HISTORICAL
ANALOGIES
Strictly speaking,
there is no 'eternal recurrence' in history, nothing corresponding to a
repetition of previous developments in identical terms. History continues to develop in response to
evolutionary pressures; it doesn't remain static in a predetermined mould. Yet we can contend that, although history doesn't
exactly repeat itself, a pattern nonetheless accrues to it which reflects the
influence of previous tendencies, suggesting not so much a cyclic development
as a continuation and expansion of cyclical tendencies in extended form. Analogies with past civilizations do of
course present themselves. But they can
never be anything more than approximations tentatively held in the name of
order and clarity. We cannot treat them
as manifestations or proofs of an 'eternal recurrence'. We must allow for the gradual unfolding of
historical development in its changing guises, from the pre-dualistic to the
post-dualistic via the dualistic, which is to say, from pagan to transcendental
via Christian. To ascribe pre-dualistic
criteria to dualistic civilization, for example, would be to overlook the
reality of evolutionary change. Humanism
will inevitably give rise to a different pattern of development, a development
reflecting not pre-dualistic but dualistic influence.
Let us take a closer look at this point. It has been tempting for twentieth-century
historical thinkers to adduce analogies between pagan civilization and their
own Christian civilization in its expiring twilight, and thus to contend, for
example, that Britain is the modern equivalent of ancient Greece and America,
by contrast, the modern equivalent of ancient Rome. This analogy, suggesting a cyclical
development, was put forward by Malcolm Muggeridge, no mean student of
Spengler, who had earlier adduced a similar analogy suggesting not Britain but
Germany as the new Rome, so to speak.
Another similar analogy was drawn by Simone Weil which, whilst ascribing
Grecian attributes to Britain, left one in no doubt that France had behaved in
the manner of ancient Rome during the Napoleonic period.
Thus whilst all three thinkers agreed on the resemblance of
However, if analogies are to be drawn between ancient and modern on the
basis of successive developments, then I would reverse the analogy relating
Generalizations are, of course, always suspect. But if analogies between the ancient and the
modern have to be drawn, then a generalization which ascribes Greek
characteristics to the French and Roman characteristics to the British would
seem of more applicability than one taking the opposite viewpoint, in the
manner of Simone Weil. After all,
If a classic/romantic dichotomy can be inferred from the
respective attitudes and approaches to life of the two peoples, the British
down-to-earth, sober, ruthlessly efficient; the French inspirational,
optimistic, gallant, then the former certainly deserve the appellation
'classic', in contrast to the colourful romanticism of the latter. They are classically prosaic rather than
romantically poetic, puritanical rather than licentious, moderate rather than
extreme, materialistic rather than spiritualistic, extrovert rather than
introvert, and so on. Their puritanism
finds its religious outlet in Protestantism, their moderation in parliamentary
democracy, their materialism in science and industry, and their extroversion in
sport and ceremony. In war they have
shown greater determination, discipline, and tactical shrewdness than the
French, acquiring a reputation for military success second-to-none. Their regiments of well-drilled, closely-packed
infantry could be said to have resembled the Roman legions in formation, and
more than once proved capable of aspiring to similar conquests. With relatively small armies of superior
tactical strength they were generally able to defeat the larger, though less
disciplined, forces of their adversaries, and so extend their influence
throughout the world. And wherever they
went they invariably built imposing monuments to their conquest, bringing
imperial civilization to the defeated in a manner once more resembling ancient
Thus if we are to adopt a generalization relating the growth and
conservation of the British Empire to that of the Roman one, we have no
alternative but to regard the British as the modern equivalent of the ancient
Romans, their imperialism, however, being of a dualistic rather than a
pre-dualistic order. If they were less
ruthless, on the whole, than the Romans in dealing with subject peoples, it was
largely on account of the fact that they reflected Christian criteria, being
inheritors of a humanism undreamt of in pagan times. But they were sufficiently ruthless, all the
same, to extend their empire far beyond the boundaries of the Roman one, and to
hold it down with a firm hand! Very few
rebellions against them proved successful while they were at the height of
their imperial power. Only with the
twentieth century did rebellion on the part of subject peoples lead to
significant results, and then largely because the British were otherwise
preoccupied with stronger external enemies, like
Yet the British weren't simply conquerors and governors of
subject peoples but colonists and explorers as well, so that new nations were
