A
PERMANENT CROSS
He remembered his
doctor looking at him in sceptical surprise and saying: "Why, you're not a
nutcase! You've got musical taste and
culture and ...!"
Michael had discussed classical music with his doctor on a
previous occasion, but had gone along to the surgery, this time, for some anti-depressants
in order to combat a depression the doctor knew all about, and the latter had
kindly scribbled out a prescription for tryptizol or dothiepin or some such soothing drug. But he hadn't been encouraged to pay a visit
to a specialist at the nearest mental hospital.
Indeed, he had been dissuaded from pursuing a more intensive course of
treatment, though, god knows, he knew that something more was needed than
recourse to mild anti-depressants! In
fact, he had long been of the opinion that his depression was due to overlong
confinement in an urban environment, the city he inhabited more as a foreigner
blown in from the provinces than as a genuine native, an outsider as opposed to
an insider, and a fundamentally Catholic one at that! The doctor was clearly an insider, a native
Londoner sceptical of depressions caused by environmental incompatibility,
doubtless on account of his own environmental compatibility. A kind of sophisticated proletarian was how
he saw his doctor - jolly, rotund, prone to self-inflected accidents, hooked on
valium, which he swallowed more, apparently, to keep
himself calm than to ease depression; though if he had one it was evidently
attributable to some other source than environment - possibly matrimonial or
hereditary.
But whilst, as a patient, Michael was of the opinion that
environment was chiefly responsible for his depression, he had
never claimed that it was solely responsible.
Simply the root cause that led to certain effects
conducive to depression. Like,
for instance, being alone in one's room most of the time because the outside
world was too obnoxious to encourage socializing and, in any case, appeared
bereft of the types of people who would have appealed to one's sense of
friendship, its inhabitants being either mostly of the simple or yobbish
proletarian varieties, or of the stand-offish and unintelligible immigrant
varieties, with but a scattering of petty bourgeoisie and bohemian
intellectuals thrown-in for good measure.
And being alone of course meant that one wasn't talking or copulating,
two things which, providing they were indulged in regularly enough, served to
release pent-up tensions and keep one relatively free from depression.
Yet if the environment was a cause of these effects, which
stood like a thistle on a jaded stalk, it was also a direct contributory factor
to his depression, not only in the sense that it was too artificial and
built-up for his liking, or too squalid and ugly, too smelly and polluted, but,
worse still, too noisy and thus a constant source of tension - tension which
entered his head in the form of noise and stayed there, he having no social or
sexual way of releasing it again. So he
was in a kind of tension trap, with noise - in the extremely disagreeable forms
of dog-barkings, worker-hammerings, door-slammings, pop-screechings, kid-shoutings, phone-ringings, car-hummings, radio- and/or TV-blarings,
etc. - going into his head, but no noise - in the more agreeable forms of
speaking, grunting, laughing, singing, etc. - coming out of it. All one-way traffic, so to
speak. And coupled to this, a
lack of deep steady sleep, in part attributable to increased tension and
intellectuality within a highly artificial environment, in part doubtless
deriving from his solitary and sordid lot, a lot compounded by the poverty of a
social security allowance which, to say the least, further inhibited
socializing, there being relatively few contexts where one could meet people
free-of-charge, and still fewer women who would want to meet anyone who lacked
the means to date them regularly, particularly someone whose sartorial
appearance left something to be desired on account of his poverty!
No, Michael knew well enough that females were highly
appearance-conscious, linking a smart exterior with financial affluence and an unsmart one with a want of financial solvency, thoroughly
worldly in their estimations of men, a consequence, no doubt, of their
fundamentally materialistic natures, which induced them to attach greater
importance to externals than to internals, to the flesh than to the spirit, to
appearances than to essences. Not all
women of course, but still too many of them too much of the time! And particularly within an open-society
context, and one, moreover, that existed in a traditionally materialistic
country like
Well, Michael had not gone along to the doctor in order to
lecture him on ethnic characteristics or to give him an unprecedentedly
bold lesson in free speech, but simply to acquire some anti-depressants which,
from previous experience, he knew would be of minimal avail against the
depression that was a permanent aspect of his life and had more than a few
cogent causes, not least of all the isolation of an intelligent Irishman in a
major English city! He knew, too, that
his writings would never be accepted by the English, since too honest and
radical for their middle-of-the-road, bourgeois taste and lack of understanding
of anything that transcended the literary mask, like his philosophical
collectivized writings and poetic autobiographical writings, not to mention his
revolutionary politico-religious ones.
