DIARY

 

Monday, 29 January 1932

 

SOMETHING has happened to me: I can't doubt that anymore.  It came as an illness does, not like an ordinary certainty, not like anything obvious.  It installed itself cunningly, little by little; I felt a little strange, a little awkward, and that was all.  Once it was established, it didn't move anymore, it lay low and I was able to persuade myself that there was nothing wrong with me, that it was a false alarm.  And now it has started blossoming.

      I don't think the profession of historian fits a man for psychological analysis.  In our work, we have to deal only with simple feelings to which we give generic names such as Ambition and Interest.  Yet if I had an iota of self-knowledge, now is the time when I ought to use it.

      There is something new, for example, about my hands, a certain way of picking up my pipe or my fork.  Or else it is the fork which now has a certain way of getting itself picked up, I don't know.  Just now, when I was on the point of coming into my room, I stopped short because I felt in my hand a cold object which attracted my attention by means of a sort of personality.  I opened my hand and looked: I was simply holding the doorknob.  This morning, at the library, when the Autodidact [Ogier P--, who will often be mentioned in this diary. He was a bailiff's clerk.  Roquentin had made his acquaintance in 1930 at the Bouville library.] came to say good-morning to me, it took me ten seconds to recognize him.  I saw an unknown face which was barely a face.  And then there was his hand, like a fat maggot in my hand.  I let go of it straightaway and the arm fell back limply.

      In the streets too there are a great many suspicious noises to be heard.

      So a change has taken place in the course of these last few weeks.  But where?  It's an abstract change which settles on nothing.  Is it I who has changed?  If it isn't I, then it's this room, this town, this nature; I must choose.

 

      I think it's I who has changed: that's the simplest solution, also the most unpleasant.  But I have to admit that I am subject to these sudden transformations.  The thing is that I very rarely think; consequently a host of little metamorphoses accumulate in me without my noticing it, and then, one fine day, a positive revolution takes place.  That is what has given my life this halting, incoherent aspect.  When I left France, for example, there were a lot of people who said I had gone off on a sudden impulse.  And when I returned unexpectedly after six years of travelling, they might well have spoken of a sudden impulse once more.  I can see myself again with Mercier in the office of that French official who resigned last year after the Pétrou business.  Mercier was going to Bengal with an archaeological expedition.  I had always wanted to go to Bengal, and he urged me to go with him.  At present, I wonder why.  I imagine that he didn't feel too sure of Portal and that he was counting on me to keep an eye on him.  I could see no reason to refuse.  And even if, at the time, I had guessed at that little scheme with regard to Portal, that would have been another reason for accepting enthusiastically.  Well, I was paralysed, I couldn't say a word.  I was staring at a little Khmer statuette on a card-table next to a telephone.  I felt as if I were full of lymph or warm milk.  With an angelic patience which concealed a slight irritation, Mercier was saying to me:

      "You see, I have to be certain from the official point of view.  I know that you'll end up by saying yes, so you might as well accept straightaway."

      He has a reddish-black beard, heavily scented.  At every movement of his head I got a whiff of perfume.  And then, all of a sudden, I awoke from a sleep which had lasted six years.

      The statue struck me as stupid and unattractive and I felt that I was terribly bored.  I couldn't understand why I was in Indo-China.  What was I doing there?  Why was I talking to those people?  Why was I dressed so oddly?  My passion was dead.  For years it had submerged me and swept me along; now I felt empty.  But that wasn't the worst of it: installed in front of me with a sort of indolence there was a voluminous, insipid idea.  I don't know exactly what it was, but it sickened me so much that I couldn't look at it.  All that was mixed up for me with the perfume of Mercier's beard.

      I pulled myself together, convulsed with anger against him, and answered curtly:

      "Thank you, but I think I've done enough travelling: I must go back to France now."

      Two days later I took a boat for Marseille.

      If I am not mistaken, and if all the signs which are piling up are indications of a fresh upheaval in my life, well then, I am frightened.  It isn't that my life is rich or weighty or precious, but I'm afraid of what is going to be born and take hold of me and carry me off - I wonder where?  Shall I have to go away again, leaving everything behind - my research, my book?  Shall I awake in a few months, a few years, exhausted, disappointed, in the midst of fresh ruins?  I should like to understand myself properly before it is too late.