THE
SUBNATURE OF GOD
1. Since the context of God, as of Heaven,
appertains to metaphysics, and does so in both primary (formal) and secondary
(powerful) terms, we can be sure that the 'humanity' of the one is subhuman and
the 'nature' of the other subnatural, and that the
godly individual is accordingly a kind of subman,
whether in aural sensuality or, more definitively, in respiratory sensibility.
2. Thus whether aural or respiratory metaphysics
is at issue, the subhumanity of 'God the Son', so to
speak, and the subnaturalism of 'God the Father'
would indicate the inevitability of a subman, since
one cannot be anything less than the deepest and highest of persons to be
identifiable with God or, at any rate, with what is godly in its redemptive
drive, in both ego and will, towards the universality of Heaven.
3. Clearly, the average man is not godly in his
physical mean, but human and natural, one might almost say, paraphrasing
Nietzsche, human-all-too-human and natural-all-too-natural, which, admittedly,
is the next-best-thing to godliness, but emphatically no more identical with
God than, say, vegetation with air, or sin with grace, or unholiness
with holiness, or the earth with Heaven, or travail with peace.
4. Thus although most men are intermittently capable
of subhuman tendencies and not a few submen, by
contrast, no less intermittently capable of human ones, a distinction
nevertheless persists, in general terms, between the lower-class phenomenality, as it were, of mass-volume subjectivity and
the noumenality, comparatively upper class, of
time-space subjectivity, as between men and submen,
the physical collectivity and the metaphysical
individual who, in his graceful aloofness from the sinful, is akin to God.
5. But if man is not commensurate, in average
masculine terms, with God, then what about those men who approximate, in their
bias towards strength, to women, albeit from a vegetative (and therefore
muscular) as opposed to a watery (and thus properly feminine) point of view?
6. Clearly, such 'men' are even further removed
from the possibility of godliness than the generality of
humanistic/naturalistic men, since strength is not closer to truth than
knowledge, the masculine mean, but closer, in its objectivity, to beauty, that
great antithesis of truth.
7. Therefore 'men' who are 'bovaryized',
or bent, away from their own gender in arguably superhuman/supernatural terms,
the sort of terms in which strength has its watery - and womanly - throne, are
less men than effective 'supermen', and therefore a perverse kind of women,
employing the latter term strictly in relation to volume-mass objectivity, and
therefore not to its upper-class counterpart in space-time objectivity.
8. Thus the term 'superman' is really somewhat
paradoxical, since it would seem to be women who, in their superhumanity/supernaturalism,
more credibly approximate to a 'super' role - certainly in relation, as
mothers, to their families.
9. One could almost identify the term
'superwoman' with the feminine, as we have identified 'subman'
with the divine and 'man' with the masculine, but it seems to me that 'superfeminine' is a more appropriate identification with
the objectivity of volume-mass devolution, and that 'feminine' may well, in the
paradoxical nature of these things, lend itself to a womanly 'bovaryization' having more to do with knowledge than with
strength, as though the female counterpart to 'supermasculine'.
10. Be that as it may, we are left with the
possibility of identifying 'unwoman' or the
'unfeminine' with the diabolic, since that which is into, say, beauty in
space-time objectivity is less superhuman than unhuman
(inhuman), and correspondingly less supernatural than unnatural, appearance
taking precedence over quantity in what amounts to a fixation on doing at the
expense of giving.
11. Thus just as the male (subjective) side of
life provides us with human and subhuman options, corresponding to man and God,
so its female side (objective) offers us proof of superhuman and unhuman options, corresponding to woman and the Devil.
12. One could distinguish a per se unhumanism in the unfeminine from a 'bovaryized'
unhumanism in the unmasculine,
since the Devil is never more genuine than when upper-class female.
13. Likewise one could distinguish a per se superhumanism in the superfeminine
from a 'bovaryized' superhumanism
in the supermasculine, since woman is never more
genuine than when lower-class female.
14. Similarly, one could distinguish a per se humanism in
the masculine from a 'bovaryized' humanism in the
feminine, since man is never more genuine than when lower-class male.
15. Finally, one could distinguish a per se subhumanism in the submasculine
from a 'bovaryized' subhumanism
in the subfeminine, since God is never more genuine
than when upper-class male.
16. In this respect, one might speak of the
pseudo-evil of the unmasculine as against the genuine
evil of the unfeminine, in connection with the noumenal
objectivity of unhumanism/unnature.
17. In such fashion, one might speak of the
pseudo-goodness of the supermasculine as against the
genuine goodness of the superfeminine, in connection
with the phenomenal objectivity of superhumanism/supernature.
18. In like manner, one might speak of the pseudo-folly
(foolishness) of the feminine as against the genuine folly of the masculine, in
connection with the phenomenal subjectivity of humanism/nature.
19. In similar vein, one might speak of the
pseudo-wisdom of the subfeminine as against the
genuine wisdom of the submasculine, in connection
with the noumenal subjectivity of subhumanism/subnature.
20. Whereas the humanism of man is attracted by
the unhumanism of the Devil, the superhumanism
of woman drives man towards the subhumanism of God;
for co-option of the male mean by one extreme tends to result in its
transmutation towards the opposite extreme by the resulting female mean which
ensues with the superhuman.
21. This of course applies to men in general, not
to those higher men, the submen, whom we have
identified as gods, and who tend, in any case, to avoid compromising with women
in the interests of a more genuine and lasting experience of the godly.