created which, like
However, between the extremes of what one might call colonial
expansion and government through conquest, one finds the development which
marks a combination of these in areas of the world, like black Africa, where a
compromise was forced upon the British in consequence not so much of an
already-established civilization, as in India, but of sheer weight of
numbers. The natives could not be
significantly disposed of, after the fashion that the Anglo-American settlers in
North America had disposed of the Red Indians or the British settlers in
Australia of the aborigines, but had to be conquered and transformed into
workers of one kind or another, in accordance with the environmental and social
dictates of the situation. The African
regions annexed by the British were not destined to be transformed into
predominantly white countries, like
Having slightly deviated from my original thesis, I must now
return to it and draw some further conclusions relating to
However, the transformation of England into Great Britain with
the Unions of Scotland, Wales, and, finally, Ireland (the latter of which
established the United Kingdom of Great Britain and Ireland in 1801), marked
the rise of the modern equivalent of ancient Rome and the decline of its Greek
counterpart, so that, by the end of the nineteenth century, Great Britain was
decidedly the stronger of the two nations, able to assert itself over France to
an extent it could never have dreamt of doing while France was in the
ascendancy as an imperial power. The
defeat of Napoleon at
Having applied our historical analogy on a more-or-less
successive basis to
However, in the dualistic world there could be no undisputed
master but, at its height, two great nations struggling with each other for
worldly spoils. Of the two, the more
dualistic one was destined to reap the biggest dividends, though it couldn't
very well expect to reap them all. The
modern equivalent of ancient
To this day
But then there are contexts in which it would be inconceivable
for the separate countries that constitute Great Britain to participate in
sporting or other activities individually, when it is categorically imperative
for them to merge into a single nation, as at the Olympics or in professional
tennis tournaments or world-contest boxing matches or grand-prix races or chess
competitions, where Great Britain is ever the term on everybody's lips. To imagine
Yet how symptomatic all this is of British success in the
dualistic stage of evolution! How
significant of dualistic civilization! The
French, despite their status as
Having discussed Britain's credentials as the leading dualistic
power in the age of bourgeois imperialism, and compared her to France, her
chief rival, I trust the reader will now be in a better position to sympathize
with my argument concerning the essentially simultaneous rather than successive
nature of dualistic civilization, as represented by the modern equivalents of
ancient Rome and ancient Greece respectively.
Analogies with the past can of course prove treacherous; for, unlike
authors, history never exactly repeats itself!
Accordingly, Britain should first and foremost be seen as Britain rather
than as the modern equivalent of ancient Rome.
But to the extent that others have been tempted in this analogical
direction, and to the extent that I saw fit to disagree with their contentions,
a justification for that disagreement was called for and has, I hope, been
adequately addressed. To regard Britain
as a latter-day Greece and America as a latter-day Rome, like Malcolm
Muggeridge, would, I believe, be to underestimate the imperial achievements of
Britain and to accredit America with a potential for world conquest which would
be out-of-keeping with its status as a dualistic nation bent on defending
capitalism, and hence by implication the West, from anti-capitalist
aggression. We have not yet witnessed
the formation, strictly speaking, of an American Empire, and until such time as
we do, there is no real justification for anyone drawing an analogy between
America and ancient Rome.
Similarly, the analogy put forward by Simone Weil, in which
France was compared with Rome and Britain with Greece, seems to me without any
real justification in view of the respective achievements and predilections of
the two countries. Apart from the brief
Napoleonic interlude, France hasn't aspired to emulating ancient Rome but, on
the contrary, has shown itself susceptible to aesthetico-philosophical
tendencies more reminiscent of ancient Greece in their creative originality and
cultural richness. To base the analogy
with Rome on the Napoleonic period, as Simone Weil does, is to take the exception
for the rule and permit a relatively short period of French history to
represent French history in general. It
is equivalent to taking the romantic period in English literature for the rule
rather than the exception, and seeing in it a proof of the 'Greekness' of
English civilization, which is evidently what Weil did in arriving at her
assessment of Britain. Yet, in reality,
Britain was being just as untypical of itself in the romantic revolution of
Byron, Keats, Shelley, Wordsworth, and Coleridge, as France was being
atypically French in its Napoleonic revolution.
