F
FALSITY: Apparent and/or qualitative attribute
of, in particular, metaphysical elements and/or elementinos,
viz. protons and/or protinos, stretching from
sequential time to spaced space in time-space evolution, the airy or counter-Cupidian axis of noumenal
subjectivity. Falsity is a negative
manifestation of the Divine, whether in secondary terms with regard to
metaphysical power (elemental particles) or in primary terms with regard to
metaphysical form (molecular wavicles), the
difference between holy anti-evil and holy antifolly,
the metaphysical Antifather and Antison
(in negative Christian terms).
FATHER: The Christian equivalent of Jehovah,
'the Father' is implicated in 'the Son', Who taught the 'Way of the Cross', and
accordingly could be said, unlike Jehovah, to connive at a non-triangular
hierarchy which is as uniquely Christian as triangles are Heathen. In this respect, He is loosely paralleled by
the Judaic Satan, since a fellow rebel against triangular limitations, albeit
one that rejects rather than acquiesces in the pyramidal triangle (of Superheathen culture) in question.
FEMALE: This term is used to imply and/or
embrace both feminine and diabolic (superfeminine in
sensuality, subfeminine in sensibility) alternatives
on the objective side of the gender fence, and is therefore not synonymous, in
my philosophy, with the feminine, or woman, alone, although it can refer to
either the feminine or the diabolic, depending on the context. For that which is female
embraces both the phenomenal planes 'down below' space and time, and the noumenal planes 'up above' volume and mass, if solely in
relation to volume-mass devolution (feminine) and space-time devolution
(diabolic). It is therefore
antithetical to anything and everything male.
FEMININE: The phenomenal counterpart to
masculine, femininity embraces a watery correlation bisecting the planes of
volume and mass in terms of volume-mass devolution, the sensual volume of a
tongue-oriented nonconformism and/or a lunar realism
on the one hand, that of volumetric positive and negative options, and the
sensible mass of a womb-oriented nonconformism and/or
an oceanic realism on the other hand, that of massed positive and negative
options. Hence 'feminine' is a term
which, in my philosophy, is always ranged against the masculine from the
standpoint of a phenomenal order of objectivity, an objectivity - and thus mode
of freedom - at once strong and/or weak and proud and/or humble, depending on
the charge of the femininity, be it organic (personal) and positive, or
inorganic (geologic) and negative.
Either way, spirit will be hegemonic over will, and both alike will be
hegemonic over ego and soul; for phenomenal objectivity is illustrative of a
first-rate order of spirit, a second-rate order of will, a third-rate order of
soul, and a fourth-rate order of ego. It
is also a context in which, due to objective factors, power and glory, viz.
will and spirit, are primary, whereas form and content(ment), viz. ego and soul, are secondary. Hence the feminine is characterized by the
governance of evil and good, with an emphasis on goodness, the spiritual
parallel, over folly and wisdom, since these appertain to what is secondary,
namely to that which appertains to the self as opposed to the not-self (will)
and selflessness (spirit). Being of a
watery elemental correlation, however, the feminine is ever chemical, and
therefore an exponent of clearness, as it alternates between punishment and
adroitness (justness).
FICTION: The quasi-masculine counterpart to drama
within the chemical framework of literature in general, fiction extends from
mass to volume in mass-volume evolution, as from tragedy to comedy, vice to
virtue, sensuality to sensibility, the latter having less action and more
thought, since less of the flesh (phallically) and
more of the brain.
FIRE: The metachemical
element par excellence, fire is
the most basic (negative) and/or least advanced (positive) element, and
therefore the one which, in my philosophy, has an elemental-particle equation
as germane, in particular, to photons and/or photinos
within space-time devolution. Fire is
distinguishable, on this basis, from the fiery gas, as it were, of the sun
and/or Saturn, since the axis in question is from stellar to Venusian (the planet Venus) in cosmic (negative) terms, and
from eyes to heart in universal (positive) terms, and photons and/or photinos take metachemical
precedence, in consequence, over protons and/or protinos
which, in relation to metaphysical gaseousness, are less anti-natural than
pro-natural, and therefore entitled to association, by contrast, with a divine
disposition. Be that as it may, fire is
a noumenal element, and therefore always correlative
of upper-class values in their ruling mode.
It is the element, par excellence, of the Devil and Hell, a
female element with a noumenally objective
disposition for divergence (sensuality) and/or convergence (sensibility) in
straight lines, more especially in the guise of stellar light, its pristine, or
properly metachemical, manifestation.
FREEDOM: The opposite of binding (thraldom),
freedom is a female actuality that embraces the objective side of life, with
particular reference to sensual, or 'once born', contexts. Thus freedom is inseparable from heathenistic criteria, since it can only be maintained on
the basis of a female hegemony, whether in relation to the tongue
(phenomenally) or to the eyes (noumenally), with
reference, in consequence, to 'freedom of (parliamentary) speech' and to
'freedom of the (camera-besotted) press'.
The stand of freedom against binding, or what is more usually regarded
as tyranny, is inevitably a left-wing one, and thus forever associated with
left-wing movements like socialism and communism. The republican symbol of liberty, a female
revolutionary, leading the People (Gericault) is a
poignant illustration of the nature of freedom, which opposes the Church and
all forms of political and religious conservatism from the standpoint of female
objectivity, and hence heathenistic values. Both 'Britannia' and the '
FUNDAMENTALISM: The positive manifestation of metachemistry, fundamentalism stretches from science to
religion via politics and economics, and is everywhere, and in all disciplinary
contexts, germane to photons and/or photinos within
the Cupidian axis, so to speak, of space-time
devolution. Thus fundamentalism is a
female actuality which stretches, more specifically, from superfeminine
sensuality to subfeminine sensibility, as from eyes
to heart. Whatever the discipline,
fundamentalism is that which is diabolic and infernal, whether in primary
terms, vis-à-vis metachemical will and spirit, or in
secondary terms, vis-à-vis metachemical ego and
soul. For the Devil of criminality and
the Hell of cruelty is germane to noumenal
objectivity in its positive manifestation, the fundamentalism, in short, of
beauty and love.
