METACHEMICAL MORALITY AND QUASI-METACHEMICAL IMMORALITY
Morality
can be metachemical, chemical, physical, or
metaphysical, corresponding to the hegemonic gender and therefore to either female or male, sensual or sensible, heathen or
Christian, alternatives, to speak in generalities.
Beauty and
love coupled to ugliness and hatred in metachemistry
is one sort of morality, that of moral evil and crime, whereas strength and
pride coupled to weakness and humility in chemistry is another sort of
morality, that of moral pseudo-evil and pseudo-crime.
Conversely, knowledge and pleasure coupled to ignorance and pain in physics is
one sort of morality, that of moral pseudo-grace and pseudo-wisdom, whereas
truth and joy coupled to illusion and woe in metaphysics is another sort of
morality, that of moral grace and wisdom.
Both metachemistry and
chemistry, corresponding to female elements (fire and water), are about free
soma and bound psyche, moral virtue and vice of a heathenistic
order.
Both physics and metaphysics, corresponding to male
elements (earth and air), are about free psyche and bound soma, moral virtue
and vice of a christianistic order.
There are, however, other possibilities that have to be considered. Antimetaphysics under metachemistry
is an antimorality in anti-metaphysical guise but can
become either a pseudo-morality in pseudo-metaphysical guise or, with some
'males' aspiring towards the metachemical, an
immorality in quasi-metachemical guise, wherein the
male ratio, duly upended under female hegemonic pressure, of three parts psyche
to one part soma becomes three parts ugliness and hate to one part beauty and
love - the opposite of the female position and the reason why a distinction can
be made between moral evil and crime in metachemical
free soma and bound psyche and, from the standpoint of the antimale
opting for a quasi-female rather than sticking to a pseudo-male alternative,
immoral evil and crime in quasi-metachemical free
soma and bound psyche, the latter, remember, more characteristically 'male' and
the reason why, in this context, males outdo females in ugliness and hate while
underdoing them, so to speak, in beauty and love -
always and everywhere.
But this is only one point of the intercardinal axial
compass, namely the metachemical/antimetaphysical
northwest. The other three points could be addressed in a similar, albeit
independent, manner. As could the endeavour by some metachemical
females to become quasi pseudo-metaphysical, entertaining pseudo-truth and joy
in pseudo-metaphysical free soma and pseudo-illusion and woe in
pseudo-metaphysical bound psyche, but with a ratio the opposite of their male
or, rather, pseudo-male, counterparts - rather more three parts pseudo-truth
and joy to one part pseudo-illusion and woe than vice versa ... in view of
their gender actuality favouring soma over psyche on an approximately 3:1
basis.
So rather than an overwhelming emphasis on what's negative and bound, like
their quasi-metachemical counterparts, an
overwhelming emphasis on what's positive and free, namely pseudo-metaphysical
free soma, gives them an amoral advantage over their pseudo-moral equivalents,
which rather contrasts with the immorality of their quasi-metachemical
gender-bender counterparts whose bias, as noted, can only be for ugliness and
hatred.
Yet this
descent from above, a plane up at the northwest point of the intercardinal axial compass, is still less viable, from a
female standpoint, than the moral evil and crime which characterizes their
metaphysical hegemony. Being morally metachemical is preferable, from a female standpoint, to being amorally quasi pseudo-metaphysical,
just as being pseudo-morally 'metaphysical' is preferable, from a male
standpoint, to being immorally quasi-metachemical.
It is also
arguably preferable to being anti-morally antimetaphysical,
the initial 'fall guy' position from which one can gravitate either to
pseudo-morality in pseudo-metaphysics (truth and joy falsely in free soma and illusion
and woe falsely in bound psyche) or, if sufficiently vain and insufficiently
'the artist', to immorality in quasi-metachemistry,
seeking to become beautiful and loving vis-à-vis ugly and hateful alternatives,
but having to contend with a gender ratio that, with few exceptions, will
always favour ugliness and hatred in bound psyche at the expense of beauty and
love in free soma, the opposite not only of the metachemical
female, as noted above, but of those metaphysical males whose ratio of truth
and joy in free psyche to illusion and woe in bound soma is most decidedly 3:1,
three parts transcendental grace to one part idealistic wisdom.
Let us leave it there, turning our attention in the next [reformatted] weblog to the noumenal antitheses
of metachemistry and antimetaphysics
- namely, metaphysics and antimetachemistry.