Both nations were contemporaneously aspiring towards their opposite -
Britain or, rather, England becoming romantic, while France was adopting the
classic. Both countries were in rebellion
against their own grain, a rebellion, however, that was soon superseded, as
Britain returned to her natural classicism in the poetry of Tennyson and
Arnold, while France returned to her natural or, rather, anti-natural
romanticism in the poetry of Hugo and Baudelaire. The romantic movement in England had become a
thing of the past by the time French romanticism got properly under way
again. In art, the untypical romanticism
of Blake had given way to the typical classicism of Constable, the untypical
classicism of David to the typical romanticism of Delacroix. Turner and Ingres were, it seems to me,
exceptions to the general rule, national outsiders in their respective
countries.
Be that as it may, the analogy put forward by Simone Weil, on
the strength of these historical 'aberrations' in the British and French
temperaments, scarcely passes muster on a long-term scale, and so should be
dispensed with on any but a provisional basis.
The two or three decades which Britain dedicated to the cultivation of
Grecian characteristics, giving special priority to the Ionic columns of Nash,
should be seen in perspective to the much longer period when it remained
resolutely itself - the modern equivalent of ancient Rome.
Thus when Spengler speaks of Germany being the new Rome in the
wake of Britain's Grecian history, we have sound reasons to be distrustful and
to criticize his findings in the light of our existing data. This philosopher of history, whose monumental
The
Decline of the West was to become one of the most controversial works of the
twentieth century, based his contention on the fact of Germany's rise to power
as a military nation with expansionist objectives and a ruthless discipline for
carrying them through. Clearly, the mass
regimentation of German manhood into iron-willed fighting units aimed at the
overthrow of Britain and France gave him a sufficiently cogent pretext for
drawing an analogy between modern Germany and ancient Rome. Later on, following the humiliating and
crippling defeat of World War One, the gradual rise of Hitler under the banner
of the Imperial Eagle would strengthen the pretext for this analogy still
further, leading many people besides Spengler to see in Germany the inception
of a new Rome.
In reality, however, the inception of a new Rome was the last
thing that the rise of Germany as a single nation signified! For the modern equivalent of Rome, viz. Great
Britain, was one of the countries which Germany, in the role of a new barbarism,
was effectively being chosen by 'the march of history' to overthrow, and
Britain, realizing this in advance, was by no means prepared to let the Germans
have their way, but intended to defeat them in due course and at whatever
cost. For Germany wasn't a part,
strictly speaking, of the dualistic imperial tradition, but had come upon the
world scene relatively late, with the intention of opposing that tradition from
an incipiently post-dualistic standpoint.
This was especially so by the time Hitler attained to power on the basis
of National Socialism. But at the time
of World War One, Germany's status as a post-dualistic power was latent rather
than developed, having accrued from the days of Bismarck and the successes of
the Franco-Prussian War.
And yet Germany's role as a new barbarism programmed to
overthrow the old powers was already clearly evident and, in some matters, such
an objective was effectively achieved.
For Britain and France, despite their eventual victory over the Germans,
were never quite the same again. Their
former security in the world had gone, along with the millions of men
sacrificed on its behalf. They emerged
from the war on crutches, limping into a new age, an age in which world
leadership passed elsewhere. Now if, as
Spengler contends, Britain had entered the First World War primarily in order
to take advantage of France's commitment to it, to crush Germany for being a
serious threat to her own industrial supremacy, then the price she paid for
achieving her objective was the irreparable destruction of that supremacy. America and Russia were the only countries to
emerge from the war better off than before, and for quite different
reasons. America acquired the confidence
it needed to become the world's foremost industrial nation. Russia availed itself of the so-called
'capitalists' war' to become the world's first socialist state. While the dead were burying the dead, two new
powers were being born, and their birth was to have far-reaching consequences
for the twentieth century!