The English were always somehow false and lying, he, a true son of
Ah, Michael had not allowed his depression to prevent him from
working on his own, necessarily superior terms - terms which, through various
literary or anti-literary or poetic stages, had brought him to Truth while the
majority of British writers continued to wallow in illusions and lies,
superficiality and dirt, after their commercial fashions! Unlike them, he had never 'kissed the
bourgeois' arse', to paraphrase Goebbels, but gone
his own way, the way of Truth. He had
quite admired their better authors, men like Aldous
Huxley and Christopher Isherwood, Anthony Burgess and
Lawrence Durrell, but had never identified with them,
preferring to regard most of his work as a continuation beyond Joyce and
Beckett, at least technically ... with regard to a developing absolutism in
poetic truth. He could no longer take
the novel genre seriously, since he equated it with bourgeois limitations both
thematically and technically. A democratic art-form, lacking the inspiration of true genius as
much on account of its pedantic technical considerations as of its restricted
subject-matter.
For true genius of expression demands the maximum concern with
content and the minimum concern with style or grammar. It cannot emerge if there is a lack of
inspiration on account of one's being bound to technicalities which necessarily
impede the flow as well as inhibit the development of Truth. Great insights, the product of inspiration,
mostly come 'on the wing', not when one is at rest or bogged down in
stultifying pedantic considerations! The
more you gain on the grammatical roundabout, the less you can have on the
conceptual swings. The more positive
truth you desire, the less concern you must give to technicalities, which
merely conform, after all, to the proton and/or neutron side of writing, its
materialistic as opposed to spiritualistic, or electron, side. The British make for good novelists but,
contrary to literary myth, relatively poor poets, since they are never
sufficiently free from technical considerations to soar to the heights of
imaginative freedom. Having Irish blood
in their veins, Burgess and Durrell are less literary
than poetic and produce better or, at any rate, more poetic novels in
consequence. James Joyce and Samuel
Beckett are more poetic again, and it's unlikely that any major Irish writer
could ever be less than highly poetic, granted a free-electron
predilection. He had seen the age of
English writing superseded, in
But a revolutionary leader had to write, and Michael had
written as much as anyone, Lenin included, on subjects and in a way that Lenin
would never have contemplated, being too much the politician for anything so theocratic as poetry.
A Social Transcendentalist leader was an altogether different
proposition from a Bolshevik or a Communist one, closer, in essence, to Hitler
and to fascist leaders generally - men who scorned mere politics and literary
philistinism. Michael was also a writer
in the higher sense, not just a political or revolutionary propagandist. Probably more a writer, if the truth were
known, than a revolutionary. A writer who imagined himself a revolutionary rather than a
revolutionary who also dabbled, à la Trotsky, in
writing. A kind of literary
schizophrenia, an illness probably shared by such illustrious writers as Gide and Camus, Malraux and Sartre, Koestler and
Mailer, who were expected and inclined to be political but were never quite
sure to what extent or exactly where the demarcation line between literature
and politics actually stood. Was it
perhaps a failing of a certain type of writer that he imagined himself capable
of major participation in revolutionary politics? Or a madness? That political participation was a writer's
dream, the grass being greener the other side of the professional fence, every
profession having a kind of connection with some other, to which one was more
than likely to be drawn? So after a writer, a fascist or communist dictator? Was that the only way one could, as it were,
progress? He had often thought so, and
was still of the opinion that a revolutionary dictator was more likely to come
from the intellectual class, particularly on its literary side, than from any
other. Certainly a Social
Transcendentalist would have to be highly literate, if his sovereignty as
embodied Holy Spirit was to be justified.
