CYCLE THIRTY-TWO: THE STRUGGLE WITHIN IDEALISM

1. Perfect form may be found in knowledge, whether carnally in sensuality or intellectually in sensibility, but perfect content is only to be found in joy, whether aurally in sensuality or spiritually in sensibility.

2. From the standpoint of its physicality with regard to the phenomenal planes of vegetation, both massive and voluminous, pleasure will always remain an imperfect manifestation of content, just as, conversely, truth will remain an imperfect manifestation of form on account of its metaphysicality with regard to the noumenal planes of air, both sequential and spaced.

3. But imperfect form leads to perfect content, truth leading to joy, whether in sensuality or sensibility, music or meditation, just as, lower down the elemental hierarchy, perfect form leads to imperfect content, knowledge leading to pleasure, whether in sensuality or sensibility, coitus or cogitation.

4. Consequently the man who wishes for perfect content will not be one to pursue pleasure through knowledge, where content is ever imperfect, but, rather, one to pursue joy through truth, whether the truth be of the ears and 'once born' or of the lungs and 'reborn', the latter alone commensurate with genuine spirituality.

5. Consequently, transcendental meditation is the methodology by which the maximum of joy in the most perfect content can be achieved, bringing the devotee, effectively a superman, to the peaks of cultural enlightenment in the spirituality of sensible being.

6. That man who pursues perfect content through culture is an idealist, for idealism appertains to the metaphysical element of air with regard to both aural and spiritual manifestations of cultural commitment.

7. But the idealist can be submasculine or supermasculine, given to the subnature and subculture of aural metaphysics in relation to the subconscious self which listens (to music) or given, by contrast, to the supernature and superculture of spiritual metaphysics in relation to the superconscious self which meditates (upon the breath).

8. Only the supermasculine idealist, being spiritual, is able to achieve the most perfect content, for the submasculine idealist, a subman, is dependent, through the ears, on what comes to him, on the airwaves, from without, whereas the supermasculine idealist, the superman, is committed, through the lungs, to what inspires him, on the breath, from within, and it is only in relation to the 'kingdom within' that metaphysical sensibility, and hence spirituality, is to be found.

9. Verily, the superman is not only the ultimate man, he is the ultimate idealist, for whom respiratory sensibility is more important than auditory sensuality, and who is accordingly as genuinely spiritual as the subman is musical. For spirituality is the opposite of musicality, and only that noumenal man who is 'reborn' into spirituality will be beyond music, and hence the sensual seductions of the ears to aural idealism.

10. May the spiritual idealism of the superman be the mode of metaphysics which characterizes the idealism of 'Kingdom Come', once things pass from the 'kingdom without' to the 'kingdom within' in due Superchristian vein, eclipsing the Superheathen rule of noumenal sensuality. Only thus will content be definitively perfect.