IX
THESE
nightmares recurred again and again, until he was afraid to go to sleep. He spent hours lying on his bed, sometimes
the victim of persistent insomnia and feverish restlessness, at other times a
prey to abominable dreams that were interrupted only when the dreamer was
shocked into wakefulness by losing his footing, falling all the way downstairs,
or plunging helplessly into the depths of an abyss.
His neurosis, which had been lulled to
sleep for a few days, gained the upper hand again, showing itself
more violent and more stubborn than ever, and taking on new forms.
Now it was the bedclothes that bothered
him; he felt stifled under the sheets, his whole body tingled unpleasantly, his
blood boiled and his legs itched. To
these symptoms were soon added a dull aching of the jaws and a feeling as if
his temples were being squeezed in a vice.
His anxiety and depression grew worse, and
unfortunately the means of mastering this inexorable illness were lacking. He had tried to install a set of hydropathic appliances in his dressing-room, but without
success: the impossibility of bringing water as high up the hill as his house,
not to mention the difficulty of getting water in sufficient quantity in a
village where the public fountains only produced a feeble trickle at fixed
hours, thwarted this particular plan.
Cheated of the jets of water which, shot at close range at the disks of
his vertebral column, formed the only treatment capable of overcoming his
insomnia and bringing back his peace of mind, he was reduced to brief
aspersions in his bath or in his tub, mere cold affusions
followed by an energetic rub-down that his valet gave him with a horsehair
glove.
But these substitute douches were far from
checking the progress of his neurosis; at the very most they gave him a few
hours' relief, and dear-bought relief at that, considering that his nervous
troubles soon returned to the attack with renewed vigour and violence.
His boredom grew to infinite
proportions. The pleasure he had felt in
the possession of astonishing flowers was exhausted; their shapes and colours
had already lost the power to excite him.
Besides, in spite of all the care he lavished on them, most of his
plants died; he had them removed from his rooms, but his irritability had
reached such a pitch that he was exasperated by their absence and his eye
continually offended by the empty spaces they had left.
To amuse himself and while away the
interminable hours, he turned to his portfolios of prints and began sorting out
his Goyas. The
first states of certain plates of the Caprices, proof engravings
recognizable by their reddish tone, which he had bought long ago in the
sale-room at ransom prices, put him in a good humour again; and he forgot
everything else as he followed the strange fancies of the artist, delighting in
his breathtaking pictures of bandits and succubi,
devils and dwarfs, witches riding on cats and women trying to pull out the dead
man's teeth after a hanging.
Next, he went through all the other series
of Goya's etchings and aquatints, his macabre Proverbs,
his ferocious war-scenes, and finally his Garrotting, a plate of which
he possessed a magnificent trial proof printed on thick, unsized
paper, with the wire-marks clearly visible.
Goya's savage
verve, his harsh, brutal genius, captivated Des Esseintes. On the other hand, the universal admiration
his works had won rather put him off, and for years he had refrained from
framing them, for fear that if he hung them up, the first idiot who saw them
might feel obliged to dishonour them with a few inanities and go into
stereotyped ecstasies over them.
He felt the same about his Rembrandts,
which he examined now and then on the quiet; and it is of course true that,
just as the loveliest melody in the world becomes unbearably vulgar once the
public start humming it and the barrel-organs playing it, so the work of art
that appeals to charlatans, endears itself to fools, and is not content to
arouse the enthusiasm of a few connoisseurs, is thereby polluted in the eyes of
the initiate and becomes commonplace, almost repulsive.
This sort of promiscuous admiration was in
fact one of the most painful thorns in his flesh, for unaccountable vogues had
utterly spoilt certain books and pictures for him that he had once held dear;
confronted with the approbation of the mob, he always ended up by discovering
some hitherto imperceptible blemish, and promptly rejected them, at the same
time wondering whether his flair was not deserting him, his taste getting
blunted.
