18 August 1900
I was speaking of my childhood, was I not? I believe it was even then that my fate was measured
out, although only by chance was this revealed to me. Frank Houlihan, who
worked for my father at Moytura, took me, on one
holiday from school, to an old peasant woman who had a reputation in the
neighbourhood for the telling of men's fortunes. He had told me of her often, and I felt a
strange desire to see her. I hoped, I
think, that she would recognise in me what I had already discovered in myself.
She was a
withered thing, wearing the red dress common to the women of that region. She took my hand - large, even then, and grey
- and surveyed it in a somewhat scornful manner. But then she stroked my arm, and told me that
my fate was to be both magnificent and terrible, that my name, Oscar, famous in
the annals of Irish history, would sit upon me - she said - as a dream of
far-off things continues into the day.
Frank and I
travelled back in the cart in silence. I
received then a sense of fate which has never left me. I knew, from my reading at Portora, that the point of all tragedy is the heedlessness
of the tragic hero: even when he has seen the curse, he runs towards it
willingly. Of course I had no-one to
weave beautiful songs out of my destiny - but, then, I have always been my own
chorus.
I have
never spoken about my childhood before, even to those who have known me and
shared my sorrows, because it bears witness to a shame not my own. When I lay like a wounded animal in my
mother's house, on bail between my trials, she came to me weeping and told me
that she held herself responsible for my fate, and that the punishment I was
suffering was for her own sin: that I was not Sir William's child. I am illegitimate. I do not wonder why I could not speak Sir
William's name without sighing, and why I do not in the least resemble
him. I see now why in Merrion Square I seemed always to be the one set apart, and
why my mother did her best to shield me from the world, in case I had inherited
the sensual disposition with which she had conceived me.
My mother,
on that fateful evening, told me that my father was an Irish poet and patriot
who had died many years before; his name was Smith O'Brien. She told me that he used to visit us when she
took me to the little farmhouse which we owned in the vale of Glencree - I had quite forgotten that farmhouse. But I can recall dimly a quiet man who would
come and play with me, let me win at childish games and press a coin into my
hand. His name is not unknown to me - he
was one of those who suffered terribly for Ireland's sake and, when I recall
the dignity he seemed to possess when I knew him as a child, I know also that
it is the dignity of one who has failed.
As my
mother told me of those days, she wept; and, indeed, I pitied her rather than
myself. She had hidden her sorrow and,
when we conceal the past, like a fox beneath a cloak, it injures us. Only in my own tragedy had she the strength
to come to me and, in short, quiet words, tell me of her dishonour that bound
her to my own. In her guilt, she had
shut out the sun all those years; she had sat in darkness.
And
although I felt nothing then - so many blows had been rained upon me that I was
numb to further suffering - now it helped me to understand. The workings of the personality are
mysterious to me and yet the dark thread which runs through my life can, I
think, be detected in my strange beginning.
The illegitimate are forced to create themselves, to stand upright even
when the whirlwind engulfs them. I know
now, also, why I longed for praise and for recognition even as I knew that fame
and applause were empty things. I have
come to understand why I found myself employing conventional values only to
mock at them or turn them into parody; why I took refuge in hard,
nerve-destroying work, and in that mist of words which clings about me
always. My mother's confession confirmed
that I, too, ranked among the outcasts - but I am not sure that murmurings of
my lot had not always reached me in my private ear.