
passivity of the (Catholic) Classicist.
197. Both Romanticism and
Classicism are New Testament phenomena, with particular reference to the World.
198. Expressionism and
Impressionism, by contrast, are effectively Old Testament noumena, since they
are rooted in the emotions (heat) and in the spirit (light) respectively.
199. There is thus something
Neo-Oriental or Neo-Judaic about Expressionism and Impressionism, albeit
relative to the decadence of Western civilization.
200. The Expressionist is
aligned with the Romanticist, and the Impressionist with the Classicist.