He shut his portfolios and once more fell
into a mood of splenetic indecision. To
change the trend of his thoughts, he began a course of emollient reading; tried
to cool his brain with some of the solanaceae of
literature; read those books that are so charmingly adapted for convalescents
and invalids, whom more tetanic or phosphatic works would only fatigue: the novels of Charles
Dickens.
But the Englishman's works produced the
opposite effect from what he had expected: his chaste lovers and his
puritanical heroines in their all-concealing draperies, sharing ethereal
passions and just fluttering their eyelashes, blushing coyly, weeping for joy
and holding hands, drove him to distraction.
This exaggerated virtue made him react in the contrary direction; by
virtue of the law of contrasts, he jumped from one extreme to the other,
recalled scenes of full- blooded, earthy passion, and thought of common amorous
practices such as the hybrid kiss, or the columbine kiss as ecclesiastical
modesty calls it, where the tongue is brought into play.
He put aside the book he was reading, put
from his all thoughts of strait-laced Albion, and let him mind dwell on the
salacious seasoning, the prurient peccadilloes of which the Church
disapproves. Suddenly he felt an
emotional disturbance; his sexual insensibility of brain and body, which he had
supposed to be complete and absolute, was shattered. Solitude was again affecting his tortured
nerves, but this time it was not religion that obsessed him but the naughty sins
religion condemns. The habitual subject
of its threats and obsecrations was now the only
thing that tempted him; the carnal side of his nature, which had lain dormant
for months, had first been disturbed by his reading of pious works, then roused
to wakefulness in an attack of nerves brought on by the English writer's cant,
and was now all attention. With his
stimulated senses carrying him back down the years, he had soon begun wallowing
in the memory of his old dissipations.
He got up, and with a
certain sadness he opened a little silver-gilt box with a lid studded
with aventurines.
This box was full of purple bonbons. He took one out and idly fingered it,
thinking about the strange properties of these sweets with their frosty coating
of sugar. In former days, when his
impotency had been established beyond doubt and he could think of woman without
bitterness, regret, or desire, he would place one of these bonbons on his
tongue and let it melt; then, all of a sudden, and with infinite tenderness, he
would be visited by dim, faded recollections of old debauches.
These bonbons, invented by Siraudin and known by the ridiculous name of 'Pearls of the
Pyrenees', consisted of a drop of schoenanthus scent
or female essence crystallized in pieces of sugar; they stimulated the papillae
of the mouth, evoking memories of water opalescent with rare vinegars and
lingering kisses fragrant with perfume.
Ordinarily he would smilingly drink in
this amorous aroma, this shadow of former caresses which installed a little
female nudity in a corner of his brain and revived for a second the savour of
some woman, a savour he had once adored.
But today the bonbons were no longer gentle in their effect and no
longer confined themselves to evoking memories of distant, half- forgotten
dissipations; on the contrary, they tore the veils down and thrust before his
eyes the bodily reality in all its crudity and urgency.
Heading the procession of mistresses that
the taste of the bonbon helped to define in detail was a woman who paused in
front of him, a woman with long white teeth, a sharp nose, mouse-coloured eyes,
and short-cropped yellow hair.
This was Miss Urania,
an American girl with a supple figure, sinewy legs, muscles of steel, and arms
of iron.
She had been one of the most famous
acrobats at the Circus, where Des Esseintes had
followed her performance night after night.
The first few times, she had struck him as being just what she was, a
strapping, handsome woman, but he had felt no desire to approach her; she had
nothing to recommend her to the tastes of a jaded sophisticate, and yet he
found himself returning to the Circus, drawn by some mysterious attraction,
impelled by some indefinable urge.
Little by little, as he watched her,
curious fancies took shape in his mind.
The more he admired her suppleness and strength, the more he thought he
saw an artificial change of sex operating in her; her mincing movements and
feminine affectations became ever less obtrusive, and in their place there
developed the agile, vigorous charms of a male.
