DISTINGUISHING BETWEEN STRAIGHT AND CURVED ELEMENTS

1. Life, like the Universe, is divisible between objectivity and subjectivity, divergence (in sensuality) and/or convergence (in sensibility) in either straight lines (objective) or curved lines (subjective), the one hailing from a vacuum in female vein and the other from a plenum in male vein, so that it hangs or, better, balances between the genders, as between gender.

2. Space is only one of four spectrums of existence, the others being time, volume, and mass, and so there has, of necessity, to be a space which is objective, or straight, and a space which is subjective, or curved. Ditto for time, volume, and mass. To limit any one of these planes of existence to just one gender factor, say curved, is to take a one-sided view of them which, no matter how justified it may seem from one's own particular standpoint, must fail to do justice to the spectrum in question. Likewise where the 'straight' interpretation of a given plane is concerned.

3. Therefore it behoves anyone attempting to plot a more comprehensive perspective in the interests of philosophical wholeness and credibility to divide space, time, volume, and mass between objective and subjective, straight and curved, female and male alternatives, so that each, in general, is conceived as being both straight and curved rather than simply straight or curved.

4. Let us take one spectrum at a time, starting with space, and divide it between the straight, or objective, nature of spatial space and the curved, or subjective, nature of spaced space, the former appertaining to sensuality and the latter to sensibility.

5. Likewise with time, the division there being rather more between the curved, or subjective, nature of sequential time and the straight, or objective, nature of repetitive time, the former appertaining to sensuality and the latter to sensibility.

6. Similarly with volume, whose division is between the straight, or objective, nature of volumetric volume and the curved, or subjective, nature of voluminous volume, the former appertaining to sensuality and the latter to sensibility.

7. Finally the division of mass, the lowest spectrum, will be between the curved, or subjective, nature of massive mass and the straight, or objective, nature of massed mass, the former appertaining to sensuality and the latter to sensibility.

8. Returning to the axial theory which I developed in earlier texts, it is demonstrably the case that a gender division exists between that which rises diagonally from sensuality to sensibility due to a subjective disposition and that which falls diagonally from sensuality to sensibility due to an objective disposition, the one male and the other female.

9. Hence we can distinguish rising through time and space in time-space subjectivity from falling through space and time in space-time objectivity, with a distinction, in consequence, between the curved nature of time and space in the one case, and the straight nature of space and time in the other case.

10. Hence we can distinguish rising through mass and volume in mass-volume subjectivity from falling through volume and mass in volume-mass objectivity, with a distinction, in consequence, between the curved nature of mass and volume in the one case, and the straight nature of volume and mass in the other case.

11. Therefore in the noumenal, or upper class, contexts of the planes of space and time, time-space subjectivity affords us evidence of a rise from curved time in its sequential mode to curved space in its spaced mode, while space-time objectivity affords us evidence of a fall from straight space in its spatial mode to straight time in its repetitive mode.

12. Likewise in the phenomenal, or lower class, contexts of the planes of volume and mass, mass-volume subjectivity affords us evidence of a rise from curved mass in its massive mode to curved volume in its voluminous mode, while volume-mass objectivity affords us evidence of a fall from straight volume in its volumetric mode to straight mass in its massed mode.

13. Hence a subjective rise, whether noumenal or phenomenal, is from one type of curved existence to another, as germane to a male disposition, whereas an objective fall, whether noumenal or phenomenal, is from one type of straight existence to another, as germane to a female disposition.

14. Since that which rises from sensuality to sensibility in either phenomenal or noumenal contexts is germane to a male experience, it follows that a rise on the one side of life will condition a fall on the other; for the female will not automatically elect to fall diagonally from sensuality to sensibility within the objective parameters of her noumenal/phenomenal options unless the male first elects to rise diagonally from sensuality to sensibility within the subjective parameters of his noumenal/phenomenal options, given the hegemonic advantages that accrue to female sensuality.

15. Rises within both time-space subjectivity and mass-volume subjectivity have been identified with alternative forms of salvation, the former upper class and metaphysical, the latter lower class and physical. Conversely, falls within both space-time objectivity and volume-mass objectivity have been identified with alternative forms of damnation, the former upper class and metachemical, the latter lower class and chemical.

16. Thus we have noumenal distinctions between the straight nature of metachemical space and time and the curved nature of metaphysical time and space, which contrast, on an upper class/lower class basis, with the phenomenal distinctions between the straight nature of chemical volume and mass and the curved nature of physical mass and volume.