Harmony and Antimelody. The equivocally hegemonic position of physics over antichemistry at the southeast point of the intercardinal axial compass is commensurate not only with mass (massive) over antivolume (voluminous), as of force over antimotion, but also, in musical terms, with harmony over antimelody, the former of which is massive and the latter of which voluminous, as though subject to massive pressures from the hegemonic element, given to block chording, ‘on high’, which may well result in ‘block singing’, or vocal harmonies.