XI
Throughout the summer
and autumn the conspirators had worked together to mount entertainments on a
scale seldom seen in the city. The big
house was seldom quiet now for hours together.
It was perpetually alive to the cool fern-like patterns of a quartet, or
to the foundering plunge of saxophones crying to the night like cuckolds. The once cavernous and deserted kitchens were
now full of the echoing bustle of servants preparing for a new feast or
clearing up after one which had ended.
In the city it was said that Nessim had
deliberately set himself to launch Justine in society - as if the provincial
splendours of Alexandria held any promise or charm to one who had become at
heart a European, as he had. No, these
planned assaults upon the society of the second capital were both exploratory
and diversionary. They offered a
backcloth against which the conspirators could move with a freedom necessary to
their work. They worked indefatigably -
and only when the pressure of things became too great stole short holidays in
the little summer lodge which Nessim had christened
'Justine's Summer Palace'; here they could read and write and bathe, and enjoy
those friends who were closest to them - Clea and Amaril and Balthazar.
But always
after these long evenings spent in a wilderness of conversation, a forest of
plates and wine-bottles, they locked the doors, shot the great bolts themselves
and turned sighing back to the staircase, leaving the sleepy domestics to begin
the task of clearing up the débris; for the
house must be completely set to rights by morning; they walked slowly arm in
arm, pausing to kick off their shoes on the first landing and to smile to each
other in the great mirror. Then, to
quieten their minds, they would take a slow turn up and down the
picture-gallery, with its splendid collection of Impressionists, talking upon
neutral topics while Nessim's greedy eyes explored
the great canvases slowly, mute testimony to the validity of private worlds and
secret wishes.
So at last
they came to those warm and beautifully furnished private bedrooms, adjoining
one another, on the cool north side of the house. It was always the same; while Nessim lay down on the bed fully dressed, Justine lit the
spirit-lamp to prepare the infusion of valerian which he always took to soothe
his nerves before he slept. Here, too,
she would set out the small card-table by the bed, and together they played a
hand or two of cribbage or picquet as they talked,
obsessively talked about the affairs which occupied their waking minds. At such times their dark, passionate faces
glowed in the soft light with a sort of holiness conferred by secrecy, by the
appetites of a shared will, by desires joined at the waist. Tonight it was the same. As she dealt the first hand, the telephone by
the bed rang. Nessim
picked up the receiver, listened for a second, and then passed it to her
without a word. Smiling, she raised her
eyebrows in interrogation and her husband nodded. 'Hullo,' the hoarse voice counterfeited
sleepiness, as if she had been woken from her bed. 'Yes, my darling. Of course.
No, I was awake. Yes, I am
alone.' Nessim
quietly and methodically fanned out his hand and studied the cards without
visible expression. The conversation ran
stutteringly on and then the caller said goodnight and
rang off. Sighing, Justine replaced the
receiver, and then made a slow gesture, as of someone removing soiled gloves,
or of someone disembarrassing herself of a skein of wool. 'It was poor Darley,'
she said, picking up her cards. Nessim raised his eyes for a moment, put down a card, and
uttered a bid. As the game began, she
started to talk again softly, as if to herself.
'He is absolutely fascinated by the diaries. Remember?
I used to copy all of Arnauti's notes for Moeurs in my own handwriting when he broke his
wrist. We had them bound up. All the parts which he did not use in the
end. I have given them to Darley as my diary.'
She depressed her cheeks in a sad smile.
'He accepts them as mine, and says, not unnaturally, that I have a
masculine mind! He also says my French
is not very good - that would please Arnauti,
wouldn't it?'
'I am sorry
for him,' said Nessim quietly, tenderly. 'He is so good. One day I will be quite honest, explain
everything to him.'
'But I
don't see your concern for the little Melissa,' said Justine, again as if
engaged in a private debate rather than a conversation. 'I have tried to sound him in every way. He knows nothing. I am convinced that she knows nothing. Just because she was Cohen's mistress ... I
don't know.'
Nessim laid down his cards and said: 'I cannot get rid of a
feeling she knows something. Cohen was a
boastful and silly man and he certainly knew all that there was to know.'
'But why
should he tell her?'
'It is
simply that after his death, whenever I ran across her, she would look at me in
a new way - as if in the light of something she had heard about me, a
piece of new knowledge. It's hard to
describe.'
They played
in silence until the kettle began to whine.
Then Justine put down her cards, went across to prepare the
valerian. As he sipped it she went into
the other room to divest herself of her jewellery. Sipping the cup, and staring reflectively at
the wall, Nessim heard the small snap of her earrings
as she plucked them off, and the small noise of the sleeping-tablets falling
into a glass. She came back and sat down
at the card-table.
'Then if
you feared her, why did you not get her removed somehow?' He looked startled and she added: 'I don't
mean to harm her, but to get her sent away.'
Nessim smiled. 'I
thought I would, but then when Darley fell in love
with her, I ... had a sympathy for him.'
'There is
no room for such ideas,' she said curtly, and he nodded, almost humbly. 'I know,' he said. Justine dealt the cards once more, and once
more they consulted their hands in silence.
'I am
working now to get her sent away - by Darley
himself. Amaril
says that she is really seriously ill and has already recommended that she go
to Jerusalem for special treatment. I
have offered Darley the money. He is in a pitiable state of confusion. Very English.
