FORMS
OF COMPETITION AND CO-OPERATION
1. Further to the above, one could - and indeed
should - argue that the kind of dichotomy which exists, in inorganic no less
than organic contexts, between the insanity of sensuality (outer sense) and the
sanity of sensibility (inner sense) is also commensurate with a distinction
between competition and co-operation, so that it would be difficult, to the
point of impossible, not to deduce a correlation between competition and
insanity on the one hand, and co-operation and sanity on the other hand, whether
in negative or positive terms.
2. Certainly competition will be fiercer in
inorganic primacy than in organic supremacy, given the negativity of primacy,
and one may be sure that objective competition, or competition rooted in a
vacuum, will be more competitive than its subjective counterpart.
3. Conversely, co-operation will be less close
in inorganic primacy than in organic supremacy, and we can take it that
subjective co-operation, or co-operation centred in a plenum, will be more
co-operative than its objective counterpart.
4. Be that as it may, there can be no doubt that
just as negative competition will be affiliated to inorganic primacy and
positive competition to organic supremacy, so the female forms of each mode of
competition, being objective, will be more fiercely competitive than their male
counterparts, enabling us to distinguish a kind of direct mode of competition
(freely extensive) on the one hand from an indirect mode of it (freely
intensive) on the other hand, according to whether freedom attaches primarily
to the not-self (female) or to the self (male), with straight and curved
distinctions respectively.
5. Likewise, there can be no doubt that just as
negative co-operation will be affiliated to inorganic primacy and positive
co-operation to organic supremacy, so the male forms of each mode of
co-operation, being subjective, will be more closely co-operative than their
female counterparts, enabling us to distinguish a kind of direct mode of
co-operation (boundly intensive) on the one hand from
an indirect mode of it (boundly extensive) on the
other hand, according to whether binding attaches primarily to the self (male)
or to the not-self (female), with curved and straight distinctions
respectively.
6. Thus not only will female competition, being
objective, be fiercer than its male counterpart, but it will also be at its
most competitive in inorganic primacy and at its least (relative to objective
criteria) competitive in organic supremacy.
7. Not only will male co-operation, being
subjective, be closer than its female counterpart, but it will also be most
co-operative in organic supremacy and least (relative to subjective criteria)
co-operative in inorganic primacy.
8. If we think in axial terms, i.e. the female
axes of space-time objectivity and volume-mass objectivity vis-à-vis the male
axes of mass-volume subjectivity and time-space subjectivity, we can broadly
distinguish the inorganic forms of each from their organic counterparts on the
following disciplinary terms: viz. war and peace in relation to the female axes
and sport and dance in relation to the male axes of inorganic primacy, but sex
and spirituality in relation to the male axes and art and fecundity in relation
to the female axes of organic supremacy.
9. In other words, we shall find a distinction
between war and peace on the one hand and sport and dance on the other, in
relation to the negativity, overall, of inorganic primacy, but between sex and
spirituality on the one hand and art and fecundity on the other, in relation to
the positivity, overall, of organic supremacy.
10. Hence not only is there a female/male
distinction, embracing both competition and co-operation, between war and peace
on the one hand and sport and dance on the other, but war, being objective,
will be more fiercely competitive than sport, while dance, being subjective,
will be more closely co-operative than peace, or the sensible alternative to
war. Both alike, however, will appertain
to the negativity of inorganic primacy.
11. Conversely, not only is there a male/female
distinction, embracing both competition and co-operation, between sex and
spirituality on the one hand and art and fecundity on the other hand, but sex,
being subjective, will be less fiercely competitive than art, while fecundity,
being objective, will be less closely co-operative than spirituality. Both alike, however, will appertain to the positivity of organic supremacy.
12. But of course, in
general terms, war will be more competitive than art, and sport more
competitive than sex, while, conversely, peace will be less co-operative than
fecundity and dance less co-operative than spirituality. For competition peaks in
inorganic primacy, whereas co-operation peaks in organic supremacy.
13. What can be deduced from the forgoing is that
just as sanity is preferable, from a male standpoint, to insanity, binding to
freedom, so co-operation is preferable to competition, and never more so than
in relation to organic supremacy.
14. For while negative
co-operation is arguably preferable, from a male standpoint, to negative
competition, it can only be inferior to positive co-operation (as dance to
spirituality), whether relatively, in the phenomenal context of physical
sensibility, or absolutely, in the noumenal context
of metaphysical sensibility, as applicable to the brain and the lungs
respectively.
15. Whatever people may think, competition is
morally wrong (immoral) and co-operation alone morally right, and while
barbarism and philistinism will subscribe to the one, whether negatively or
positively, or directly negatively (female) and indirectly negatively (male) or
indirectly positively (female) and directly positively (male), civilization and
culture will always uphold the other, since civilization and culture are
symptomatic of sanity and thus of co-operation, and never more so than in
relation to organic supremacy.