22. For whereas nature is drawn towards unnature, subnature tends away
from it, as though from the threat of metaphysical annihilation.
23. For that which is against 'nature', being
unnatural, is more against nature in its vegetative mean than against either supernature behind (anterior to) such a mean or subnature beyond (posterior to) it; for nature is the one
element it can really dominate.
24. Subnature cannot be
dominated by unnature because it has too much wisdom,
in its metaphysical depths, to fall for evil.
25. Only folly can fall for evil, which can only
be vanquished by goodness, thereby driving that which was foolish towards
wisdom.
26. In such fashion most men are driven towards
wisdom, not by evil as such, but by the goodness that results from the
transmutation of evil by folly.
27. Were it not for folly it is debatable whether
goodness would exist at all, since goodness arises out of evil no less than
wisdom out of folly.
28. In fact, folly can be justified on the basis
of the transmutation of evil towards good, even though the coming of goodness
proves problematic for fools.
29. But the wisdom they are driven towards is not
commensurate with wisdom per se, but is achieved rather more vicariously than
directly, whether in sensuality or in sensibility.
30. For true wisdom, to repeat, is germane to one
who, as a subhuman/subnatural subman,
lives metaphysics from the inside, not from the physical standpoint of those
who, as men, find themselves increasingly driven towards the vicarious
experience of metaphysics, whether in terms of music or yoga or whatever.
31. Men remain, at bottom, somewhat sceptical
towards and even fearful of the genuinely godly; for they do not want to
sacrifice their worldly commitments, and, in any case, the masculine and the submasculine are not interchangeable but pertain to
different elements, as, indeed, to two distinct classes - lower and upper -
which fact is usually underlined by distinctive genetic and ethnic differences.
32. In sum, the majority of people are fated to
remain as they are by nature, whether their natures be metachemical
(and evil), chemical (and good), physical (and foolish), or metaphysical (and
wise); for class is no less unalterable, as a rule, than gender.
33. The genuine unwoman
is as uncharacteristic, in her way, of the world as the genuine subman, albeit from a contrary point of view - that of the metachemical Behind, as opposed to the metaphysical Beyond.
34. Yet whereas the genuine unwoman
is about competition behind the co-operative aspect (purgatorial) of the world,
the genuine subman is about individualism beyond the
collectivistic aspect (earthly) of the world.
35. For while competition is the evil of the
Devil, individualism is the wisdom of God, the former noumenally
aloof from the goodness of co-operation,
and the latter noumenally aloof from the folly of
collectivism.
36. Thus do the genuinely Beautiful stand at the
farthest possible remove from the genuinely True, a comparative Few at a noumenal elevation (in space and time) over the worldly phenomenality (in volume and mass) of 'the strong' and 'the
knowledgeable', who correspond, in their respective gender-based ways, to the
Many.
37. But just as beauty is fundamentally anterior
to strength, as fire to water, so truth is transcendentally posterior to
knowledge, as air to vegetation, and the distinction between the competitive
evil of the one and the individualistic wisdom of the other is nothing less
than the alpha (of metachemistry) and the omega (of
metaphysics), appearance and essence.
38. In literary terms, it is the poet who
corresponds, in 'his' obsession with beauty, to the alpha and the philosopher,
with his concern for truth, to the omega, while the dramatist and the novelist,
the playwright and the writer, take intermediate positions, relative to the
world, in which, in the one case, strength and, in the other case, knowledge
(whether carnally or otherwise) are the principal concerns.
39. Thus do 'the good' and 'the foolish' stand
apart from 'the evil' and 'the wise', as women and men from devils and gods,
chemistry and physics from metachemistry and
metaphysics, co-operation and collectivism from competitiveness and
individuality.
40. And what applies to positive, or supreme,
manifestations of the poet, the dramatist, the novelist, and the philosopher
... applies no less to their negative, or primal, counterparts, for whom,
whether in sensuality or sensibility, not beauty but ugliness, not strength but
weakness, not knowledge but ignorance, and not truth but falsity (illusion) are
the principal concerns.
41. Thus do negative devils, women, men, and gods
exist in the cosmic (noumenal) and/or geologic
(phenomenal) shadow of their positive counterparts, like the inorganic behind
the organic, primal manifestations of evil, goodness, folly, and wisdom behind
those supreme manifestations thereof which are more usually associated with
'high culture' or, at any rate, with a 'fine' rather than 'crude' approach to
literature - as, indeed, to the Arts in general.
42. For, in more general terms, the artist
(painter) is vocationally more the type of the unhuman
than the poet, while the sculptor is vocationally more the type of the human
than the novelist, and the musician vocationally more the type of the subhuman
(in sensuality) than the philosopher - only the dramatist, of all the literary
options, corresponding to the type of the superhuman per se.
43. However, even the musician leaves something to
be desired from the standpoint of metaphysics, and that is the respiratory
sensibility of the meditator, the transcendental
meditation of the ultimate subman, the deepest god
whose 'kingdom within' is salvation for submen from
the 'kingdom without', based in aural sensuality, of the musician.
44. There is nothing higher or more profound than
the meditative subman, the God-of-Gods, and it is
towards him that musical submen will have to turn if
they desire metaphysical salvation, the salvation-of-salvations that makes
possible for the God-of-Gods the redemption-of-redemptions in the
Heaven-of-Heavens, the sensible metaphysical being, in inner joy, of the truly
peaceful soul.