CYCLE SEVENTEEN: POSITIVE 'NATURE' AND 'CULTURE'
1. The form that power
takes will determine its nature, whereas the content that glory has will
determine its culture.
2. For power has
intimate connections with form, just as glory is intimately connected with
content.
3. One might define the 'nature' of power as
having either objective or subjective dispositions in relation to either noumenal (in space and time) or phenomenal (in volume and
mass) planes.
4. Similarly, the 'content' of glory ought to be
defined in terms of either materialist or realist dispositions in relation to metachemical and chemical elements or, conversely, in terms
of either naturalist or idealist dispositions in relation to physical and
metaphysical elements respectively.
5. Power can take one of
eight principal positive forms, viz. of universal spatial space (outer beauty),
of universal repetitive time (inner beauty), of universal sequential time
(outer truth), of universal spaced space (inner truth), of personal volumetric
volume (outer strength), of personal massed mass (inner strength), of personal
massive mass (outer knowledge), and of personal voluminous volume (inner
knowledge).
6. Glory can take one of
eight principal positive contents, viz. of universal sensual doing (outer
love), of universal sensible doing (inner love), of universal sensual being
(outer joy), of universal sensible being (inner joy), of personal sensual
giving (outer pride), of personal sensible giving (inner pride), of personal
sensual taking (outer pleasure), and of personal sensible taking (inner
pleasure).
7. The 'nature' of positive power in both
universal spatial space and universal repetitive time is noumenally
objective, and hence evil in its supreme super-unnaturalism
to supreme sub-unnaturalism, whereas the 'nature' of
positive power in both universal repetitive time and universal spaced space is noumenally subjective, and hence wise in its supreme subnaturalism to supreme supernaturalism.
8. The 'nature' of positive power in both
personal volumetric volume and personal massed mass is phenomenally objective,
and hence good in its supreme upper-unnaturalism to
supreme lower-unnaturalism, whereas the 'nature' of
positive power in both personal massive mass and personal voluminous volume is
phenomenally subjective, and hence foolish in its supreme lower-naturalism to
supreme upper-naturalism.
9. The 'culture' of positive glory in both
universal sensual doing and universal sensible doing is metachemically
materialist, and hence vicious in its supreme
super-unconsciousness to supreme sub-unconsciousness, whereas the 'culture' of
positive glory in both universal sensual being and universal sensible being is
metaphysically idealist, and hence virtuous in its supreme subconsciousness
to supreme superconsciousness.
10. The 'culture' of positive glory in both
personal sensual giving and personal sensible giving is chemically realist, and
hence virtuous in its supreme upper-unconsciousness to supreme
lower-unconsciousness, whereas the 'culture' of positive glory in both personal
sensual taking and personal sensible taking is physically naturalist, and hence
vicious in its supreme lower-consciousness to supreme upper-consciousness.
11. Whereas beauty
corresponds to evil positive power in both universal spatial space and
universal repetitive time, as one descends the space-time axis from outer
beauty to inner beauty, love corresponds to vicious positive glory in both
universal sensual doing and universal sensible doing, as one descends the axis
of metachemical materialism from outer love to inner
love.
12. Whereas truth corresponds to wise positive
power in both universal sequential time and universal spaced space, as one
ascends the time-space axis from outer truth to inner truth, joy corresponds to
virtuous positive glory in both universal sensual being and universal sensible
being, as one ascends the axis of metaphysical idealism from outer joy to inner
joy.
13. Whereas strength corresponds to good positive
power in both personal volumetric volume and personal massed mass, as one
descends the volume-mass axis from outer strength to inner strength, pride
corresponds to virtuous positive glory in both personal sensual giving and
personal sensible giving, as one descends the axis of chemical realism from outer
pride to inner pride.
14. Whereas knowledge corresponds to foolish
positive power in both personal massive mass and personal voluminous volume, as
one ascends the mass-volume axis from outer knowledge to inner knowledge,
pleasure corresponds to vicious positive glory in both personal sensual taking
and personal sensible taking, as one ascends the axis of physical naturalism
from outer pleasure to inner pleasure.