6 October
1900
I was so pleased with my account of my life in prison,
with the pearl I had created out of two years’ suffering, that I took this
journal with me when I went to lunch with Bosie at
the Richaux. I
saw Frank Harris there and asked him to join us – on the principle that if
Frank is not with you he is against you.
At first I kept the book mysteriously by my side, but the suspense grew
too much for me and I placed it upon the table.
‘What is
that, Oscar, a ledger of debts?’
‘Yes, Bosie, it is. But
they are not debts which the money could repay.’
‘Your debts
never are.’ This, of course, was Frank.
‘I will
read you a passage. Frank, if you will
allow an artistic note to be introduced into our conversation.’
I think I
recited to them the pages concerning my triumphant days in
‘You cannot
publish this, Oscar. It is nonsense –
and most of it is quite untrue.’
‘What on
earth do you mean?’
‘It is
invented.’
‘It is my
life.’
‘But you
have quite obviously changed the facts to suit your own purpose.’
‘I have no
purpose, and the facts came quite naturally to me.’
‘There was
a time when you distrusted nature, and rightly so. For example, “in the little theatre in
‘Don’t be
so ridiculous, Frank. You are behaving
like a weekly reviewer.’
‘And you
have stolen lines from other writers.
Listen to this one …’
‘I did not
steal them. I rescued them.’
Bosie remained silent: he was biting his fingernails, which
is always a sign that he has nothing to say.
And so I challenged him.
‘And what
do you think?’
‘It’s full
of lies, but of course you are. It is
absurd and mean and foolish. But then
you are. Of course you must publish it.’
Frank then
continued in the most boring detail about what he called my errors of fact and
judgement. I cannot remember them
now. I rescued the book from him after
some minutes, and asked him to order me a cab.
‘Lose the book,’
he said, ‘for your sake.’ Of course I
ignored him.