401. When
space is alpha, we get light from a vacuum of void, e.g. nothingness.
402. When
space is omega, we get consciousness from a plenum of air, e.g. oxygen.
403. Time can
be either alpha or omega - sequential or repetitive.
404. When
time is alpha, we get heat from a sequence of flame, e.g. fire.
405. When
time is omega, we get feelings from a repetition of blood, e.g. heartbeat.
406. Volume
can be either alpha or omega - volumetric or voluminous.
407. When
volume is alpha, we get coldness from a volume of water, e.g. rain.
408. When
volume is omega, we get knowledge from a volume of intellect, e.g. book.
409. Mass
can be either alpha or omega - massed or massive.
410. When
mass is alpha, we get darkness from a mass of earth, e.g. crowd.
411. When
mass is omega, we get sensation from a mass of flesh, e.g. sex.
412. The alpha of space, time, volume, and mass can be either
negative or positive, but, given its particle appearance, it will be primarily
negative and only secondarily positive.
413. The omega of space, time, volume, and mass can be either
negative or positive, but, given its wavicle essence,
it will be primarily positive and only secondarily negative.
414. With the alpha positions of any given spectrum, the particle
is primary and the wavicle secondary.
415. With the omega positions of any given spectrum, the wavicle is primary and the particle secondary.
416. The secondary
quality takes on the moral characteristic of the primary quantity in the case
of the alpha positions.
417. The
secondary quantity takes on the moral characteristic of the primary quality in
the case of the omega positions.
418. Joy
becomes external in relation to woe, in the context of the spatial alpha.
419. Pride
becomes external in relation to humility, in the context of the sequential
alpha.
420. Love
becomes external in relation to hate, in the context of the volumetric alpha.
421. Pleasure
becomes external in relation to pain, in the context of the massed alpha.
422. Woe
becomes internal in relation to joy, in the context of the spaced omega.
423. Humility
becomes internal in relation to pride, in the context of the repetitive omega.
424. Hate
becomes internal in relation to love, in the context of the voluminous omega.
425. Pain
becomes internal in relation to pleasure, in the context of the massive omega.
426. If
Marxism, or Communism, is extreme left, then Bolshevism, or Marxism-Leninism,
is quasi-extreme right.
427. Bolshevism
is 'Red Fascism' (Wilhelm Reich), or communistic militarism.
428. The Extreme Right are always militarist and ruling class,
rooted in the sun.
429. The Right are always capitalist and business class, rooted
in the moon.
430. The Left are always socialist and working class, rooted in
the earth.
431. The Extreme Left are always communist and leading class,
rooted in the cosmos.
432. The
clerical Extreme Left are always transcendentalist and classless, centred in
the spirit.
433. The clerical Extreme Right are always fundamentalist and
upper class, centred in the blood.
434. The clerical Right are always nonconformist and middle
class, centred in the intellect.
435. The clerical Left are always humanist and lower class,
centred in the will.
436. Painting
is the art form of space.
437. Music
is the art form of time.
438. Literature
is the art form of volume.
439. Sculpture
is the art form of mass.
440. Because
the Extreme Right are militaristic, they are inherently diabolical, glorying in
war.
441. It is
easy to take the red flag and unbounded yellow star of Communism for the Devil
or, rather, Antidevil, but this would be an
ideological error!
442. Bolshevism,
and hence Stalinism, may have been militaristic, but it was still pro-worldly, and thus pro-left.
443. Bolshevism
leads to Socialism, and Socialism should in turn lead, via people's Catholicism,
to the 'clerical communism' of Social Transcendentalism.
444. People's Catholicism will be rather more
partial to the Mother than to the Father, and thus to mothers as opposed to
fathers.
445. The
Church does the Devil's work when it protects the interests of the Father at
the expense of those of the Mother.
446. The
People have a moral duty to oppose 'clerical fascism' (fundamentalism) and its
support for the despotism of the Father.
447. Only
that man who is atheistic vis-à-vis the Father ... will have the Mother's
interests truly at heart!
448. When
the 'dogs of war' are unleashed upon the People, 'clerical fascists'
(fundamentalists) tend to turn what is commonly called a 'blind eye'.
449. 'Clerical
fascists' are quick to justify their oppression of the People in terms of a
'holy war' against atheist unbelievers.
445. He
who believes truly in the Son believes not in the Father but in the Mother,
whose hope of the world ... is the Second Coming.
451. The Second Coming will take subjectivity from the phenomenal
plane of the world to the noumenal plane of Heaven,
thus vindicating the Mother's hope.
452. Where
People's Catholicism is triumphant over despotic Catholicism, the People are
free to await the Second Coming/Social Transcendentalism.
453. With Social Transcendentalism, the People will have the
opportunity to elect, democratically, for religious sovereignty, and thus the
right to spiritual self-realization.
