CYCLE THIRTEEN

 

1.   NEWSPAPERS.  Compared to books, newspapers would seem to be a Liberal equivalence which is therefore neither as right wing (and hardback) nor as left wing (and softback) as the above, but is nonetheless capable of a sort of left-of-centre and right-of-centre distinction either side, so to speak, of a properly centrist standing as newspapers.  By which I of course mean that in addition to the newspaper itself, there are often specialist supplements and magazines - the former left-of-centre on account of their newspaper-like softness and slenderness, the latter right-of-centre on account of their greater bulk, which makes them if not comparatively 'hard' then, at any rate, certainly less soft!  By and large, it would appear that the right-of-centre option tends to predominate, in most newspapers, over the left-of-centre one, thereby suggesting a right-wing bias to the majority of such publications.

 

2.   BROADSHEETS AND TABLOIDS.  As in the case of books, it would seem that newspapers are divisible between verbal and photographic alternatives, viz. 'quality' broadsheets and 'popular' tabloids, and again, as with books, it strikes me as being perfectly feasible to present this division in terms of a sort of Commons/Lords dichotomy, with broadsheets and other intellectually-biased newspapers equivalent to 'lower-chamber' Liberalism, and tabloids equivalent, on account of the emotional implications of their photographic bias, to 'upper-chamber' Liberalism, both of which, being centrist, have to be distinguished from the Labour and Conservative equivalents already discussed.

 

3.   VERBAL/PHOTOGRAPHIC SPECTRUMS.  Although I took the view, in Cycle 12, that there exists a parallel between, on the one hand, verbal books and the Commons and, on the other hand, photographic books and the Lords, I should add that subsequent reflection has induced me to modify what now seems like an overly rigid categorization, principally by allowing, in relation to the Commons, for some photographs where the more left-wing books (whether in softback or hardback) are concerned, so that one can proceed from word-only books to word + some photographs on either side of the political divide.  After which the stage is set for the Lords, as we proceed, within both Labour and Conservative contexts, from books with a preponderating photographic content on the Right to photographic books per se on the Left, these latter as unequivocally emotional, and therefore 'fundamentalist', as it is possible to be within the patriarchal confines of a purgatorial Netherworld.  Hence the left wing of both the Labour and Conservative peer groupings in the Lords could be construed as paralleling photographic softbacks and hardbacks respectively.

 

4.   ANALOGOUS PARALLELS.  Analogous phenomena to newspapers/books, like pianos and rugby (as already discussed) are also divisible, over and above a Commons/Lords dichotomy, into soft and hard options, as, for example, in the case of the sustain and damper pedals on pianos, the former making for a soft, or legato, impression and the latter, by contrast, for a hard, or staccato, one.  Likewise in rugby, 'tries' are comparatively 'soft' and kicked goals 'hard', the one involving hands, the other (booted) feet.  Whether, in that event, pianos and rugby are Liberal or either Labourite or Conservative, depending on the ratio of 'soft' to 'hard' or vice versa, is a moot point.  For one can obviously argue either way, with moderate soft and hard options likely to suggest a Liberal equivalence, as when both legato and staccato are utilized in the same piano composition, but extreme soft or hard options likely to suggest Labour and Conservative equivalents respectively, as when only legato in the one case or staccato in the other is used in any given piano composition.  Doubtless the real centrist, and therefore classical Liberal equivalence, would be in connection with the avoidance of both the sustain and damper pedals, in contrast to the left-of-centre recourse to moderate legato and the right-of-centre recourse to moderate staccato.  Similarly, rugby would be centrist when no 'tries' or 'goals' had been scored, but left-of-centre with some 'tries' and right-of-centre with some 'goals', neither of which would qualify for either Labour or Conservative evaluations which, by contrast, would imply a considerable preponderance of 'tries' on the one hand and of 'goals' on the other hand, thus transcending the parallel with newspapers (and their supplements/magazines) for parallels with softbacks and hardbacks instead.

 

 

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