He is a good person, Nessim, though now he is
very much afraid of you and invents all sorts of bogies with which to frighten
himself. He makes me feel sick, he is so
helpless.'
'I know.'
'But
Melissa must go. I have told him so.'
'Good.' Then, in a totally different voice, raising
his dark eyes to hers, he said: 'What about Pursewarden?'
The
question hung between them in the still air of the room, quivering like a
compass needle. Then he slung his eyes
once more to the cards in his hand.
Justine's face took on a new expression, both bitter and haggard. She lit a cigarette carefully and said: 'As I
told you, he is someone quite out of the ordinary - c'est
un personnage.
It would be quite impossible to get a secret out of him. It's hard to describe.'
She stared
at him for a long time, studying those dark averted features with an expression
of abstraction. 'What I am trying to say
is this: about the difference between them.
Darley is so sentimental and so loyal to me
that he constitutes no danger at all.
Even if he came into the possession of information which might harm us,
he would not use it, he would bury it.
Not Pursewarden!' Now her eyes glittered. 'He is somehow cold and clever and
self-centred. Completely amoral - like
an Egyptian! He would not deeply care if
we died tomorrow. I simply cannot reach
him. But potentially he is an enemy
worth reckoning with.'
He raised
his eyes to her and they sat for a long moment staring sightlessly into each
other's minds. His eyes were now full of
a burning passionate sweetness like the eyes of some strange noble bird of
prey. He moistened his lips with his
tongue but did not speak. He had been on
the point of blurting out the words: 'I am terrified that you may be falling in
love with him.' But a queer feeling of pudicity restrained him.
'Nessim.'
'Yes.'
She stubbed
out her cigarette now and, deep in thought, rose to walk up and down the room,
her hands hugged in her armpits. As
always when she was thinking deeply, she moved in a strange, almost awkward way
- a prowling walk which reminded him of some predatory animal. His eye had become vague now, and
lustreless. He picked up the cards
mechanically and shuffled them once, twice.
Then he put them down and raised his palms to his burning cheeks.
At once she
was at his side with her warm hand upon his brow. 'You have a temperature again.'
'I don't
think so,' he said rapidly, mechanically.
'Let me
take it.'
'No.'
She sat
down opposite him, leaning forward, and stared once more into his eyes. 'Nessim, what has
been happening? Your health ... these
temperatures, and you don't sleep?' He
smiled wearily and pressed the back of her hand to his hot cheek.
'It is nothing,'
he said. 'Just strain now that
everything is coming to an end. Also
having to tell Leila the whole truth. It
has alarmed her to understand the full extent of our plans. Also it has made her relationship with Mountolive much harder.
I think that is the reason she refused to see him at the Carnival
meeting, remember? I told her everything
that morning. Never mind. Another few months and the whole build-up is
complete. The rest is up to them. But of course Leila does not like the idea of
going away. I knew she wouldn't. And then, I have other serious problems.'
'What
problems?'
But he
shook his head, and getting up started to undress. Once in bed he finished his valerian and lay,
hands and feet folded like the effigy of a Crusader. Justine switched off the light and stood in
the doorway in silence. At last she
said: 'Nessim.
I am afraid that something is happening to you which I don't
understand. These days ... are you
ill? Please speak to me!'
There was a
long silence. Then she said: 'How is all
this going to turn out?'
He raised
himself slightly on the pillows and stared at her. 'By the autumn, when everything is ready, we
shall have to take up new dispositions.
It may mean a separation of perhaps a year, Justine. I want you to go there and stay there while
it all happens. Leila must go to the
farm in Kenya. There will certainly be
sharp reactions here which I must stay to face.'
'You talk
in your sleep.'
'I am
exhausted,' he cried shortly, angrily.
Justine
stood still, motionless in silhouette, in the lighted doorway. 'What about the others?' she asked softly,
and once more he raised himself on the pillows to answer peevishly. 'The only one who concerns us at the moment
is Da Capo. He
must be apparently killed, or must disappear, for he is very much
compromised. I have not worked out the
details properly. He wants me to claim
his insurance, anyway, as he is completely in debt, ruined, so his
disappearance would fit in. We will
speak of this later. It should be comparatively
easy to arrange.'
She turned
thoughtfully back into the lighted room and began to prepare for sleep. She could hear Nessim
sighing and turning restlessly in the next room. In the great mirror she studied her own
sorrowful, haunted face, stripping it of its colours, and combing her black
hair luxuriously. Then she slipped naked
between the sheets and snapped out the light, tumbling lightly, effortlessly
into sleep in a matter of moments.
It was
almost dawn when Nessim came barefoot into her room. She woke to feel his arms about her
shoulders; he was kneeling by the bed, shaken by a paroxysm which at first she
took to be a fit of weeping. But if was
trembling, as if with a fever, and his teeth were chattering. 'What is it?' she began incoherently, but he
put a hand over her mouth to silence her.
'I simply must tell you why I have been acting so strangely. I cannot bear the strain any longer. Justine, I have been brought face to face
with another problem. I am faced with
the terrible possibility of having to do away with Narouz. That is why I have been feeling
half-mad. He has got completely out of
hand. And I don't know what to do. I don't know what to do!'
This
conversation took place some little time before the unexpected suicide of Pursewarden in the Mount Vulture Hotel.
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