In short, after being a woman to begin with, then hesitating in a
condition verging on the androgynous, she seemed to have made up her mind and
become an integral, unmistakable man.
"In that case," Des Esseintes said to himself, "just as a great strapping
fellow often falls for a strip of a girl, this hefty
young woman should be instinctively attracted to a feeble, broken-down,
short-winded creature like myself."
By dint of considering his own physique
and arguing from analogy, he got to the point of imagining that he for his part
was turning female; and at this point he was seized with a definite desire to
possess the woman, yearning for her just as a chlorotic
girl will hanker after a clumsy brute whose embrace could squeeze the life out
of her.
This exchange of sex between Miss Urania and himself had excited him tremendously. The two of them, so he said, were made for
each other; and added to this sudden admiration for brute strength, a thing he
had hitherto detested, there was also that extravagant delight in
self-abasement which a common prostitute shows in paying dearly for the loutish
caresses of a pimp.
Meanwhile, before deciding to seduce the
acrobat and see if his dreams could be made reality, he sought confirmation of
these dreams in the facial expressions she unconsciously assumed, reading his
own desires into the fixed, unchanging smile she wore on her lips as she swung
on the trapeze.
At last, one fine evening, he sent her a
message by one of the circus attendants.
Miss Urania deemed it necessary not to
surrender without a little preliminary courting; however, she was careful not
to appear over-shy, having heard that Des Esseintes
was rich and that his name could help a woman in her career.
But when at last his wishes were granted,
he suffered immediate and immeasurable disappointment. He had imagined the American girl would be as
blunt-witted and brutish as a fairground wrestler, but he found to his dismay
that her stupidity was of a purely feminine order. It is true that she lacked education and
refinement, possessed neither wit nor commonsense, and behaved with bestial
greed at table, but at the same time she still displayed all the childish
foibles of a woman; she loved tittle-tattle and gewgaws as much as any
petty-minded trollop, and it was clear that no transmutation of masculine ideas
into her feminine person had occurred.
What is more, she was positively
puritanical in bed and treated Des Esseintes to none
of those rough, athletic caresses he at once desired and dreaded; she was not
subject, as he had for a moment hoped she might be, to sexual
fluctuations. Perhaps, if he had probed
deep into her unfeeling nature, he might yet have discovered a penchant for
some delicate, slightly-built bedfellow with a temperament diametrically
opposed to her own; but in that case it would have been a preference, not for a
young girl, but for a merry little shrimp of a man, a spindle-shanked, funny-faced clown.
There was nothing Des Esseintes
could do but resume the man's part he had momentarily forgotten; his feelings
of femininity, of frailty, of dependence, of fear even, all disappeared. He could no longer shut his eyes to the truth, that Miss Urania was a
mistress like any other, offering no justification for the cerebral curiosity
she had aroused.
Although, at first, her firm flesh and
magnificent beauty had surprised Des Esseintes and
held him spellbound, he was soon impatient to end their liaison and broke it
off in a hurry, for his premature impotence was getting worse as a result of
the woman's icy caresses and prudish passivity.
Nevertheless, of all the women in this
unending procession of lascivious memories, she was the first to halt in front
of him; but the fact was that if she had made a deeper impression on his memory
than a host of others whose charms had been less fallacious and whose
endearments had been less limited, that was because of the healthy, wholesome
animal smell she exuded; her superabundant health was the very antipode of the
anaemic, scented savour he could detect in the dainty Siraudin
sweet.
With her antithetical fragrance, Miss Urania was bound to take first place in his recollections,
but almost immediately Des Esseintes, shaken for a
moment by the impact of a natural, unsophisticated aroma, returned to more
civilized scents and inevitably started thinking about his other
mistresses. These now came crowding in
on his memory, but with one woman standing out above the rest: the woman whose
monstrous speciality had given him months of wonderful satisfaction.