No mere labourer or philistine politician! Michael had no reason to doubt his sanity on that account, even if he
wasn't altogether sure that he was sane to imagine himself a potential
dictator, when he had spent so much time scribbling literary or poetic truth!
But was Social Transcendentalism merely a figment of his
imagination, a mere literary game? He
didn't think so, couldn't bring himself to believe that he was merely
concocting imaginary worlds for literary appreciation. He had gone too far and in too much depth and
earnestness to be a mere purveyor of political fictions. He knew that what he stood for was the Truth,
and that the Truth would have to prevail in the world in future if it was to be
redeemed. He was no fool to doubt the
authenticity of his Truth. But whether
or not he would actually implement it ... time alone would tell. At least he didn't feel that he was in need
of a state psychiatrist on account of his uncertainty in this matter, though
his mental health might well have profited from some psychiatric
attention. The depression was still
there, and if it was a Cross he had to bear on account of his solitary and
celibate lifestyle, then so be it!
Writers were more often than not depressive, if
not manic, in any case, since too much alone.
It was a professional hazard and drawback, not something of which to be
cured if one wished to continue in one's chosen tracks, since writing could
only be done in solitude or, at any rate, without professional assistance from,
say, a colleague. Most serious writers
sooner or later took to drink as an antidote to depression on a kind of
intermittent or temporary basis. Also
tobacco of course, another sensual indulgence to counter the enforced
asceticism of solitary intellectual activity, to sensualize
the brain, soak it, drag it down from its too tense and rarefied heights, if
only to watch the TV or listen to discs.
Such it was for him, and he didn't think himself altogether
unique in this respect, even if there were writers - authors really - who fared
better on account of their wealth and social life, always a friend or wife
around with whom to talk, not really alone all that much, too bourgeois to want
the heights. But madness, mental
illness, depression, delirium - so prevalent these days, and not simply among writers
and would-be revolutionaries, either! He
considered himself essentially sane, despite his depression. But there were others who had regular need of
psychiatric attention, were, in fact, more often mentally ill than physically
ill. He had thought about this
negatively, in regard to his own problem in the past, but now he was beginning
to see it in a positive light. After
all, why had psychology and psychiatry taken so long to materialize? Why was it only this century that they really
came into their own, so to speak, as respectable medical professions? Surely the answer to these questions had to
be: because it was only in the late-nineteenth and early-twentieth centuries
that, in certain parts of the world and in certain individuals, the human psyche
had become sufficiently evolved to permit of a looking back and down on the
subconscious from the vantage-point of the ego and/or superconscious
- in short, because until then humanity had been insufficiently advanced to be
either capable of or particularly interested in any such psychic scrutiny.
Well, what applies to the subconscious may well apply to the
brain in general and to mental illness in particular, so that the growth of
interest in the former and increasing prevalence of the latter were but
reflections of the ongoing sophistication of the age, its coming to maturity on
terms that stressed the mental at the expense of the physical, the brain at the
expense of the body. He had little doubt
that, paradoxically, the expansion of mental illness was a symptom of
evolutionary progress; for if bodily illness had hitherto been the human norm,
might we not be approaching a time when it would be the exception and, by
contrast, only mental illness be the human norm - a humanity grown beyond the
merely physical and become ever-more deeply engrossed in the mental and
spiritual, a humanity which had passed from the body to the mind?
Ah, there were sufficient grounds in this hypothesis for
optimism about the future, for seeing in mental illness not a sign of decay and
pessimism, but, on the contrary, of growth and optimism concerning the
evolution of mankind away from the body and ever deeper into the mind. Could it be, he wondered, that a day would
come when all or most physical illnesses would be attributed to mental causes,
to psychosomatic origins? Would humanity
reach such a pitch of evolutionary sophistication that doctors and surgeons
would become redundant, their dedication to physical illness no longer necessary,
the psychologists and psychiatrists ruling an absolutist roost, and so
attending to the prevalent and, in a sense, only morally respectable types of
illness of that age?