454. Social
Transcendentalism will have no place whatsoever for the Father, alias the Holy
Soul of Hell, but only place for the Holy Spirit of Heaven, the one true God.
455. The
Modern Age began in the particle Extreme-Left of 'secular communism' and will
end, if justice is done, in the wavicle Extreme-Left
of 'clerical communism', or Social Transcendentalism.
456. One
should distinguish Nazism from Fascism on the basis of a
pseudo-extreme-right/extreme-right dichotomy - the former issuing from the moon
... of liberal democracy (
457. Whatever
its ideological shortcomings, Nazism began on a democratic basis and ended-up
'selling out' to the military.
458. Fascism
was and remains inherently militaristic, attaining power via a coup rather than
through the ballot box.
459. It is
because of its intrinsically militarist nature that
Fascism was even more diabolical than Nazism.
460. Hitler
may have been more evil than Mussolini, but he was less weak, and therefore
diabolical.
461. The nazi/fascist alliance was effectively a pact between the
Antichrist and Satan - the former cold and calculating, the latter hot and
impulsive; the one evil, the other weak.
462. As a military ruler, Franco was the quintessential fascist -
a man of the Extreme Right who crushed the People in the interests,
effectively, of the Father.
463. Franco's
monumental legacy to
464. Franco
crucified the Spanish people long before he erected a monument to his despotic
triumph.
465. The Spanish people await the Second Coming in the shadow of
Franco's awesome cross, the shame of
466. There
is a sense in which writing is thinking, but it is no closer to being literally
the case ... than would be the notion that beauty was truth.
467. The
common people abhor thought and hold it against the thinker.
468. The
common people adore speech and speak as often as they can.
469. The common people have more respect for the speaker, and
hence the dramatist, than for the thinker, and hence the philosopher.
470. Drama
is an inherently fundamentalist mode of literature; philosophy, by contrast, is
transcendentalist.
471. 'Dramatic
philosophy' (Nietzsche) is no-less paradoxical than 'philosophical drama'
(Shaw), but still morally better.
472. The dramatist is the least intelligent kind of writer, the
philosopher the most intelligent.
473. Poets are more intelligent than novelists, but
less intelligent than philosophers.
474. Poetry
is an inherently nonconformist mode of literature; fiction, by contrast, is
humanist.
475. 'Literary
poetry' (Eliot) is no-less paradoxical than 'poetic literature' (Joyce), but
still morally worse.
476. The middle class prefer to read than to write, and have more
respect for the reader, and hence the poet, than for the writer, and hence the
novelist.
477. Poetry is the literary art form of phenomenal
objectivity, and hence reading, whereas fiction is the literary art form of
phenomenal subjectivity, and hence writing.
478. Drama is the literary art form of noumenal objectivity, and hence speaking, whereas
philosophy is the literary art form of noumenal
subjectivity, and hence thinking.
479. The more diabolic the society, the greater the amount of
drama it will consume and/or produce.
480. The more divine the society, the greater the amount of
philosophy it will consume and/or produce.
481. Societies
that are neither especially diabolic nor divine will concentrate on either
poetry or fiction primarily - the former masculine and the latter feminine.
482. Fundamentalist societies thrive on drama,
transcendentalist ones on philosophy.
483. Nonconformist
societies thrive on poetry, humanist ones on fiction.
484. The
world must be saved from fiction by philosophy.
485. Purgatory
can only be damned from poetry by drama.
486. There
is about 'poetic drama' the suggestion of something nazi,
and hence pseudo-extreme right.
487. Those whose politics are extreme left cannot have any
connection with the Extreme Right, and will therefore have no taste for drama.
488. God
is a philosopher (thinker), whereas the Devil, by contrast, is a dramatist
(speaker).
489. Man
is a poet (reader), whereas woman, by contrast, is a novelist (writer).
490. Thinking is an intellectual affirmation of the
spirit, whereas reading is a spiritual affirmation of the intellect.
491. Speaking is a soulful affirmation of the
intellect, whereas writing is an intellectual affirmation of the will.
492. Space
can be either idealist (spatial) or transcendentalist (spaced).
493. Time
can be either naturalist (sequential) or fundamentalist (repetitive).
494. Volume
can be either materialist (volumetric) or nonconformist (voluminous).
495. Mass
can be either realist (massed) or humanist (massive).
496. Idealist
space, being spatial, is void, whereas transcendentalist space, being spaced,
is spiritual.
497. Naturalist
time, being sequential, is fiery, whereas fundamentalist time, being
repetitive, is soulful.
498. Materialist
volume, being volumetric, is watery, whereas nonconformist volume, being
voluminous, is intellectual.
499. Realist
mass, being massed, is earthy, whereas humanist mass, being massive, is wilful.
500. Idealism
is stellar (cosmic), whereas transcendentalism is heavenly.