She was a skinny little thing, a dark-eyed
brunette with greasy hair parted on one side near the temple like a boy's, and
plastered down so firmly that it looked as if it had been painted on to her
head. He had come across her at a café
where she entertained the customers with demonstrations of ventriloquism.
To the amusement of a packed audience that
was half- frightened by what it heard, she took a set of cardboard puppets
perched on chairs like a row of Pandean pipes and gave a voice to each in turn;
she conversed with dummies that seemed almost alive, while in the auditorium
itself flies could be heard buzzing around and the silent spectators noisily
whispering among themselves; finally, she had a line of non- existent carriages
rolling up the room from the door to the stage, and passing so close to the
audience that they instinctively started back and were momentarily surprised to
find themselves sitting indoors.
Des Esseintes
had been fascinated, and a whole crop of new ideas sprouted in his brain. First of all he lost no time in firing of a
broadside of banknotes to subjugate the ventriloquist, who attracted him by the
very fact of the contrast she presented to the American girl. The brunette reeked of skilfully contrived
scents, heady and unhealthy perfumes, and she burned like the crater of a
volcano. In spite of all his
subterfuges, Des Esseintes had worn himself out in a
few hours; yet he nonetheless allowed her to go on fleecing him, for it was not
so much the woman as the artiste that appealed to him. Besides, the plans he had in view were ripe
for execution, and he decided it was time to carry out a hitherto impracticable
project.
One night he had a miniature sphinx
brought in, carved in black marble and couched in the classic pose, its paws
stretched out and its head held rigidly upright, together with a chimera in
coloured terra-cotta, flaunting a bristling mane, darting ferocious glances
from its eyes, and lashing flanks as swollen as a blacksmith's bellows with its
tail. He placed one of these mythical
beasts at either end of the bedroom and put out the lamps, leaving only the red
embers glowing in the hearth, to shed a dim light that would exaggerate the
size of objects almost submerged in the semi-darkness. This done, he lay down on the bed beside the
ventriloquist, whose set face was lit up by the glow of a half-burned log, and
waited.
With strange intonations that he had made
her rehearse beforehand for hours, she gave life and voice to the monsters,
without so much as moving her lips, without even looking in their direction.
There and then, in the silence of the
night, began the marvellous dialogue of the Chimera and the Sphinx, spoken in
deep, guttural voices, now raucous, now piercingly clear, like voices from
another world.
"Here, Chimera,
stop!"
"No, that I will never do."
Spellbound by Flaubert's wonderful prose,
he listened in breathless awe to the terrifying duet, shuddering from head to
foot when the Chimera pronounced the solemn and magical sentence:
"I seek new perfumes, larger
blossoms, pleasures still untasted."
Ah! it was to him that this voice, as
mysterious as an incantation, was addressed; it was to him that it spoke of the
feverish desire for the unknown, the unsatisfied longing for an ideal, the
craving to escape from the horrible realities of life, to cross the frontiers
of thought, to grope after a certainty, albeit without feeling one, in the
misty upper regions of art! The
paltriness of his own efforts was borne in upon him and cut him to the
heart. He clasped the woman beside him
in a gentle embrace, clinging to her like a child wanting to be comforted,
never even noticing the solemn expression of the actress forced to play a
scene, to practise her profession, at home, in her leisure moments, far from the
footlights.
Their liaison continued, but before long
Des Esseintes' sexual fiascos became more frequent;
the effervescence of his mind could no longer melt the ice in his body, his
nerves would no longer heed the commands of his will, and he was obsessed by
the lecherous vagaries common to old men.
Feeling more and more doubtful of his sexual powers when he was with
this mistress of his, he had recourse to the most effective adjuvant known to
old and undependable voluptuaries - fear.
As he lay holding the woman in his arms, a
husky, drunken voice would roar from behind the door:
"Open up, damn you! I know you've got a cully
in there with you! But just you wait a
minute, you slut, and you'll get what's coming to you!"