Michael wasn't entirely prepared to rule out such a
possibility. For it seemed to him that
psychology and psychiatry were complementary aspects of a growth industry, the
spiritualistic and materialistic sides, as it were, of the diagnosis and
treatment of mental illness, and that the ratio of mental to physical illness
could only change in the course of time, the former developing at the expense
of the latter, in accordance with the evolutionary requirements of a more
absolutist age, an age when the representative medical practitioners would be
psychologists and psychiatrists, in contrast to the norms of an open society where,
to all appearances, doctors and surgeons constituted the medical norm, and to
such an extent, in certain countries, that their psychic counterparts were
still regarded with if not contempt then, at any rate, deep suspicion, as if
their vocations were somehow irrelevant to the established order, beyond or
outside the pale of representative medical practice, a kind of emerging poetic
threat to a novelistic status quo, not to be taken too seriously, but scarcely
to be underestimated, either!
Perhaps this would apply more in traditionally democratic than
in traditionally theocratic societies, where the materialistic was always so
much more the accepted norm? Certainly a
closed society derived from the latter kinds of societies would reverse this
situation or, at any rate, expand the psychic side, and maybe to a point where
psychologists and psychiatrists would greatly preponderate, with but a minimum
quantity of bodily doctors to deal, in the main, with accidents and emergency
cases, they being regarded as a left-over from bourgeois society,
corresponding, in their reformed status, to the 'Social', and hence inferior,
side of Social Transcendentalism, the ideological integrity of a truly
theocratic closed society, necessarily placing maximum emphasis on the
noun. Probably by then only mental
illnesses, he reasoned, would be socially respectable, contrary to the current
open-society situation, which inclines to regard mental illness from a bodily,
materialistic point of view, and thus to apply such derogatory expressions as
'nutcase', 'fruitcake', and 'lune' to those so
afflicted. Just as his doctor had done
with regard to himself, albeit on the assumption that he couldn't possibly be
one, since stable and healthy and ... interested in serious music!
Well, at the time, Michael had been almost relieved to hear
this, though he knew that his depression was a kind of mental illness and was
more serious than perhaps the doctor, with his limited knowledge of such
things, had supposed. Yet now, when he
reflected on his situation from a higher vantage-point, he was almost
disappointed in the doctor for not having credited him with more sophistication
and thereby acknowledged his superior afflicted status. Indeed, now he was almost proud to be in some
degree mentally ill and thus one of the elect of suffering, no mere physical
democrat but a psychical theocrat, as he had long conceived of himself. He might not be a 'nutcase' in any flagrantly
exhibitionist or delirious or violent or deranged or abusive or non-communicative
sense, but at least he was prone to mental rather than simply physical
ill-health, if on a comparatively low-key and tolerable basis. This was, he supposed, the price one paid for
one's genius as a writer/thinker, the degree of sophistication and spiritual
insight to which he had attained being impossible without a commensurate degree
of physical solitariness and social simplicity.
Yet it was also a mark of his inherent sophistication, his
status as one of the spiritual elect for whom mere bodily ill-health would have
been demeaning, a kind of left-wing affliction more suited, he supposed, to a
person of anti-natural inclination and/or temperament. If he was not mad in any seriously permanent
sense, he was yet capable of mental ill-health and not simply on an
intermittent basis either! It was his
shadow self, the price he paid for the light of his truth. Better of course to be mentally well than
mentally sick; but if one had to be ill, better to be mentally sick than
physically sick. He was part of a long
tradition of great minds whose common lot had been mental ill-health. Like Nietzsche, Strindberg, Baudelaire,
Hermann Hesse, Ezra Pound, and Wilhelm Reich, Michael
Somers would carry his cross until the end - the end, in his case, of the World.