Straightaway, like those lechers who are
stimulated by the fear of being caught flagrante
delicto in the open air, on the riverbank, in the
Tuileries Gardens, in a public lavatory or on a park
bench, he would temporarily recover his powers and hurl himself upon the
ventriloquist, whose voice went blustering on outside the room. He derived extraordinary pleasure from this
panic-stricken hurry of a man running a risk, interrupted and hustled in his
fornication.
Unfortunately, these special performances
soon came to an end; in spite of the fantastic fees he paid her, the
ventriloquist sent him packing, and the very same night gave herself
to a fellow with less complicated whims and more reliable loins.
Des Essentes had
been sorry to lose her, and the memory of her artifices made other women seem
insipid; even the corrupt graces of depraved children appeared tame in
comparison, and he came to feel such contempt for their monotonous grimaces
that he could not bring himself to tolerate them any longer.
Brooding over these disappointments one day
as he was walking by himself along the Avenue de Latour-Maubourg,
he was accosted near the Invalides by a youth who
asked him which was the quickest way to get to the Rue de Babylone. Des Esseintes
showed him which road to take, and as he was crossing the esplanade too, they
set off together.
The young fellow's voice, as with
unreasonable persistence he asked for fuller instructions - "So you think
if I went to the left it would take longer; but I was told that if I cut across
the Avenue I'd get there sooner" - was both timid and appealing, very low
and very gentle.
Des Esseintes
ran his eyes over him. He looked as
though he had just left school, and was poorly clad in a little cheviot jacket
too tight around the hips and barely reaching below the small of the back, a
pair of close-fitting black breeches, a turn-down collar and a flowing cravat,
dark-blue with thin white stripes, tied in a loose bow. In his hand he was carrying a stiff-backed
school-book, and on his head was perched a brown, flat-brimmed bowler.
The face was somewhat disconcerting; pale
and drawn, with fairly regular features topped by long black hair, it was lit
up by two great liquid eyes, tinged with blue and set close to the nose, which
was dotted with a few golden freckles; the mouth was small, but spoilt by
fleshy lips with a line dividing them in the middle like a cherry.
They gazed at each other for a moment;
then the young man dropped his eyes and came closer, brushing his companion's
arm with his own. Des Esseintes slackened his pace, taking thoughtful note of the
youth's mincing walk.
From this chance encounter there had
sprung a mistrustful friendship that somehow lasted several months. Des Esseintes could
not think of it now without a shudder; never had he submitted to more
delightful or more stringent exploitation, never had he ran such risks, yet
never had he known such satisfaction mingled with distress.
Among the memories that visited him in his
solitude, the recollection of this mutual attachment dominated all the
rest. All the leaven of insanity that a
brain over-stimulated by neurosis can contain was fermenting within him; and in
his pleasurable contemplation of these memories, in his morose delectation, as
the theologians call this recurrence of past iniquities, he added to the
physical visions spiritual lusts kindled by his former readings of what such
casuists as Busenbaum and Diana, Liguori
and Sanchez had to say about sins against the sixth and ninth commandments.
While implanting an extra-human ideal in
this soul of his, which it had thoroughly impregnated and which a hereditary
tendency dating from the reign of Henri III had possibly preconditioned, the
Christian religion had also instilled an unlawful ideal of voluptuous pleasure;
licentious and mystical obsessions merged together to haunt his brain, which
was affected with a stubborn longing to escape the vulgarities of life and,
ignoring the dictates of consecrated custom, to plunge into new and original
ecstasies, into paroxysms celestial or accursed, but equally exhausting in the
waste of phosphorous they involved.
At present, when he came out of one of
these reveries, he felt worn out, completely shattered, half dead; and he
promptly lit all the candles and lamps, flooding the room with light, imagining
that like this he would hear less distinctly than in the dark the dull,
persistent, unbearable drumbeat of his arteries, pounding away under the skin
of his neck.